Sentences with phrase «flat time house»

On 13 May 2017, Flat Time House Curator / Director Gareth Bell - Jones led a tour of the exhibition, A World View: John Latham.

Selected solo exhibitions include: Flat Time House, London (2016); Indipendenza, Rome (2016); Andrew Kreps Gallery, New York (2014); Focal Point Gallery, Southend - on - Sea (2012); MD72, Berlin (2011) Nottingham Contemporary (2011); Inverleith House, Edinburgh (2011); Secession, Vienna (2009); Artists Space, New York (2009); De Appel, Amsterdam (2008) and Cabinet, London (2000).

In 2003, Latham declared Flat Time House a living sculpture.

This project is co-commissioned with Nottingham Contemporary and The Institute of Modern Art, Brisbane, in collaboration with Flat Time House, London and Primary, Nottingham.

Flat Time House is hosting the first of a monthly programme of film, performance and discussion at Peckham Plex and Jupiter Woods is opening a group exhibition featuring Andrew Norman Wilson, Harry Sanderson, Susan Schuppli and Tom Tlalim.

In a freelance capacity, she has organised exhibitions and events at Flat Time House, Gasworks, The Showroom and at LOOP Barcelona in Spain.

The exhibition explores the fundamental concepts that shaped his art, also including material from Flat Time House, the artist's residency in South London and now home to the John Latham Archive.

Solo shows include at Rowing Projects, London, Flat Time House, London, Site Gallery, Sheffield, Andriesse - Eyck Gallery, Amsterdam, and sic!

A DVD publication of Latham's films will be published by Lisson Gallery, LUX, and Flat Time House in September 2010.

She has also curated projects for the Ian Potter Museum, Melbourne; Gertrude Contemporary Arts Space, Melbourne; Institute of Contemporary Arts, London; Arnolfini, Bristol; Holburne Museum, Bath; Flat Time House, London; 1st Floor, Melbourne among others.

Work by Sam Keogh will appear in Bandits Live Comfortably in the Ruins, curated by Sean Lynch at London's Flat Time House.

Before joining Wysing in 2016, John was an editor at Black Dog Publishing alongside which he worked as a freelance curator, developing exhibitions and projects for Arcadia Missa, Flat Time House, MOT International and Tate.

PS / Y Projects: Fiona James and Jessica Wiesner, You Are That Technicality at Flat Time House on 3 Mar

2012 saw Phillipson's work included in exhibitions at Flat Time House, Cubitt and Whitechapel Art Gallery, London, Baltic Centre for Contemporary Art and CIRCA, Newcastle, and Kunsthalle Basel, Switzerland.

Recent projects include For as Against at Rowing, London, Exchange at Flat Time House, London and Bedroom Tour in collaboration with Am Nuden Da.

At 4 pm, a panel discussion between Teresa Calonje (Author, Live Forever: Collecting Live Art), Claire Louise Staunton (Director, Flat Time House), dancer Ellen van Schuylenburch and Jonah Westerman (Postdoctural Research Associate, «Performance at Tate») asks does performance need collecting?

Recent performances include Hayward Gallery, London, Field Broadcast (online), Modern Art Oxford, Flat Time House, London and Jerwood Space, London.

Collar's exhibitions and performances include: A rock that keeps tigers away, group exhibition, Kunstverein München, Munich, July 2017; a performance event and micro residency, Kunstraum, London, June 2017; Plural Melts at Yvonne Lambert, Berlin, 2017; Tall Tales, touring group exhibition and performance, Freud Museum, London, Touchstones Gallery and Museum, Rochdale and Glasgow Women's Library 2016; Tarantallegra, group exhibition, Hester, New York, July - Aug 2016; Secret Surface, group exhibition, KW, Berlin, Feb - May 2016; 11/50, solo exhibition, Fig - 2, ICA, London, March 2015; Probably, Like a Melon Rolling Off a Table: Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as part of ANTIKNOW at Flat Time House, London, 2014.

She is Director of Flat Time House: an institute, gallery and archive in the former home and studio of artist, John Latham.

We will visit Flat Time House, the former studio of John Latham, to learn about his practice and British art of the 1960s within the context of the exhibition Pataphysics and Transaction Between Barry Flangan and John Latham.

Solo exhibitions have recently been staged at Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); Kunstmuseum Luzern, Switzerland (2016); Pirelli HangarBicocca, Milan, Italy (2016); Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); Red Brick Art Museum, Beijing, China (2016); Haus Der Kunst, Munich, Germany (2015); New Museum, New York, NY, USA (2014); Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and Flat Time House, London, UK (2011).

His work has been shown at galleries and institutions such as MoMA PS1, Long Island City, NY, Museum of Contemporary Art Denver, Denver, CO, The Power Plant, Toronto, ON, Musée d'art contemporain de Montréal, Montreal, QC, Artists Space, New York, NY, Casey Kaplan Gallery, New York, NY, Flat Time House, London, UK, Drawing Room, London, UK, Spike Island, Bristol, UK, Wiels, Brussels, BE, Salzburger Kunstverein, Salzburg, Badischer Kunstverein, Karlsruhe, and Witte de With, Rotterdam.

Her final project was a archival research project which resulted in an contemporary art exhibition and weekend programme at Flat Time House gallery in Peckham.

Claire Louise Staunton is Curator / Director of Flat Time House an institute, gallery and archive in the former home and studio of artist, John Latham.

Flat Time House Events, London: Exhibitions / Events: Destruction and Reconstruction, July 2009 - February 2010 / Cataloguing the image collection - # 7,000

Projects include: Someone Else Can Clean Up This Mess (Flat Time House, 2014 - 15); Her Noise: Feminisms and the Sonic (Tate Modern, 2012); Sound Escapes (Space 2009); The Wire 25 (2007).

2016So many steps, so little time, curated by Jerome Jacobs, De BOND, Bruges, Belgium Beacon, Public Commission, The Hat Factory, Luton, UK Let us be all we can be, Public Commission, Newmarket Road, Cambridge, UK Flat Time House Retrospective Show — The Shift, Flat Time House, London INTO BOUNDLESS SPACE I LEAP, Maxwell Centre, University of Cambridge, Cambridge, UK 2050.

FLAT TIME HOUSE 210 Bellenden Road, SE15 4BW 020 7207 4845 www.flattimeho.org.uk [email protected] Thur - Sun 12 - 6 pm during exhibitions & open days Peckham Rye / East Dulwich

Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!

Recent exhibitions and projects include Exchange at Flat Time House, London, works at Oberhausen Film Festival, Curated by, Vienna, Image Games at Tate Modern and a solo show Bedroom Tour in collaboration with Am Nuden Da.

To accompany the show, the artist's studio home in Peckham, Flat Time House, is open to the public, and is host to various workshops and key events.

Courtesy the artist and Flat Time House.

www.flattimeho.org.uk Flat Time House opened its adjoining flat as a permanent residency space in 2012.

Aid & Abet, Cambridge, 2013; Verging on the Absurd, Contemporary Arts Society, London, 2013; PLAY, La Casa Encendida, Madrid, 2013; LOCO Film Festival, BFI, London, 2013; The Space between Words: Filmic Expansions, Camden Arts Centre, London, 2013; EYE MUSIC FOR DANCING, Flat Time House, London, 2012; The Dan Cox Library for the Unfinished Concept of Thingly Time, Cubitt, London, 2012; London Open, Whitechapel Gallery, London, 2012; Performing as Publishing, Kunsthalle Basel, Switzerland, 2012.

Elisa is also Curator at Flat Time House, the former home and studio of the late British artist John Latham.

Reproduced in a risograph format and co-designed by Wayne Daly and artist Nick Davies from Cardiff, A Bottle of Stout... featured in events and exhibitions throughout 2016 at Flat Time House, London, Emily Carr University of Art and Design, Vancouver, and CCA Derry - Londonderry.

For our thirteenth annual residency programme in Askeaton we welcome artists Matt Calderwood, Jonny Lyons, Ruth Clinton and Niamh Moriarty, alongside curators Max Andrews, Mariana Cánepa Luna (Latitudes, Barcelona) and Gareth Bell - Jones (Flat Time House, London).

In 2015 - 16 he curated group exhibitions at Flat Time House, London and Lismore Castle Arts, Waterford, and was recently Audain Distinguished Artist - In - Residence at Emily Carr University of Art and Design in Vancouver.

Flat Time House will offer a self contained artist's residence with en - suite bathroom.

Cable Works, Cable Sounds, Cables Everywhere, freiraum quartier21 INTERNATIONAL, curated by Georg Weckwerth, Vienna, AT 2012 Oh Crisis, Frankendael Foundation, Amsterdam, NL 2011 Studies for a Catalogue, Flat Time House, curated by Mathieu Copeland, London, UK 2011 Uncommon Places, Extra City, curated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlin, DE.

In 2008 Flat Time House became a gallery, education space, Latham archive and offered artist's residencies, but it closed last July.

While the situation is being resolved, Flat Time House will reopen in March, and host a series of events in parallel with the Serpentine celebration.

His work has been shown at galleries and institutions such as MoMA PS1, Long Island City; Museum of Contemporary Art Denver, Denver; The Power Plant, Toronto; Musée d'art contemporain de Montréal, Montreal; Artists Space, New York; Casey Kaplan Gallery, New York; Flat Time House, London; Drawing Room, London; Spike Island, Bristol; Wiels, Brussels; Salzburger Kunstverein, Salzburg; Badischer Kunstverein, Karlsruhe; and Witte de With, Rotterdam.

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

Selected solo exhibitions include Isle Of Slingers, Spike Island, Bristol 2016; Photo Colour Services, Ithuba Gallery, Johannesburg; Birth Springs, Death Falls, Flat Time House, London 2013; Why Contribute to The Spread of Ugliness?

Peckham / Camberwell Art Venues ASYLUM Art Space (The Chapel, Caroline Gardens, SE15) Flat Time House / Latham Archive (Bellenden Road, SE15) Hannah Barry (Copeland Road industrial Park / Peckham Rye Multi Story Car Park, SE15) Home; Live Art (Flodden Road, SE5) House (Camberwell Church Street, SE5) M2 Gallery (Kings Grove, SE15) Peckham Space (Peckham High Street, SE15) Sassoon Gallery (Blenheim Grove, SE15) South London Gallery (Peckham Road, SE5) The Sunday Painter (Blenheim Grove, SE15)

Flat Time House Better Books: Art, Anarchy & Apostacy 28th June — 29th July 2012 Curated by Rozemin Keshvani this is a record of a special time in London during the 60's when a bookshop off the Charing Cross Rd run by Tony Godwin became the centre of the avant garde.

Selected solo shows include Laure Prouvost, IPS, Birmingham; Time Machine, Bookworks, Spike Island, Bristol (2011); All These Things Think Link, Flat Time House, London; Art Now Lightbox, Tate Britain, London; Frieze Frame, Frieze Art Fair, London; Present Future, Artissima Art Fair (2012).

Not exact matches

For March 2014, the national house price index was flat — which doesn't sound particularly alarming, until the authors point out that this is the first time in 15 years that house prices haven't increased in March, typically the kickoff of the important spring buying season.

(c) suburban and exurban housing prices have been flat since 2008 in metro Vancouver, whereas (like in Toronto) prices have risen in the inner core, but I'm not sure I'd attribute that to the carbon tax as much as people deciding to value their time over the size of their home (and value the walkable, transit - oriented lifestyle).