Sentences with phrase «folklorist of»
«Folklorist of the Brush and Palette»: Rare Winold Reiss Exhibition Features Distinct, Illuminating Portraits of Harlem Figures
http://www.culturetype.com/ Not exact matches
With adept recourse to an impressive (but never name - dropping) array of anthropologists and literary theorists, folklorists and linguists, philosophers and theologians, she shows that these Catholic writers engage modern and even postmodern culture by way of a revolutionary understanding of the imagination.
The «Ask an Astrophysicist» section of the Web site of NASA's Goddard Space Flight Center dismisses this story, and folklorist Jan Harold Brunand has documented the evolution of the legend.
In spite of the best efforts of rhetoricians, communication scholars, anthropologists and folklorists, «performance» is conventionally but narrowly associated with theatrical imagery.
But even if there weren't, I think we'd have to play the game as though there were»; and «I'm afraid, Gringo, I must agree, with our distinguished folklorist and foremost witness to the ontological revelations of the patterns of history... and [I] have come to the conclusion that God exists and he is a nut» (pp. 167.68).
For example, there is a number, probably a fixed and limited number — archetypal, Jung would say — to which we can reduce the mass of themes in the universe as they might be catalogued by such folklorists as Aarne - Thompson.
Mayor, a classical folklorist, recounts in lively, sometimes darkly comic detail the diabolical stratagems devised by devious warriors for tactical ends: arrows dipped in toxins; jewel - encrusted urns booby - trapped with plague - laden garments; and a host of dirty tricks involving snakes, stinging beetles, and venomous frogs.
As recorded by regional labels and collected by enterprising folklorists like Alan Lomax and Harry Smith, the American vernacular music of the 20's and 30's retains an indelible, uncanny intensity.
(2015) dir Matteo Garrone w / Salma Hayek, Vincent Cassel, Toby Jones, John C. Reilly, Shirley Henderson [133 min; DCP] Based on three spellbinding stories of magic and the macabre by 17th - century folklorist Giambattista Basile, TALE OF TALES unleashes a barrage of mind - bogglingly gorgeous and fantastical imagery as it brings to life the (mis) adventures of three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seemof magic and the macabre by 17th - century folklorist Giambattista Basile, TALE OF TALES unleashes a barrage of mind - bogglingly gorgeous and fantastical imagery as it brings to life the (mis) adventures of three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seemOF TALES unleashes a barrage of mind - bogglingly gorgeous and fantastical imagery as it brings to life the (mis) adventures of three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seemof mind - bogglingly gorgeous and fantastical imagery as it brings to life the (mis) adventures of three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seemof three kings: in the kingdom of Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seemof Darkwood, the King (Reilly) and his Queen (Hayek) attempt to conceive a child through very unusual means; meanwhile, in Highhills, the none - too - bright monarch (Jones) marries off his daughter to a brutal ogre while developing a strange obsession with breeding a giant flea; and, the sex - obsessed crown of Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seemof Strongcliff (Cassel) is in for a shock when the woman he falls in love with is not quite what she seems.
The Baroque fantasy is based on three stories of magic and the macabre by 17th - century folklorist Giambattista Basile.
«Violeta Went to Heaven» (Violeta se Fue a Los Cielos): (Chile, Argentina, Brazil, Spain) A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes.
«World over, we seem intent on splintering ourselves into as many sub-groups as it will take for us to feel comfortable in our skins again,» writes Harmony Siganporia, who in the aftermath of Brexit revisits the teachings of poet, folklorist, scholar and grammarian AK Ramanujan to further explore the meanings of context - free and context - sensitive cultures.
As a sort of freelance folklorist, I am enormously interested in the stories cultures tell about themselves.
O'Sullivan tells the great Irish writer's story in concert with those of Wilde's physician, archaeologist, antiquarian, and folklorist father, William; translator, poet, and mythographer mother, Jane; and brother, William, a gifted and troubled society journalist.
Savannah ghost walking tours are conducted by The Storyteller, a historian - sensitive, folklorist, paranormal researcher, and licensed Savannah tour guide with over 30 years of research and first - hand encounters with what is commonly called psychic or paranormal phenomena.
Bruce Jackson: On the Inside A folklorist's 1970s - era chronicle of prisons in Texas and Arkansas By Brian Wallis
This exhibition curated by Raymond Foye presents the visual art of Harry Smith (1923 - 1991) painter, filmmaker, folklorist, anthropologist, and practicing magician; seen in the light of two of his most dedicated and influential admirers, Philip Taaffe (b. 1955) and Fred Tomaselli (b. 1956).
19 November 2008 5:00 — 7:00 pm Ibrahim Theater, International House, 3701 Chestnut Street, Philadelphia Changing the Canon: Self - Taught Artists Film Screening and Panel Discussion James Castle: Portrait of an Artist A film by Jeffrey Wolf Introduction by Molly Dougherty, Executive Director, Foundation for Self - Taught Artists Brendan Greaves, Folklorist, University of North Carolina John Ollman, Director, Fleisher - Ollman Gallery Ann Percy, Curator of Drawings, Philadelphia Museum of Art Jeffrey Wolf, Film Producer and Director Wendy Steiner (moderator), Founding Director, Penn Humanities Forum Born deaf, James Castle (1900 — 1977), a self - taught American artist who refused to read, write, or otherwise communicate except through art, used soot, saliva, and found materials such as ads and food wrappers for his creations.
Thunderbird Jewelry of Santo Domingo Pueblo, curated by folklorist J. Roderick Moore and by Wheelwright Museum curator Cheri More...
And as for relating to institutional art world structures, she sees the work of public folklorists concentrating in the arts as having anticipated «relational aesthetics» and «social practice,» but «done so on its own terms and by privileging the voice of the artistic tradition - bearer rather than the curator or artist / interpreter.»
Jasper explains that as a public folklorist, she works to utilize some of the existing standard presentational formats (gallery or museum exhibitions, staged performances, etc.), when and if appropriate, for sharing artistic traditions with a larger public.