Sentences with phrase «fine arts in general»
She recently completed her senior year at Maryland Institute College of Art (MICA), graduating with a Bachelor of Fine Arts in general fine arts and a focus in painting.
https://www.bethesda.org/ Not exact matches
Trotter demonstrates both an appreciation for art in general as well as theological insight on how we can be deeply enriched by our experience of fine art.
Wahba also launched Julia's Kitchen, named after Julia Child, the fine dining room at COPIA: The American Center for Wine, Food and the Arts in Napa Valley, as well as served as general manager and sommelier of top - rated restaurant Sushi Ran in Sausalito, Calif..
I have a BA in English with a minor in Spanish, an AA in Fine Arts, and an AA in general study from University of Arkansas and an AA in social work from Butler.
In 2001 he was made an honorary doctor of fine arts at New York's Juilliard School and received the Canadian Governor - General's Lifetime Achievement Award.
David Grissmer and his colleagues are producing a series of studies that suggest how much later success in math, reading, and science depend on early acquisition of the kind of «general knowledge» and fine - motor skills learned through art and other subjects.
The narrowing curriculum is particularly alarming because, as Jay P. Greene has noted, recent research has found that «later success in math, reading, and science depends on early acquisition of the kind of «general knowledge» and fine - motor skills learned through art and other subjects.»
Karen has undergraduate degrees in fine arts and art education, a masters in international and intercultural communication, and in 2014 received her dual MSEd in general and special education from Bank Street College.
During that time, Kurt has taught band, strings, general music and chorus, and he served as the District Chairperson for the Fine and Performing Arts Department in the Rockaway Township Public Schools.
Like Gian Giacomo Poldi Pezzoli did with his Museum that, already open to the general public in Milan in 1881, is one of the most important museum houses in Europe, a good example of one of the finest 19th century collections: from the fifteenth - century Lombardy maestros (Luini, Boltraffio, Solario) to masterpieces by Pollaiolo, Piero della Francesca, Botticelli, Mantegna, Bellini and Cosmè Tura through to eighteenth - century paintings (Guardi and Canaletto) and exceptional collections of decorative arts.
The company's cruise portfolio includes a range of in - depth, general interest itineraries exploring local culture, cuisine and history, as well as voyages on the Rhone and Danube designed specifically for families, and themed cruises focused on classical music, French food and wine, fine art and Europe's traditional Christmas markets.
The Virginia Museum of Fine Arts is the only art museum in the United States open 365 days a year with free general admission.
Sall is the recipient of an Art in Architecture commission from the General Services Administration, a Joan Mitchell Foundation Grant, a Virginia Museum of Fine Art Fellowship, and a Charlotte Street Fund Award.
Opportunities & Open Calls New American Paintings 4Heads Art in General The Center for Fine Art Photography CUE Field Projects Northern Manhattan Arts Alliance: Sculpture at Fort Tryon Park Tiger Strikes Asteroid (Annual Flat Files Open Call) The Wells Point SITE: Brooklyn
John Szoke, a New York publisher and dealer in fine art graphic prints, noted that «it affects your general attitude about the collector who doesn't want something,» and Zwirner described «a person who doesn't buy when called» a «problem.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstIn the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
He has worked in cultural institutions including the National Museum of Fine Arts / MNBA — Rio de Janeiro (Director, 2003 - 2006), MoMA in New York (Associate curator, 1999 - 2002), 24th International Biennial of Arts of São Paulo (Antropofagia, General curator, 1998), Museum of Modern Art — MAM — Rio de Janeiro (Chief curator, 1985 - 1990), and Institute of Fine Arts — INAP / FUNARTE (National Director,1983 - 1985).
Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Cameron Art Museum, Wilmington, NC Colby College Museum of Art, Colby College, Waterville, ME Hampton University Museum, Hampton University, Hampton, VA Harvard Art Museums, Harvard University, Cambridge, MA La Salle University Art Museum, La Salle University, Philadelphia, PA Library of Congress, Washington, DC The Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Nasher Museum of Art, Duke University, Durham, NC National Collections of France, Ministry of Culture, Paris, France National Museum of African American History & Culture, Smithsonian Institution, Washington, DC Newark Museum, Newark, NJ New Orleans Museum of Art, New Orleans, LA New - York Historical Society Museum & Library, New York, NY The Galleries at Pasadena City College, Pasadena City College, Pasadena, CA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Art Alliance, Philadelphia, PA Philadelphia Board of Education, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Ruth Chandler Williamson Gallery, Scripps College, Claremont Colleges, Claremont, CA St. John's University, Queens, NY Smithsonian American Art Museum, Washington, DC Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA The State Museum of Pennsylvania, Harrisburg, PA The Studio Museum in Harlem, New York, NY United States General Services Administration, Washington, DC
The Museum was founded on April 13, 1870, «to be located in the City of New York, for the purpose of establishing and maintaining in said city a Museum and library of art, of encouraging and developing the study of the fine arts, and the application of arts to manufacture and practical life, of advancing the general knowledge of kindred subjects, and, to that end, of furnishing popular instruction.»
Organized by Emily Ballew Neff — Museum of Fine Arts, Houston's curator of American painting and sculpture — this exhibition centers around the colonial - era rivals» most famous paintings: Benjamin West's The Death of General Wolfe and John Singleton Copley's Watson and the Shark, which have not been shown together in more than 60 years.
Musée de l'Orangerie director Laurence des Cars; Sylvain Amic, the director of museums in Rouen; Musée Delacroix head Dominique de Font - Réaulx and Michel Draguet, the director - general of the Royal Museums of Fine Arts of Belgium have all been confirmed as candidates for the position.
Tanya Habjouqa, Untitled, from the series «Women of Gaza,» 2009, Pigment print, 20 x 30 in.; Museum of Fine Arts, Boston, Museum purchase with general funds and the Horace W. Goldsmith Fund for Photography, 2013.566; Photograph © 2015 MFA Boston
Search Press Ltd is the leading art and craft publisher in the UK, specialising in fine art, textiles, general crafts and children's crafts.
Rana El Nemr, Metro (# 7), from the series «The Metro,» 2003; Pigment print, 39 3/8 x 39 3/8 in.; Museum of Fine Arts, Boston; Museum purchase with general funds and the Abbott Lawrence Fund, 2013.569; Photograph © 2015 MFA Boston
His work has been included in numerous group shows, including the San Antonio Museum of Art; Blue Star Art Space; San Antonio, TX; Museo del Chopo, Mexico City, Mexico; El Museo del Barrio, New York; Washington Project for the Arts, Washington, DC; Mexican Fine Arts Center, Chicago IL; Art in General, New York; and the Museum of Contemporary Hispanic Art, New York.
Hear from and chat with professionals in the fine arts industry to learn about simple but often overlooked measures that can be taken to help protect artwork in multiple case scenarios, from shipping on a tight budget, to general storage, and disaster preparedness.
that catalogs all of the art in the federal U.S. General Services Administration's Fine Arts Collection.
The Beast program is made possible in part by a grant from the Illinois Humanities Council, the National Endowment for the Humanities, and the Illinois General Assembly and Graham Foundation for Advanced Studies in the Fine Arts.
«Doig embraces everything, soaks it all in and churns it out in a way that is his alone,» said Stéphane Aquin, co-curator of Peter Doig: No Foreign Lands, opening to the general public Saturday, Jan. 25 at the Montreal Museum of Fine Arts.
After earning her Royal Society of Arts Diploma in Connoisseurship from Christie's Education followed by her law degree, Lauren worked in an American paintings gallery, the Citibank Private Bank Art Advisory Service, the art law group of a Manhattan law firm, and MoMA's office of the general counsel before founding her art advisory firm, LPDM Fine Art, in 20Art Advisory Service, the art law group of a Manhattan law firm, and MoMA's office of the general counsel before founding her art advisory firm, LPDM Fine Art, in 20art law group of a Manhattan law firm, and MoMA's office of the general counsel before founding her art advisory firm, LPDM Fine Art, in 20art advisory firm, LPDM Fine Art, in 20Art, in 2004.
Zoo Story, Fisher Landau Center for Art, New York (12/3/05 — 10/16/06) The Early Show, curated by the General Store White Columns, New York (10/28 — 12/3/05) Roof Top Sculpture Garden, Locks Gallery, Philadelphia (9/9 — 10/8/05) Heat, Alona Kagan Gallery, New York (6/27 — 9/30/05) Figur Skulptur, Sammlung Essl, Vienna (6/24 -1 / 20/06) In Deep Water, Dinter Fine Arts, New York (6/23 — 7/29/05) UNIQLO Creative Award 2005 Exhibition, Spiral Gaden, Minato - ku, Tokyo, Japan (3/17 — 3/21/05) Co-Conspirators: Artist and Collector: Selections from the collection of James Cottrell and Joseph Lovett, Samuel Dorsky Museum of Art, SUNY, New Paltz, New York (2/5 — 4/10/05) Red Thread: Glimpses of International Art in Vienna, Howard House, Seattle, Washington -LRB--LSB-In Deep Water, Dinter Fine Arts, New York (6/23 — 7/29/05) UNIQLO Creative Award 2005 Exhibition, Spiral Gaden, Minato - ku, Tokyo, Japan (3/17 — 3/21/05) Co-Conspirators: Artist and Collector: Selections from the collection of James Cottrell and Joseph Lovett, Samuel Dorsky Museum of Art, SUNY, New Paltz, New York (2/5 — 4/10/05) Red Thread: Glimpses of International Art in Vienna, Howard House, Seattle, Washington -LRB--LSB-in Vienna, Howard House, Seattle, Washington -LRB--LSB-?]
Indeed, Albers can be said to have introduced weaving — and textiles in general — into the closed - door realm of early 20th - century, Western fine art (limited primarily to painting and sculpture made by men).
Everything's going to be... Alright Elizabeth Cherry Fine Arts, (curated by Bob Nickas), Tucson / AZ, USA 2000 Ghosts, Invisible Museum, Memphis / TN, USA Cosmobiology, Bellweather, Brooklyn / NY, USA There is no Spirit in Painting, Le Consortium, Dijon, France Collected (in Mind), Sandra Gering Gallery, New York / NY, USA 1999 Another Country, Lawrence Rubin Greenberg Van Doren Fine Art, New York / NY, USA Titles for Drawings, AC Project Room, New York / NY, USA 1998 Pets, Bronwyn Keenan Gallery, New York / NY, USA 1997 Landscape USA, Bronwyn Keenan Gallery, New York / NY, USA 1996 Gavin Brown's enterprise, New York / NY, USA AC Project Room, New York / NY, USA 1993 Little Things, Fesek (Municipal Art Gallery of the Artists Union of Budapest), Budapest, Hungary Art in General, New York / NY, USA Randolph Street Gallery, Chicago / IL, USA Delta Axis Center, Memphis / TN, USA 1990 Nicole Klagsbrun Gallery, New York / NY, USA 1987 Ridge Street Gallery, New York / NY, USA 1986 Ridge Street Gallery, New York / NY, USA 1985 The Portrait Studio, New York / NY, USA 1984 Sharpe Gallery, New York / NY, USA King Street Gallery, New York / NY, USA 1983 Olson Gallery, New York / NY, USA 1982 Olson Gallery, New York / NY, USA 1981 The Mint Museum, Charlotte / SC, USA High Museum of Art, Atlanta / GA, USA Columbia Museum of Art, Columbia / SC, USA Greenville Art Museum, Greenville / SC, USA
Commissioned through the Art in Architecture Program Fine Arts Collection U.S. General Services Administration
JUROR: Gail Wegodsky attended the University of Maryland in the General Honors Program before graduating from The Maryland Institute, College of Art in Baltimore with a BFA in General Fine Art.
She graduated from the Maryland Institute College of Art in 2008 with a BFA in general fine art and art histoArt in 2008 with a BFA in general fine art and art histoart and art histoart history.
2002 Greece Residency (Spring) 2000 - 2001 Guggenheim Fellowship Art in General Residency (Fall) 1993 MacDowell Art Colony (Summer) 1991 - 1993 Fine Arts Work Center in Provincetown (Fellowship) 1992 Hillwood Art Museum 1989 - 1991 Ford Foundation Fellowship 1990 Skowhegan School of Painting and Sculpture 1986 - 1988 The School of the Art Institute of Chicago (Merit Award)
Moore (b. 1947, Iowa) has pieces in the collections of the Museum of Fine Arts (Boston, MA), Yale University Art Gallery (CT), Baltimore Museum of Art (MD), General Electric Corporation (OH), the Krannert Art Museum (IL) and Kinkead Pavilion (IL).
Moore's work can be seen in the collections of the Museum of Fine Arts (Boston, MA), Yale University Art Gallery (CT), Baltimore Museum of Art (MD), General Electric Corporation (OH), the Krannert Art Museum (IL) and Kinkead Pavilion (IL).
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bolognin California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, BolognIn a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bolognin the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
In the selection process, the two curators counted on the assistance of an international committee composed of James Johnson Sweeney (director, Guggenheim Museum, New York), Thomas Grochowiak (director, Kunsthalle Recklinghausen), Rodolfo Pallucchini (Professor of Modern Art, Padova University; General Secretary of the Fine Art at the Venice Biennale, 1948 — 1956), and Italian critic Marcello Venturoli.
Thus encouraged, O'Donoghue became a dedicated student of art in general and fine art painting in particular.
Orozco, Siqueiros, Rivera and his wife Frida Kahlo contributed more to the history of Mexican fine arts and to the reputation of Mexican art in general than anybody else.
«AIDS, A Community in Crisis,» Jamaica Arts Center, Jamaica, NY, 1991 «Language: Body and Dream,» PS 122, New York, NY, 1991 «1991 Biennial Exhibition,» Whitney Museum of American Art, New York, NY, 1991; catalogue «We Interrupt Your Regularly Scheduled Programming,» White Columns, New York, NY, 1991 «Interrogating Identity, Grey Art Gallery and Study Center,» New York, NY 1991; traveled to the Museum of Fine Arts, Boston, MA; Walker Art Center, Minneapolis, MN; Madison Art Center, WI; Center for the Fine Arts, Miami, FL; Allen Memorial Art Museum, Oberlin College, Oberlin, OH; catalogue «Positions of Authority,» Art in General, New York, NY, 1991 «Color Theory,» Amelie A Wallace Gallery, State University of New York at Old Westbury, Old Westbury, NY, 1991 «Text Out of Context,» SoHo Center, New York, NY, 1991 «New Work,» PS 122, New York, NY, 1991 «Spent: Currency, Security and Art on Deposit,» The New Museum of Contemporary Art at Marine Midland Bank, New York, NY, 1991 «Works on Paper,» Selena Art Gallery,» Long Island University, Brooklyn, NY, 1991 «Rutgers National «90: Works on Paper, Stedman Art Gallery,» Camden, NJ, 1991; brochure «Art of Resistance,» El Bohio, New York Public Mirror, Art against Racism, The Clocktower Gallery, New York, NY, 1991
He founded and codirected the exhibition space and artists» forum Four Walls and, more recently, the Fine Art Adoption Network (as part of Art in General's New Commissions program).
If you are interested in physiology or in medicine in general, and if you also enjoy fine art, then you should definitely pay attention to the work of Julie Oppermann.
Attended by the general public, collectors and curators, the IFPDA Print Fair is held annually in conjunction with New York Fine Art Print week.
In the early»90s she participated in shows at The Drawing Center, New York, curated by Ann Philbin; Art in General, New York, curated by Holly Block; and American Fine Arts, New York, with Colin De Land, among many otherIn the early»90s she participated in shows at The Drawing Center, New York, curated by Ann Philbin; Art in General, New York, curated by Holly Block; and American Fine Arts, New York, with Colin De Land, among many otherin shows at The Drawing Center, New York, curated by Ann Philbin; Art in General, New York, curated by Holly Block; and American Fine Arts, New York, with Colin De Land, among many otherin General, New York, curated by Holly Block; and American Fine Arts, New York, with Colin De Land, among many others.
Mention some general skills as well as some skills which you have gained in your experience as an advertising manager such as advanced computer skills, deep knowledge in fine arts techniques, indesign principles and production processes.
Educated in design and general fine arts.