Kirsten Johnson's
film Cameraperson was named one of the Top Ten Films of 2016 by The Washington Post and The New York Times.
Not exact matches
Another
cameraperson even
filmed her tripping a man carrying a small child.
«
Cameraperson» is a very personal
film.
The key to
Cameraperson's triumph is that nothing in the
film was created with the knowledge of being used for this purpose, which leaves the footage itself — shot for movies directed by the likes of Laura Poitras, Kirby Dick, Amir Bar - Lev, Gini Reticker, Moore, and many others — uncompromised by manipulation or intentionality.
Sophie and Lee look back at some of the key
films released in January, including Pablo Lorrain's Jackie Bouvier Kennedy biopic Jackie, Martin Scorsese's meditative Catholic drama Silence, and Kirsten Johnson's unique memoir
Cameraperson.
«
Cameraperson «The recently deceased Jacques Rivette famously said that all
films are documentaries of their own making, but Kirsten Johnson, a long standing filmmaker and non-fiction cinematographer, has taken that concept to its logical extreme and has made a documentary that is both about her own life and about the very nature of documentary filmmaking.
It's a dizzyingly reflexive concept that could be too self - involved to really connect, but as our reviewer discovered, the fragmentary, impressionistic «
Cameraperson» (often employing off - cuts of
films she worked on) actually builds to «a surprisingly emotional and heartfelt
film... Humanity permeates [the
film], so as experimental as it is, it's also stirring and poignant, with a tangible sense of empathy intact in every frame...» [A]
Cameraperson is without a doubt the best documentary of 2016, and just maybe the best
film of the year, period.
«
Cameraperson» — This documentary feels very little like a fully composed
film at all, and yet that's really the beauty of it.
Tags boston society of
film critics bsfc
cameraperson casey affleck certain women damien chazelle hacksaw ridge jackie joel edgerton kenneth lonergan la la land lily gladstone loving mahershala ali manchester by the sea michael shannon moonlight nocturnal animals paterson the handmaiden things to come
Cameraperson (Kirsten Johnson, 2016) O.J.: Made in America (Ezra Edelman, 2016) Kate Plays Christine (Robert Greene, 2016) If there was one genre of
film that felt truly innovative this year, it was documentary, and these three
films stood out as revolutionary in their own way; even more importantly, all are intensely passionate and emotional.
Special section on 54th New York
Film Festival, including Maren Ade's Toni Erdmann, Ava DuVernay's The 13th, Barry Jenkins's Moonlight, Bertrand Tavernier's My Journey Through French Cinema, Pedro Almodóvar's Julieta; American movie acting,
film criticism in the age of social media, Kirsten Johnson's
Cameraperson, Charles Burnett's To Sleep with Anger, Kleber Mendonça Filho's Aquarius