On Birdman, the ace cinematographer Emmanuel Lubezki gave viewers the illusion they were watching
a film in a single take.
Not exact matches
Who else
films every practice and then sits through it all over again, so that if a player is fool enough to question a
single one of her criticisms, Pat
takes her right to the videotape
in her office and stops the dang thing so often to prove she's right that it
takes an hour to cover the first 10 minutes?
That proves that all of the «high - temperature» superconductivity traffic
in the
film takes place
in a
single copper oxide layer, says Bozovic.
NOTHING to do with a Hollywood
film - making process, technicolour
takes us back to the beginning of the universe, when two of the fundamental forces of nature, electromagnetism and the weak force (which governs particle decay within the atomic nucleus), were united
in a
single force — the electroweak force.
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In that
film, directed by neophyte Tim Hamilton, Heder played a slacker who must reinvestigate his goals and priorities when his
single mother (Diane Keaton)
takes a self - help guru (Jeff Daniels) as her new beau.
The circumscribed aesthetic of the cheap thriller
film - within - the -
film that Binoche is shooting — made clear from the shot - reverse shot editing and close - ups antithetical to the look of the rest of the
film, shot mostly
in single takes — signals that we're somehow outside of Haneke's world, even though we're actually buried deep within its layers.
It's the first feature - length narrative
film shot
in a
single take (on digital video, using a specially designed disc instead of tape).
The latter describes a
single shot
in the
film as a «55 - minute tour de force of sustained mobile camerawork to rival such one -
take wonders as Russian Ark — and
in 3 - D, to boot.
Gaspar Noé's Climax (detailed below) was the big winner at the Directors» Fortnight,
taking home the Art Cinema Award, and Lucia's Grace, directed by Gianni Zanasi and starring Alba Rohrwacher as a
single working mother struggling to find balance
in her life, won the Europa Cinemas Label Award for the section's best European
film.
Among the familiar faces that pop up here, sometimes
in multiple roles, are Udo Kier, Mathieu Amalric, Caroline Dhavernas, Geraldine Chaplin, Maria de Mederios and the divine Charlotte Rampling, an actress whose entire career has been dedicated to the kind of risk -
taking spirit that this
film celebrates
in every
single scene.
Though Stiller lacks Dern's dynamic range at conveying frustration and wonder
in a
single sentence, he's still a fine avatar for his creator, whose appearances here are amusingly limited to aspirational magazine photos of a
film director who
took off and became his best self as Brad went into neutral.
For the «
Takes» series of issues, contributors were asked to write a complete essay on a
single shot, color, cut, or instance of sound design; each article breaks down these elements of filmmaking
in a way someone who hasn't been to
film school can appreciate.
The tune works wonders
in the
film's trailer, and then
in the full feature it
takes on an entirely new form, the song being shot
in one
single close - up on Hathaway, making the moment incredibly raw and heart wrenching.
Moreover,
in what's arguably a more brazen case of cinematic larceny, director Daniel Espinosa, best - known for the 2012 thriller Safe House, swipes his anti-gravity stylistics from Alfonso Cuarón, opening the
film with a
single, very long, VFX - heavy
take that sends the camera around
in gentle swoops from character to floating character as the space station itself tumbles slowly around its axis.
Only so much can be drawn from a big debut
in a
single territory, but both of those
films went on to
take in more than $ 400 million overseas.
And as the
film starts to wind down, you realize that for all the murders, chases, car thefts, explosions and fights that have
taken place, not a
single law enforcement member has appeared anywhere
in the
film.
Shot
in a
single, unedited
take, the
film directed by Sebastian Schipper premiered at the Berlin
Film Festival, where it won a Silver Bear for Outstanding Artistic Contribution for cinematographer Sturla Brandth Grovlen.
The priest is Father Lavelle (Brendan Gleeson), and he appears
in almost every scene of the
film, beginning with its first one: a
single take close - up of Lavelle
in his confession booth, listening intently as some unseen person relates the trauma he suffered at the hands of another holy man.
The new new one -
take wonder on the block, Victoria is a
film by German director Sebastian Schipper which unfolds
in a
single, unbroken shot.
Even though all of Wright's movies have included at least one long
single -
take sequence, he didn't want to have one
in Hanna — but then he was running into a time crunch for
filming.
Victoria (Germany, 2015)-- 9:00 PM «Victoria (2015) is an impressive technical achievement: a street
film turned romantic drama turned crime thriller, shot
in a
single, unbroken
take in real time over the course of a couple of hours between late night and dawn.
by Walter Chaw Billed as being
filmed in a
single shot (though the skeptical — and those
taken in by the «unedited» long
takes of Alfonso Cuarón's Children of Men — should wonder why an editor is credited), Gustavo Hernández's zero - budget conceptual experiment The Silent House (La casa mudi) has found a way not only to suggest a gimmick successfully carried through, but also to weave that gimmick into a richer thematic tapestry.
As a result, the
film feels smaller, which is understandable considering how much of it
takes place
in one location and is centered on a
single family fighting for its survival.
Del Toro's The Shape of Water, which erased all sorts of lines, was the most nominated
film and it
took home four Oscars Sunday night, the most for a
single motion picture
in a year with a surprisingly diverse palate of nominated
films.
Unfolding
in his signature long
takes — the opener is a candidate for shot of the year — the
film ventures to the driver's
single - room home
in a windswept prairie, where he and his daughter subsist on potatoes and wait out a storm of apocalyptic proportions.
The way that the fragments follow each other seems to have a new fluidity — and with the exception of the prologue and epilogue scenes, and the
film within the
film, all the other scenes are shot
in a
single take — despite the regulation cuts to black.
The Artist may have continued to build credibility as a genuine Oscar ® candidate as it scored nominations for Outstanding Performance by a Female Actor
in a Supporting Role and Outstanding Performance by a Cast
in a Motion Picture, but The Help
took the most nomination by a
single film with four [Viola Davis nominated for Outstanding Performance by a Female Actor
in a Leading Role; Jessica Chastain and Octavia Spencer nominated for Outstanding Performance by a Female Actor
in a Supporting Role; The Help nominated for Outstanding Performance by a Cast
in a Motion Picture].
Instead of giving us a boxing match
in the time - honored tradition of Stallone and Scorsese — lots of quick cuts — he
films rounds
in single, long
takes, moving the camera along with Adonis, so that there is no letup
in the audience's feeling of threat and anxiety.
Settle back to listen, but also
take the time to soak
in the
film's amazing cinematography, courtesy of Lisa Rinzler and Joseph White, which the guys both
single out for praise more than once and rightly so.
That's the superficial starting point of The Gift, the directorial debut of actor Joel Edgerton, who
takes the cuckoo -
in - the - nest thriller template — which became ubiquitous
in the early»90s with
films like Pacific Heights, Unlawful Entry,
Single White Female and The Hand That Rocks the Cradle — and, by introducing psychological depth and a streak of social conscience, fashions an intriguing morality tale.
The
single most influential event
in the history of modern newspaper
film reviewing
took place as recently as 1963, when 20th Century - Fox banned Judith Crist from its screenings after she attacked Cleopatra
in the New York Herald - Tribune.
Former fashion - designer Tom Ford
took his first steps into
film directing with A
Single Man
in 2009.
Lately, Jordan Peele has
taken a step back from the fun comedy acting roles we originally knew him for
in favor of making wildly successful and award - winning
films — or at least a
single wildly successful and award - winning
film, since Get Out just came out last year.
Notably, the top
films in both the narrative and documentary categories differ from the ones that
took home the grand jury prizes, which
singled out «I don't feel at home
in this world anymore» and «Dina»
in the American categories.
Before
taking on the role of Caroline, Kate Hudson played a
single, career woman who is left with the responsibility of caring for her nieces and nephew when her sister unexpectedly dies
in the
film Raising Helen.
The
film sees Pattinson as a man on a desperate search to help his brother out of jail,
taking place over a
single night
in NYC
The Lobster is shot
in Ireland, but the
film takes place
in an unnamed society which has deemed being
single a crime.
As ghostly visitors ourselves, we are given privy to a leisurely first person tour of the vast estate
in a mind - blowing
single take that remains uncut for the
film's entire running time.
If you think there's wiggle room here,
take note: Because Colin Firth and Morgan Freeman are still solidly
in this race, even though Tom Ford's embarrassing impersonation of Wong Kar - wai throughout A
Single Man and Clint Eastwood's dully exploitative pushing of a Mandela - as - Obama message
in his elegantly composed Afterschool Special Invictus didn't do either actor any favors, it's probably unlikely that Viggo Mortensen will sneak
in for The Road, which has unfairly gotten less love this award season than those two
films.
His moodier, more emotionally credible
take on Harry Potter and the Prisoner of Azkaban nearly
single - handedly saved the entire
film franchise from the excruciating tedium of Chris Columbus (to those who hate on the
film but gush over the subsequent installments: is it not obvious how the later
films ditched the static camera and homely reds and golds from Sorcerer's Stone and Chamber of Secrets
in favor of aping Cuarón's more haunting color palette and roving camera?).
Most of the
film takes place on a
single day
in 1962, with a generous assortment of flashbacks thrown
in to make things longer.
Megan Ellison continues to
single handedly keep great filmmaking alive with her latest investment
in Paul Thomas Anderson's new
film to star Daniel Day - Lewis and to
take place
in 1950s London.
I can understand why the
take on the material threw some, but even those who are skeptics, or who aren't interested
in the source material, should give «Anna Karenina» a try, because it was, for me, the
single richest and most rewarding
film of 2012.
As
in his earlier
films, including the Palme d'Or winner «4 Months, 3 Weeks and 2 Days,» Mungiu employs a patented style that involves long
takes (many scenes entail only a
single shot) and eye - level widescreen compositions.
Most of the rest of the events
take place
in Georgetown, where Ellen Burstyn (The Last Picture Show, The Wicker Man) plays Chris MacNeil, a
film actress and
single mother of a precocious girl named Regan (Blair, Roller Boogie).
In the
film's action set piece highlight (followed closely by the badass
single -
take subway fight scene with Eric Bana), we really see what Saoirse Ronan's titular protagonist is capable of.
It harkens back to Tarantino's first
film, Reservoir Dogs, where the entire movie
took place
in a
single set and just showed the different characters riffing off of each other.
He's
in some of the longest, most aggressively focused two - shots
in all of American cinema, some of which push
in so slowly that they seem ever still — yes, this is a feat (just ask Waterston, whose hypnotic, naked,
single -
take monologue late
in the
film goes beyond bravura
in front of Anderson's patient camera).