Sentences with phrase «figure painting main»

Not exact matches

«As figures reveal Lib Dem membership has shrunk by 20 % we also learn that Cable speaks regularly with Ed Miliband Main The New Statesman's attempt to paint Sayeeda Warsi's Tory critics as racist»

I do know we haven't been able to figure out the main wall color (it is what our entire house is painted) because they never left paint cans, and we have needed it for retouching and Joel hasn't been able to track it down, but when we do, I will let you know haha.

In addition to these two main traditions there is a Jungian faction, also venerable, and the recent «hidden figuration'theories of Pepe Karmel, presented in the catalogue of the last retrospective, but these latter have the drawback that they treat Pollock's work as if it were analysable in the same way as any historical figure painting.

The main gallery showcases paintings by the designer and street artist duo Graphic Airlines, populated with their signature ghostly, bloated - faced figures, alongside Mok Yat San's and Kevin Fun's fanciful sculptures and Lam Tung Pang's mixed - media landscapes, in which plastic models of floating islands hover above the Hong Kong cityscape.

The figure and the face are the main focus of David's work and David was featured in the John Moores Painting Prize, Walker Art Gallery, Liverpool in 2012.

The main figure, a former Miss Colorado, becomes an actress in Walker's paintings, playing into the fantasy and cinematic trope of the LA woman with the enviable life of ease and affluence.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Using watercolor and colored pencil as the soft foundation upon which Jones» figures manifest, oil paint and wax pastels are then layered upon the main subject in a more intuitive manner.

The main topics and subjects of his paintings are the 20th - century historical figures who caused a lot of suffering, such as German officer and physician Josef Mengele, or scientists with breakthrough discoveries, such as Charles Darwin.

This involves the introduction of a main figural element as subject matter, painted with oils or acrylics, and fine detail added with pen and ink, creating a sense of shadow and movement, with hidden figures and symbols.