Sentences with phrase «flat paint works»

-- paint (I have read flat paint works best, but the above paint was on clearance at Lowes, so I used that.

Flat paint works best but whatever you have on hand will do!

Not exact matches

Just lets just concentrate on the positive side now, you have a lovely painted flat now, door handles all fixed, air con working perfectly.....

Purchased plain white T - shirt of good quality (in grandma's size and toddler size) Different colors of fabric paint Old plastic containers Flat work surface covered in newspaper

I did not have anymore white flat paint, so I did have to purchase... but I have plenty left over for a project we are working on now (my DIY Fireplace Mantle for the Master).

I'll use chalk paint a lot of the time, which has a really matte, chalky finish, but any paint in a flat sheen will work as well.

Hi what can i do about my kids bunkbeds satin or eggshell paint mixed with chalk i can do touch ups on the bed when i see something wrong or use flat paint and go over with a clear poly finsh which of them works the best i just want something that i do nt have to repeat once a month or ever other year

Gillespie, working from a script by Steven Rogers, does an effective job of painting a somewhat less - than - flattering portrayal of the protagonist's hard - scrabble existence, with the strength of the film's opening stretch standing in sharp contrast to a middling midsection that grows less and less interesting as time progresses.

All manipulatives (22in x 34in Work Mat, Wooden Tray, 100 unit cubes, 27 ten rods, 27 hundred flats, 17 1000 cubes (1 plastic, 16 oak tag), Foam Ball, Balance, Mirror, Ruler, Crayons, 2 Dice, 108 Color - Coded Number Cards in partitioned wood tray (3 each of 1 -9,10-90,100-900,1000-9000), 108 Number Tiles (27 each of 1, 10, 100, 1000), 14 Operator Cards, Dominoes, Probability Bag with Tie, Geared Clock, 1 1 - cup Measuring Cup, 1 2 - cup Measuring Cup, 64 Painted Wooden Geometric Shapes (Diamond, Circle, Heart, Square, Rectangle, Trapezoid, Parallelogram in assorted colors), plastic coins, and pencil)

It offers 218 guestrooms from superior to junior suites, each fully air conditioned and features flat screen televisions with interactive channels, mini bar, telephone, laptop safe and en - suite bath or shower rooms with brightly colour painted glass windows that each replicate prestigious works from SEO.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Bishop: They have to be stretched, and they have to be flat on the floor, or I can't work with my very liquid paint.

Beginning with Flag (1954 - 55), the seminal work in «Something Resembling Truth» at The Broad, Johns» flags, targets and maps are all paintings of things that are inherently flat, rectangular, and often hang on the wall like a painting.

Installed outside the Serpentine Gallery Ada, (wind vane) is a flat sculpture which is part of Alex Katz's «cut - outs» — a body of work that dates back to 1959 when he began to cut out figures from his paintings to emphasise the two - dimensionality of painting.

The flat plane of the field, with its painted boundaries can be seen as a metaphor for the canvas — and in this way the painting becomes self - reflexive and the act of painting itself the true subject of the work, thus demonstrating a clear tension between the image and its reference point.

My wife wondered to me the other day if perhaps one or two of Stettheimer's works are among the most flat - out ravishing paintings ever made?

Russian Suprematist artist Kazimir Malevich furthered this flatness by placing flat colorful shapes on pure white backgrounds in his works, and De Stijl painter Piet Mondrian painted flat grids in red, blue, yellow, white, and black.

Jaison places his canvas flat on the table and uses a modern painting technique of dripped - on paint texture, which gives his work a gracefully energetic appearance.

The objectness of the shaped paintings from this period makes them always more than the working out of abstracted, biomorphic or geometric forms on a flat surface, since the form of the support itself is a biomorphic or geometric abstraction.

Watercolors, collages, impasto oil paintings, flat acrylic works, sculptural reliefs, multi-dimensional kinetic works.

On a flat canvas painted forms appear sculptural and his three - dimensional works are painterly.

Which is almost like the way Ad Reinhardt's paintings work; there's a lot of difference in them but when you first encounter one of his black paintings, it just seems to be a solid black, flat surface.

Tags: art on paper, Bushwick Galleries, mixed media work, Odetta Gallery, painting, sculpture Posted in Art for Sale, Exhibition, NYC Comments Off on ODETTA gallery presents Bauhaus Babies + Flat Files

Often these works paradoxically evoke a deep space and call attention to their own flat materiality, a product of the systematic series of paint pours and chance - based chemistry.

I did two very large floor paintings, and they were chosen for the Whitney Museum's Anti-Illusion show in 1969, but I had to pull out at the last minute because they didn't understand that the works had to be flat on the floor.

Moreover, if one considers the alternate history of Schapiro's having continued to work in this vein of geometric abstraction, given the typical narratives of the time, her career would likely have plateaued in relation to a colleague like Held, in part because he was a male artist, with all the privileges that brought, and in part because he was, in that mode, perhaps a stronger artist: as impressive as «Byzantium» is, it can't compete with the impact of Held's paintings as paintings, their literal physicality — the extra thick stretchers and larger size and the paint handling, which manages to be worked even when flat — and their composition, which bends vision into sci - fi space but also retains the power of the overall ground.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

Among the second group of abstract paintings at Firestone are works such as «Thunderbird» (1970), where a geometric cluster of blue lines, each about the width of standard masking tape, floats on a vibrant, flat red field.

By using visual details, style elements, lettering, he constantly refers in a refined way to the work of his predecessors Malevich, Kandinsky, Klee, Matisse, Twombly, Johns, Lichtenstein, Kelly, Warhol,... As opposed to the previous airplanes, the models in the new paintings are not assembled but lay flat and open, waiting for the benevolent hand of the hobbyist.

Nor do I think, like Sam, that «Red Label» is a flat image; I think it has, along with quite a bit of Smith's very early, freely - brushed but clearly structured work of the late fifties, more spatial «life» in it than much of the stuff that came later, work that attempted to wed painting to literal three - dimensionality.

In figurative paintings brimming with crisp, flat forms and bold outlines (evoking sign painting as well as the works of John Wesley), Keogh portrays headless female bodies that have been bisected at the waist, an empty suit of armor, and flowery vines that weave in and out of swords.

As visitors to the Barnes Foundation know, the institution's founder, Albert C. Barnes, collected simple, flat, wrought iron objects and displayed them among the works of Modernist painting he collected.

Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the «flatter» surfaces of Barnett Newman's work and the «target» paintings of Jasper Johns.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

Influenced by the Abstract Expressionists, he later moved to denounce the expressive use of color in their works and to focus on a «flatter» use of paint that was becoming a trademark of Barnett Newman.

Oscillating between two separate works, Thomas's painted homage to Sojourner Truth's 1851 speech of Black female empowerment, «Ain't I a Woman,» and a religious altarpiece, Diptych presents the sexy, Black female body sculpted out of flat planes of primary colors in two dimensions on the left (a gesture reminiscent of the painterly techniques of her idols Jacob Lawrence and Romare Bearden), and in a televised two dimensions on the right.

Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.

About the Artist Zhu Jingyi (China, b. 1975) reimagines classic shanshui landscapes in a three - dimensional format through the application of resin onto canvas and wire to create textured structures that enliven otherwise flat, ink painted works.

Katz's brightly colored, large - scale figurative and landscape paintings are rendered in a flat style that oftentimes resembles the aesthetics of the everyday visual culture commonly found in advertising and cinema — a feature that regularly linked Alex to the norms of Pop art despite the fact his work predates this movement by a relatively big margin.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

But each of the artists» works are also about the misjudgment of a real environment — a real chair made out of special rope (Campana); a box made of terracotta and glaze (Cherubini); a lamp made out of found metal (Coolquitt); an abstract painting titled after a transsexual (Ferris); and collage, deceptively flat - looking, made from among other things, feather and beads (Alvarez).

The exhibition features six works from the «Sarrafos» series, composed of white tempera panels intersected by a single, angled black bar, and works from «Brancos e Pretos,» seemingly flat panels punctuated by painted arcs and lines that reveal slight variations of texture to cast shadows and form subtle sculptural reliefs.

While Newman's work reeled viewers into a color field, Swavely's paintings resist close inspection, for as one approaches, the brushstrokes that once felt voluminous fall flat, having been washed away by turpentine - soaked rags scrubbed across canvas heavy with oil.

In his more recent body of work, titled Flat Screen Nature (2012 — current), Goode uses an industrial hand saw to cut through sheets of painted fiberglass, creating allegorical landscapes of jagged edges and menacing peripheries; the artist's visual vocabulary comes full circle to represent our environment's vulnerable sky, land, and sea.

Leave your flat,» and enter the garden where Akinciturk will present new paintings and a yard - specific sculptural work by Lorini.

If Marshall's work considers the erasures of history, Casteel's is very much set in the present tense (though her paintings are less a literal transcription of real life than they may seem: «I like to think of them as being able to wobble in and out of these flat and hyperrealistic spaces»).

Yet, enlivened by an expressive, though always economical, touch, her work resonates just as strongly as a sustained, self - reflexive enquiry into the act of painting: what it might take to bring an image into being on a bounded, flat plane.

He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version of the image as a blocked - out negative of flat colour.

The reviewer of this show in Arts Magazine described the work as «strong non-objective shapes painted with bald simplicity on a flat - plane background, usually grey.»

In a text titled, «Post-War Reflection,» Kusama writes, «My Works are usually painted flat on undivided space so that each microscopic mass is followed by another and its surface has a concrete appearance when looked upon as a whole showing a group of remarkably vast masses.