Sentences with phrase «final exhibition from»

Modern Art Oxford is currently presenting the final exhibition from Platform 2016, created to support the work of up & coming graduate artists.

July 3, 2014 Final Exhibition from the Kainen Collection Showcases the Vitality and Innovation of American Art; On View from September 1 to February 1, 2015

Not exact matches

From Mar. 2 to July 15, the exhibition, David Bowie Is, will be making its final stop at the Brooklyn Museum.

Replacing the grass is necessary because of the wear and tear on the field and the changes in climate through the course of a Bears season, from exhibition games in August through the final home game on December 28 against Minnesota.

Now the CIOB hopes to build on the success of the Wolverhampton exhibition and generate enough industry support to take images from this year's final to towns, cities and streets across the UK and beyond.

At final exhibition night, Power Saviors won the popular vote from the audience, as well as a top rating from the judges.

At a recent 30th anniversary Final Fantasy art exhibition in Tokyo, Final Fantasy 7 remake director Tetsuya Nomura made a surprise appearance, and brought with him a bunch of new exclusive screenshots from the game itself.

Celebrating three decades of art, SQUARE ENIX invites you to an exhibition that showcases some of the timeless pieces from FINAL FANTASY's past, present, and future.

Square Enix will be displaying illustrations of Tidus and Yuna after the events of Final Fantasy X-2 at their special «Farewell Stories» exhibition which will be held at the Mori Arts Center Gallery in Roppongi Hills, Tokyo from January 22 to February 28.

The news comes from the Final Fantasy 30th anniversary exhibition that happened recently in Japan.

Virtual Fighter 5: Final Showdown Pre-Launch Party 19 May 2012 Sega, iam8bit and Level Up partner to bring a wordwide pre-release event featuring exhibition matches from prominent Virtua Fighter players from around the globe, including champions Chibita and Fuudo.

This exhibition features Miller's final Truckscape paintings, landscapes painted from the back of a truck that Miller converted to a studio in 2007.

She will be developing a piece in the Machine Project exhibition from October 20 — 23, culminating in a final performance at 2 pm October 24.

For this exhibition Gallery Director David Cowan has assembled a group of paintings from 1966 and 1967 that are meant to document and display a very brief but important period in the painter's output that saw him transition from a pure Abstract Expressionist approach to the minimal / geometric mode of expression that became his hallmark during the final fifteen years of his life.

Arranged chronologically, the exhibition layout offers large bodies of work in specific media, such as a significant group of oils on paper made between 1943 and 1944 and selections from the more than 1,200 pastels that Still created in the final ten years of his life.

For a 2014 exhibition at the Albertina, the late, precocious Austrian artist Gunter Damisch shipped a stack of precut wood panels from Vienna to Paris, leaving the Woolworth studio team to compose the final images as they pleased in a mix of collage, monotype, woodcut, drawing and painting.

In the final gallery, selections from X Portfolio and ephemera from The Perfect Moment, the 1988 exhibition that cemented Mapplethorpe's notoriety, are presented on opposite walls.

Pratt Shows 2015 comprises a wide range of final exhibitions with works from departments including Fine Arts, Architecture, Digital Arts, Film / Video, Photography, Fashion, Communications Design, Jewelry, Industrial Design, Interior Design, and more.

Santa Monica, CA — On June 18, 6pm - 10 pm, 18th Street debuts the opening for the final two exhibitions from its Legacy theme, Jerri Allyn and Inez S. Bush's Debating Through the Arts: Exhibition & Performance 3 project and York Chang's second life project.

Makers were nominated by a pool of more than 300 New York City - based cultural leaders and civic figures from a range of trades and disciplines, including museum curators, choreographers, academics, chefs, musicians, and journalists, with final participants selected by a jury led by Adamson and exhibition curator Jake Yuzna.

Recordings from the performance will be included in the final exhibition: Towards a Unified Theory of M!MS running from 26 September — 15 December at Zabludowicz Collection, London.

18th Street debuts the opening for the final two exhibitions from its Legacy theme, Jerri Allyn and Inez S. Bush's Debating Through the Arts: Exhibition & Performance 3 project and York Chang's second life project.

The fifth and final part of our series looking back at the most significant exhibitions from the past 25 years

That Mammen absorbed and worked with the dominant artistic styles of the time was obvious even from her early years in Paris and Brussels, and some of the earliest works in the exhibition — shown in the final room so as to contrast with some of her last — demonstrate the influence of symbolism and aestheticism.

And the exhibition «Stephen Shore» is far from the final statement on Stephen Shore.

The exhibition's final destination will be at the Tacoma Museum of Art from September 2, 2017 - January 7, 2018.

During the final weekend of the exhibition, Arthur Jafa presented a Listening Session in collaboration with The Vinyl Factory with musicians Steve Coleman, Morgan Craft, Micah Gaugh, Melvin Gibbs, Jason Moran and Kokayi Carl Walker, a dismembered jazz ensemble who performed separately and simultaneously from different sites across London.

The final venue for the exhibition will be the Moderna Museet, Malmö from 10 October until 2 January 2011.

Works from this period occupy the final room of the exhibition at Hauser & Wirth.

The exhibition will be installed in a chronological sweep, beginning with works from 1926 and ending with one of her final paintings executed in 1984, the year of her death.

The afternoon will conclude with Owens himself performing several scores from Anthology, his final performance as part of his MoMA PS1 exhibition.

A three - part exhibition, the first gallery provides a glimpse of McGinness's studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

You can still catch Andy Warhol: Self Portraits (Fright Wigs), an exhibition of five, monumental works from the artist's final self - portrait series at Skarstedt's Upper East Side gallery open until April 22nd, 2017.

The unconventional design is a nod to the unconventional nature of the Summer Exhibition, which remains the world's oldest art show, and this year received about 12,000 submission from professionals and amateurs alike — exhaustingly narrowed down by a panel to a final 1,200 works.

Shown in a dedicated Collections Gallery as part of the Whitechapel Gallery's programme opening up rarely seen art collections for everyone, from around the world this final exhibition follows three previous displays Barjeel Art Foundation: Debating Modernism I (8 September — 6 December 2015), Barjeel Art Foundation: Debating Modernism II (15 December -17 April 2016) and Mapping the Contemporary I (26 April — 14 August 2016).

In this exhibition a total of 265 are on view with many previously unseen prints from Bourgeois» final two decades, when she returned to the print medium with gusto.

On the top floor of the foundation, the final section of the exhibition delves into MoMA's most recent acquisitions made within the last two years, ranging from works like Lele Saveri ’s

From his first submission to the Royal Academy Summer Exhibition to this final display in his own gallery, Turner strategically constructed both a reputation for his paintings and a persona for himself, at the heart of which were his pictures of the sea.

Traveling from Brasilia to São Paulo before reaching its final destination in Rio de Janeiro, it was the most visited exhibition by a living artist worldwide that year with over one million visitors.

Although they haven't made the final short list — Thomas Ganter for Man with a Plaid Blanket, David Jon Kassan for Letter to my Mom and Richard Twose for Jean Woods — they are among the 55 artists chosen for the exhibition from a record entry of 2,377 works from 71 countries.

The final section will also consider the artist's post-war reputation, from the widespread hostility provoked by the 1945 - 6 V&A exhibition which re-ignited many of the fierce debates about modern art that first raged before the First World War, to the phenomenally successful survey of his career at the Tate in 1960.

Offered in both Summer and Fall Sessions, the program includes painting from live models, business of art lecture, guest speakers, gallery walk, and final group exhibition.

From the statement by Owens and Yao: «After more than five years of public programming, 356 Mission's final exhibitions are Alake Shilling's MONSOON LAGOON, and an -LSB-...]

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

The new Tate Britain show is billed as the largest exhibition of the artist's work for a generation, covering all of Nash's output from early watercolours through to his final landscapes.

A Sense of Hope: The Photographs of W. Eugene Smith — Museum Techniques Student Exhibition June 8 - July 3, 2003 As their final project, students from the Museum Studies Seminar class have organized an exhibition of the photos of W. Eugene Smith, a nativeExhibition June 8 - July 3, 2003 As their final project, students from the Museum Studies Seminar class have organized an exhibition of the photos of W. Eugene Smith, a nativeexhibition of the photos of W. Eugene Smith, a native Wichitan.

A three - part exhibition, the first gallery provides a glimpse of McGinness» studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

This exhibition displays the student's thesis final portfolio of work for one week in one of our galleries, including a closing celebration on that Friday from 5 to 7 p.m. To allow as much development time as possible, most thesis shows occur in the second half of the spring semester.

A look at this week's art news, including the final week of Pedro Reyes» «Doomocracy,» and events and exhibitions everywhere from Australia to Iceland.

The exhibition opened in September and is offering an open house for the final day on Saturday with no appointment is necessary from 3 to 5 p.m.