Sentences with phrase «field painting through»

The three - night program (Wednesday, May 30 and June 27) will feature edgy interpretations of color - field painting through multimedia, sound and performance pieces curated by artists Richard Chartier and Brandon Morse.

Not exact matches

He says this matter - of - factly as you begin walking through a scrubby field to an old white farm house, ramshackled and sagging, in need of paint, but generously proportioned and graced with a wraparound veranda.
The ACCC will not oppose the proposed acquisition by BlueScope Steel Ltd of Fielders Australia, concluding that although «BlueScope has market power in the supply of painted coil inputs through its COLORBOND product lines, this level of market power would not be altered by the acquisition.»
The project, through feature articles, essays and comprehensive infographics, paints a compelling, yet realistic portrait of the challenges, opportunities, risks and rewards in the ever - evolving field of health, and examines the factors both impeding and fostering innovation.
Although there are five generations of M3s to choose from here today, we quickly filter through to the brand - new GTS, which is painted fire orange — the same color used by the long - defunct Jagermeister racing team that fielded all kinds of fast BMWs from the 2002 to the 3.2 CSL.
In Chestnut (1955), the painting's white field is broken along the center, as if a chestnut tree were pushing through the pigment; and in Red, blue, black (1957), the thick, dark red ground gives way at the center to black calligraphed lines concentrated within dense gestural brushwork.
We are first met with Sam Moyer's Marshall Field's, a bronze and marble «painting» whose subtle curves describe a geometric composition through the presence and absence of the material.
Serving as an overdue affirmation of Hoyland's significance within the field of abstraction, they provide fascinating new insights into the artist's practice, and through it, the object of painting itself.
A late group of paintings from the mid -»40s, the «Pelvis Series,» depicts a color field, often sky blue, through the outlines and sockets of carcasses.
Sites, subjects, and methods of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.
Associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.
At the same time, her almost decorative technique of making human and animal figures components of formal composition, through the arrangement, or insertion, of color fields within the pictorial space, credits Kudo as an aspiring successor of the modernist formal painting championed by Matisse»
Five paintings structured after works by Kandinsky and Malevich — McElheny's Crystalline Prism Painting I, II, III, IV, and VI — feature press - molded and polished glass prisms inset into a field of black, matte oil paint brushstrokes, visible behind or through a surface made of a sheet of «museum glass».
Conversely, I once saw a very small painting by Jake Berthot, a pocket - book - size picture that was a complex layering of different greys with some wonderful reds breaking through the field and also at the edges of the canvas — it seemed like I was looking at something almost infinite in its dimensions.
[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thPainting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through thpainting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.
In the large painting RIW - 1301, arrays of seductive white starbursts greet the viewer through a pied field of red and indigo.
-LSB-...] This attainment of emotional symbolism through the use of color fields places Kudo in the tradition of expressionistic painting exemplified by Paul Gauguin and Edvard Munch.
Worldwide recognition followed, though Stella's style, materials and affinities through color - field painting, prints, wall reliefs and free - standing sculpture remained.
Through the incorporation of materials culled from the everyday, she is able to address numerous artistic traditions including abstract expressionism, minimalism, and color field painting.
Indeed, the sheer incongruity of the grouchy high priest of Colour Field Painting being in Britain at all, never mind socialising in Somerset or chain - smoking his way through Cornish cream teas, is enough to send one scuttling to the Whitechapel.
A fascinating 1972 documentary, directed by Emile de Antonio, examines the development of abstract expressionism through Hard Edge and Color Field painting to Pop Art.
However, where Kelly's shapes are cold and solidly rooted in color field and minimalism, Valdez's paintings are the contemporary response, letting feminism and craft show through the artist hand.
Through a process of applying many translucent layers of oil paint onto canvases lying on the floor random expressionistic color fields are created sometimes with broken geometric structures floating on the surface.
«Color as Field: American Painting, 1950 - 1975» is at the Smithsonian American Art Museum, Eighth and F Streets, NW, Washington, (202) 633-7970, through May 26.
The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.
One of the pioneers of Color Field Painting, Rothko's abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers» communion with the canvas in a controlled setting.
Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.
Kenneth Noland: «Handmade Paper Compositions,» by a master of color field painting, through Oct. 18; Meredith Long and Company, 2323 San Felipe; 713-523-6671, meredithlonggallery.com.
Artists now process information rather than material or even constructed experiences; viewed through this theoretic lens, even if an artist paints color - field paintings in 2014, the resulting paint strokes are the consequence of reprocessed information.
Through Avery's trademark fields of color, the painting radiates comfort and feeling.
Influenced by New York abstract expressionism and abstract colour - field painting, Robert Scott has developed a style of drawing with his fingers through the top layer of paint to expose the underpainted colours.
He is also interested in the emblem's formal connections to hard - edge abstract painting of the 1950s and 60s through its color fields and emphasis on shape and dimension.
[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.
This exhibition proposes a new reading, emphasizing that the achievements of her training in the field of abstract painting did not disappear when her work turned to textiles, and that the artist addressed pictorial abstraction in a unique way, manifesting itself very quickly through an openness to spatial concerns.
Also of interest in the exhibition are Fairfield Porter's View Through Window from Interior (ink on paper, circa 1965), Adrian Nivola's delicate wire sculptures Arunian Harp (wood wire paint and mixed media, 2015) and Deco Pochette # 4 (wood, wire and paint, 2015), and Bryan Hunt's Deep Field with Quarry (oil, acrylic, charcoal, and photograph on canvas, 2015).
Californian art from the 1950s through the 1970s is a particular strength, with artwork by Sam Francis, Richard Diebenkorn, Jay DeFeo, Ronald Davis, Larry Bell, Edward Ruscha, Kenneth Price, Charles Arnoldi, and Ed Moses, Color Field painting and Lyrical Abstraction are represented by Ronald Davis, Sam Francis, Kenneth Noland, Ronnie Landfield, Frank Stella, Helen Frankenthaler, and Kenneth Showell.
Through these positions, Diller influenced countless artists and encouraged the public to embrace abstraction including color field painting, minimalism and geometric abstraction.
2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!
But on it went, altering and transforming through op - art, lyrical abstraction, colour field painting, minimalism and so on, to the point where nobody now would imagine that this once curious obsession with shapes and colours and non-descriptive marks is likely to come to an end.
They were selected by Dr. Roger Ward, the Museum's Deputy Director and Chief Curator, to illustrate the trajectory of Wardlaw's artistic development from his roots in Abstract Expressionism through the era of Color Field painting, Pop Art, and Minimalism to the individualistic and personally expressive character of his contemporary work.
Botero and Ed Ruscha are everywhere, and filling in the gaps, it looks like Modernism just marched on through the 2000s; Abstract Expressionism from Grace Hartigan, color field painting by Wolf Kahn, sexy pop art updates of Modernist paintings by Mel Ramos, new expressionist squeegee painting by Ricardo Mazal.
To this day, Dodd can be found trekking through the fields and forests in her Maine environs with canvas and paint supplies in hand.
Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three - dimensional art making.
Appleby's luminous, oil and wax paintings communicate through the formal language of color - field abstraction.
DEPTH OF FIELD explores the techniques of six painters whose works create a unique viewing field of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in vieFIELD explores the techniques of six painters whose works create a unique viewing field of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in viefield of illusionary abstraction through layering, deep paint, brush or droplet patterns and a variety of optical effects wherein color and shape are reinterpreted in viewing.
The exhibition featured seventeenth - through twentieth - century paintings, prints, and illustrated books from The Field Museum's Boone Collection.
This series echo the «Color Field Painting» of the 1950s American painters as well as the minimal gesture of Minimalism; an aesthetic that Rouillard consciously absorbed to regenerate them through vernacular objects.
There is a hyper - activity of forms moving through the field but somehow the cacophony settles into paintings that are expansive and evoke a meditative silence.»
And many of today's painters combine high and low sources: in her case, soft porn filtered through Baroque and Color Field painting.
My latest work confronts the challenge: the resuscitation of landscape painting in a world where «landscape» is represented and defined through an ever - widening field of digital, graphic, and visual forms.
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