Sentences with phrase «field painting were using»

One more point I want to make about Feeley's paint — he used ship and deck enamel in commercial colors, which is not what artists associated with Color Field painting were using.

Not exact matches

The fields used to illustrate the theme are those of health care and civil nuclear power, the former to paint a general picture of the hierarchy of uncertainty, and the latter to show the full range of relationships between governments and their advisers in a series of specific examples.

Accumulation of dirt, growth of mnold, even flaking of paint, is naturally occurring over the life cycle of some 15 years that the product is used in the field.

Those improvements could be used by the entire community, McNeely added, «and there would probably be a little money left to paint ram [the school mascot] paw prints on the sidewalks that lead to the gym and ball fields.»

Although there are five generations of M3s to choose from here today, we quickly filter through to the brand - new GTS, which is painted fire orange — the same color used by the long - defunct Jagermeister racing team that fielded all kinds of fast BMWs from the 2002 to the 3.2 CSL.

If the artist is using geometry to construct a painting, like so many since the early 1960s, it feels more like doing math than if the artist shows a square as an image floating in a field, like a character in a graphic novel.

Deprived of the human figure, his aim was to remove any obstacle between the painting and the viewer, using the shimmering color to prepossess the one's visual field.

Kenneth Noland, working in Washington, DC., was also a pioneer of the color field movement in the late 1950s who used series as important formats for his paintings.

In the 1940s and 1950s the main groups within the Abstract expressionism were the «Gesture Painters» and the «Color - Field Painters», who experimented with new techniques for applying paint: dripping, pouring, throwing, squirting, squeegeeing, and spattering, and with the use of unconventional tools, such as wall paper brushes, sticks, and trowels.

Just before that I was making combine pieces using wood and stone in relationship to a white painted field.

Smaller, juicier paintings such as «Goldenrods» and «Field of Wildflowers» see Katz using motifs from nature to experiment with the «all - over» approach to composition, whereby no one part of the composition is allowed to prevail over the others.

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

Another interesting comparison to be drawn is between the Dan Christensen painting of 1968 Serpens, and the 1969 painting of mine Eternal Circle, both paintings exhibit an expansive and high spirited use of drawing in color across huge fields sprayed into the surface by Christensen and poured thick on top of the surface in my case.

Magna, a special artist use acrylic paint was developed by Leonard Bocour and Sam Golden in 1947 and reformulated in 1960, specifically for Morris Louis and other stain painters of the color field movement.

By spraying paint, rather then by brushing, the effects are like a photographer's use of depth of field.

I used to work in several fields and the last one was stained glass and it came out of painting with light.

The fields and edges have been used to beautiful compositional effect in the 25 paintings included in the exhibition.

Described as «Color Field painting» by critic Clement Greenberg in 1955 — a term that stuck — it is a style characterized by significant open space and an expressive use of color.

A more recent affinity is the similarity to Gerhardt Richter's squeegee paintings, in which he obliterates his initial lively color fields using custom tools.

Now, for her new show, she's tackled the field of painting for the first time, creating elegant wall - mounted abstractions — she calls them «drawings» — by embedding tens of thousands of nickel - headed steel pins in Gatorboard, a polystyrene material often used for mounting prints.

Leo Steinberg uses the term postmodernism in 1969 to describe Rauschenberg's «flatbed» picture plane, containing a range of cultural images and artifacts that had not been compatible with the pictorial field of premodernist and modernist painting.

Dan Christensen was an American abstract painter best known for his unfettered use of color in various styles, including Color Field painting and Lyrical Abstraction...

Perhaps there are painters who are only concerned with painting who might fall into the traps mentioned above, but there are others whose concerns have to do with the present field of art and use the medium accordingly.

His use of colour, form and material as elements in a compositional lexicon, as well as the stained or dyed fabrics which are his principal medium, declare the origin of his practice in the investigation of painting in an expanded field, while the way his compositions occupy and transform space are evidence of their sculptural nature.

Almost instantaneously, there was a realization that Schnabel and Salle's work was coming out of Color Field painting — they used stained canvases, but they placed images on top.

NEW YORK — Helen Frankenthaler, an abstract painter known for her bold, lyrical use of color who led a postwar art movement that would later be termed Color Field painting, died Tuesday at her home in Darien, Conn., her nephew said.

Fontana will be represented by a focused survey of his nearly five - decade career, spanning his earliest Spatial Concepts, in which small canvases evoke immense galaxies through swirling fields of paint subtly embedded with small stones and broken glass, to his famous Attessi, or cuts, in which the artist has used a sharp knife to literally slice through the canvas surface into another space.

The mystical orange field reminded me of the pulsing tone used by Francis Bacon in his paintings of the 1980s, while the full moon and chalky white of the conch shell below, separated by a gap that reads like it is miles wide, are more like the delicate denizens of a landscape by Yves Tanguy.

In the exhibition «Ground», James Hyde uses the flat field of painting as a topological arena that ties together the physical substance of painting and the ground on which it is laid, extracting spatial dimensions and new meanings from this relationship.

The curved forms and right angles used in these paintings were likely derived from the shape of a baseball field diamond.

Blue Chauffeur (1948), the first painting in this series, is made up of three distinct fields of color that order the composition: white, red, and blue — the latter of which was frequently used by Wróblewski to denote death.

When he started to paint again in the mid-1940s, Newman sought a new style of mystical abstraction, and it was at this time that he made his first works using his signature vertical elements, or «zips,» to punctuate the single - hued fields of his canvases.

In light of recent controversies over the use or absence of Black bodies in relation to abstract painting (most notably the controversy of the Dana Schutz painting at New York's Whitney museum), and the ahistorical suspicion of abstraction as a form of practice that manifest in some of the discourse, it is important that Black artists» role as innovators in the field of abstraction is given due significance here through the works of Whitten, Bowling, and others.

NEW YORK — Helen Frankenthaler, an abstract painter known for her bold, lyrical use of color who led a postwar art movement that would later be termed Color Field painting, died Tuesday at her home in Connecticut, her nephew said.

With the exception of a small, sketchy canvas painted in 1946, the year before Newman's breakthrough to color - field abstraction, the Menil's Newmans are all vertical and use mostly somber colors.

Using a method that involves dripping and pouring paint as well as often stitching and adhering fragments and strips from earlier paintings onto larger canvases, Bowling creates works in the Color Field idiom that are noted for their optical and surface complexities.

Stella is the artist who launched 10,000 careers; artists as varied as Peter Halley, Sarah Morris, Ugo Rondinone, Matthew Ritchie, and Thomas Scheibitz, who have used Stella's structures, compositional strategies, and specific colors, to Isa Genzken, Mark Grotjahn, Jessica Stockholder, Katharina Grosse, Steven Parrino, and countless others who've followed Stella into the expanded fields of painting.

Bowling, the Guyanese - born British painter, is widely celebrated for his contributions to the field of abstraction and his advocacy of black artists internationally, created a number of paintings in the 1970s characterized by his use of world maps as organizational tools to explore color as its own subject — a recurring theme in his work.

In 1967 - 68 an important shift took place in King's work, with the first of the Baggot Street paintings, in which figurative elements are replaced by plain fields of colour, forms are rendered geometrically and light is represented through the use of a single line.

Light Years: Conceptual Art and the Photograph, 1964 — 1977 is the first exhibition to explore how artists of this era used photography as a hybrid image field that navigated among painting and sculpture, film, and book arts as well as between fine art and the mass media.

George Chaplin is an American artist, known for his color field paintings and use of spectral opposites in his supremely atmospheric body of work.

Dan Christensen was an American artist notable for his unfettered use of color in styles such as Color Field painting and Lyrical Abstraction.

Since the late 1980s, David Thomas has been immersed in producing color field and later monochromatic work using an array of different media, including painting, photography, sculpture, and installation.

Bush, a Canadian artist, is associated with Color Field painting in America because he used color in direct relationship to form, and because he felt connected to formalist artists and critics who frequently discussed these ideas on a passionate level of discourse.

Edwin Parker Cy Twombly Jr. was a legendary and highly influential American painter, widely known for his large - scale, freely scribbled and graffiti - like works, so called gray paintings, he used to paint on solid fields of gray color.

In its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where traditional painting has been replaced by spray, which reminds us of the technique used in painting street graffiti, positioning the workpiece between the high and low culture.

In Kristin Baker's work, previously described as «dystopian Colour Field painting», the contours are composed more deliberately using taped outlines and broad washes of luminous colour, onto which gestural passages and marks are then spontaneously added.

In 1996, I organized the exhibition «Painting into Photography / Photography into Painting» for MOCA, that focused on how contemporary artists were using photography to expand the field of painting conceptually and to bring new relevance to the act of pPainting into Photography / Photography into Painting» for MOCA, that focused on how contemporary artists were using photography to expand the field of painting conceptually and to bring new relevance to the act of pPainting» for MOCA, that focused on how contemporary artists were using photography to expand the field of painting conceptually and to bring new relevance to the act of ppainting conceptually and to bring new relevance to the act of paintingpainting.

This technique, known as «soak stain» was used by Jackson Pollock (1912 — 1956), and others; and was adopted by other artists notably Morris Louis (1912 — 1962), and Kenneth Noland (1924 — 2010), and launched the second generation of the Color Field school of painting.

Marjorie Grigonis calls her collection Present Tense, Kristine Flannery «s exhibit is called The Multitudes; Grigonis» mixed media and paintings uses mark - making and color fields with emotive color and Flannery's action paintings exude energy.