Sentences with phrase «field painting sets»

The unique blend of Realism and the formal discipline of Color Field painting sets the work of Wolf Kahn apart.

The unique blend of Realism and formal discipline of Color Field painting sets the work of Wolf Kahn apart.

Not exact matches

On command of the voices in her head, she spirited her two daughters to the family cottage on the Virginia Peninsula, painted the windows black, and set up the house as a field hospital.

And the earliest work in the exhibition, Vija Celmins's 1964 painting Heater, sets the glowing red center of an electric space heater amid a field of deep grays — reminding us of the constant, ever - shifting dialogue between hot and cool, color and shadow.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

Jaclyn's artwork consists of paintings and drawings that blend together aspects of prevalent settings found in sports culture, such as athletic arenas, fields, courts, and gymnasiums.

One of the pioneers of Color Field Painting, Rothko's abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers» communion with the canvas in a controlled setting.

Scharf himself has stated, «My ambition as a professional artist is to maintain the course that I set nearly 30 years ago by establishing my work in the fields of painting, sculpture, and performance.

Ms. Yuskavage, age 53, gained an international reputation in the 1990s for using Renaissance - era techniques to paint cryptic images of women, often nude and set within epic landscapes or saturated color fields.

The experience inspired a series of drawings, watercolors, and paintings in which the image of a bull is sometimes indicated directly, other times by abstract vertices of dark brushstrokes set against a brightly colored field.

The school focuses on the tradition of figurative painting, drawing, and sculpture, and so invites the vanguard of these fields to speak in an intimate setting to current students and the general public.

Picking out the two lines of the joke in a deep blue, anonymous sans serif font, and setting it within a vast field of flatly painted cardinal red, Prince has created a work that resounds on abstract, conceptual and prosaic levels.

Farmed fields are depicted as patterned rectangles, slices or squares set against each other in vivid colours such as in the recent painting Fall Fields (2017).

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.

He then applies it to canvas, often setting the dry acrylic pieces into a field of wet paint, essentially creating inlaid paintings where the sense of spatial relations is not readily apparent.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

First endowed in 2005, the FALKENROT PRIZE pays tribute to artists at home and abroad whose work seems likely to set new standards in contemporary painting as well as adjacent fields.

It is presented to international artists whose work is considered likely to set new standards in contemporary painting and interrelated fields.

While this term is often associated with American painting, specifically Abstract Expressionism and Color Field painting, Declaring Space addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engaged.

They are staggering because they move back the invention of abstraction from circa 1910, when Kandinsky was said to have set art on a new path with his first «non-representative» paintings, to 1861, when Houghton produced The Holy Trinity, a dark crisscrossing of red and blue lines up and down the paper that then go left to right, then down again in twists and spirals, and up once more in energetic slashes, a working and reworking of energy fields so layered and physical that it can accurately be described as action painting.

Kikuo Saito, known for his abstract, color - field paintings, Butoh - influenced set designs and wordless performance - plays, died on February 15, at age 76, in New York City, where he had lived for 50 years.

Particularly with the colour: the vibration that Hoyland sets up between an orange bar and its green field is dazzling: colours float, disembodied, off one another, but their apparent position in space is contradicted by a smoky dark edge of washed paint that pulls them back again, turning a veil of pigment into a solid object.

With the recognizable emblem set against carefully painted patterned or color field backgrounds, Bengston's Chevron paintings oscillate between abstraction and representation, refusing to settle exclusively as either.

One such tarp has been repurposed for this show as a backhanded painting, and its accumulated marks and splotches have been stained and set in relief by a thick field of silver spray paint.

Seven shapes are in each painting (one field; six chevrons - three each set opposite in confrontation).

In the second building, a more traditional set of gallery spaces shows a field of dreams: installations, objects, drawings, paintings, and snippets of Jonas» recent performance at the Venice Biennale.

Reductive fields of color focusing on surface and light set off paintings by Helen Frankenthaler, Kenneth Noland, and Jules Olitski.

Altered States: A Psychedelic Legacy, features contemporary artists who explore psychedelic art — mostly painting and some constructions with a mix of figuration, geometric and Op imagery — against a back drop of 1960s Optical Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues, which sets the stage and creates the mood.

This is particularly true here where the archetypal black eruption is set against a field of black paint.

Whether visitors basked in the virtual warmth of Olafur Eliasson's fake sun in his «Weather Project,» or laid themselves upon Ai Weiwei's field of 100 million hand - painted porcelain sunflower seeds (until the dust stirred up was decreed a health hazard), the collective, interactive experience of these artworks has generated its own momentum and a new set of norms for the museum - going experience.

I'm especially excited to see Something I Can Feel, the exhibition - within - the - fair curated by Derrick Adams, as well as booths of recent paintings by Kent Monkman (Pierre - François Ouellette art contemporain), new textile pieces by Robin Kang (Field Projects), miniature set - like sculptures by Linda Lopez (Mindy Solomon Gallery), and Hrafnhildur Arnardóttir's whimsical and fuzzy disk sculptures (Hverfisgalleri).

Painters who set up color problems in their paintings are considered avant - garde; they are often referred to as «color painters» or «color - field painters.»

It is important to note that, by 1962, the art world was quickly absorbing the early waves of Pop art and Color Field painting, both of which set the fashion compass to intense and unadulterated color.

From the outset, Hopper had a basic sense of the composition's main components, with the grass field occupying the painting's lower half, the house set in the upper right quadrant, and the locust grove in the upper left quadrant.

This continues to be true of her more recent, smaller paintings, though the figures have vanished, leaving only symbolic - looking objects set in shimmering fields of rich color.