Sentences with phrase «following the exhibition on»

Not exact matches

Following her own philosophy, she called on everyone to submit ideas that illustrate solutions to her for inclusion in Broken Nature, as the exhibition is still a work in progress.

Following a successful launch, the exhibition will once again introduce a «country of the year» in 2018, the focus this year being on New Zealand.

NUMBER OF BOTTLES TO BE SUPPLIED Depending on exhibition class, the number of bottles that must be supplied of each wine to be exhibited varies as follows: Classes 1 - 27 — 4 bottles Museum Class 28 — 2 bottles

U.S. manager Don Clark, looking forward to his two - game exhibition invasion of the U.S.S.R. which is due to follow the tournament, sadly surveyed his handful of survivors and cracked, «This is probably the most battered army that ever marched on Moscow.»

In the scheme of things — after Woods» shot - making exhibition at Sage Valley Club that reportedly included a 300 - yard drive, which followed his «progressing nicely» home video, and reports he was up to five hours of practice and playing some holes on his home course — a Tiger turnout in North Carolina may seem the next obvious step.

The Political Cartoon Gallery is putting on a new exhibition of artwork featuring Margaret Thatcher from when she was in Number 10 - and more recent depictions of the only female to follow in her footsteps, Theresa May.

This piece is part of a larger series of «autologlyphs,» following on from HS's «Sphere Autologlyph» from the 2010 Bridges art exhibition.

A tour of the exhibition and a demonstration of the project's hot site for cool science will follow, and the event will be brought to a close with a «Science in the Pub» discussion on the subject of modern physics and philosophy, complete with musical intermezzo and buffet.

Home Video Notes: The Hunger Games: Mockingjay - Part 2 Release Date: 22 March 2016 The Hunger Games: Mockingjay - Part 2 releases to home video (Blu - ray / DVD / Digital Copy) with the following bonus extras: - Audio Commentary with Director Francis Lawrence and Producer Nina Jacobson - «Pawns No More: Making The Hunger Games: Mockingjay - Part 2» 8 - Part Documentary - The Hunger Games: A Photographic Journey - Cinna's Sketchbook: Secrets of the Mockingjay Armor - Panem on Display: The Hunger Games: The Exhibition - Jet to the Set

Though development on a sequel to Top Gun appears to have stalled following the tragic death of director Tony Scott, it appears that the 3D re-release of the original will be getting the largest possible exhibition.

One suggestion is to host «exhibition nights» that allow for Q&A and follow up discussions at staff meetings on how such innovation can be infused into the DNA of the school.

Following opening remarks by GKC executive producer Charlie Schroder, PW v - p and children's book editor Diane Roback, and Bologna Book Fair exhibition manager Elena Pasoli, NPD Book executive director of business developent Kristen McLean took to the podium to give an overview of takeaways on the children's industry based on analytics from NPD BookScan.

Following a wide - ranging discussion on partnership working and innovation, Ambassador Godec visited the clean energy exhibition at the institute which provides information on the costs associated with various clean energy technologies, their availability, the fuels they use, and the distributors who supply them.

Whether it's a homeless dog being relocated following a major hurricane event, a canine companion accompanying his owner on vacation or a show dog traveling for competition or exhibition, road trips can be life - enhancing — or even lifesaving — for dogs.

Following on the open - air theme, I was very impressed with the Topography of Terror exhibition, an open - air (and free) museum that tells the story of the city in the years before and during World War II.

WTM 2010 generated # 1,425 million in business deals, either on the exhibition floor or in the 12 months that followed, which was a 25 per cent increase on WTM 2009's # 1,139 million.

In many countries, the exhibition has led to follow - up activities including teacher training courses, theatre presentations and other educational projects related to the Holocaust, World War Two and its impacts on today's society.

The tours can include an inspiring talk about the exhibitions on display, followed by an art activity.

Commenting on the findings of the report, Simon Press, senior exhibition director, Arabian Travel Market, said: «Following recent reforms and the relaxation of visa regulations, Saudi Arabia is poised to capitalise on these factors as it nurtures a vibrant leisure and entertainment sector, supported by a new generation of hotels.»

Simon takes the role of WTM Exhibition Director at an exciting time for the exhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event lastExhibition Director at an exciting time for the exhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event lastexhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event last November.

WTM London 2015 facilitated # 2.5 billion in business deals, either on the exhibition floor or in the 12 months that followed.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

The preopening hype was intense: following in the footsteps of the museum's landmark exhibitions «Homo Video» and «Bad Girls,» «Trigger,» curated by Johanna Burton with Natalie Bell and Sara O'Keeffe, was a master class in today's art about identity, with a focus on how gender intersects with race, class, sexuality, and disability.

Another exhibition organized by the Marxist John Reed Club at the socially activist ACA Galleries on Madison Avenue followed under the argument that the NAACP show «wasn't broad enough,» says Mia Curran, a Whitney curatorial assistant who researched the lynching images.

The following review was originally published in the October 1998 edition of The New Criterion and is posted here on the occasion of Yayoi Kusama, an exhibition opening this week at The Whitney Museum of American Art and continuing until September 30.

As part of the Jasper Johns: Variations on a Theme at The Phillips Collection, master printer and professor Scip Barnhart demonstrated to visitors the following printmaking processes: intaglio, lithography, and silkscreen in a workshop adjacent to the exhibition.

Following the exhibition publication which relies more heavily on text than image, Printed in Germany is an artist's book conceived as a stand - alone visual object that extends Williams's conceptual and aesthetic ideas into book form.

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The following conversation took place at Paul Karlstrom's San Francisco home on March 22, 2014, the day after the opening of Brooklyn — based Jemima Kirke's first solo exhibition at Fouladi Projects, also in San Francisco.

This groundbreaking exhibition follows the artist's exploration of interlined topics, including a halting suite of works about 9/11; contemporary «history paintings» on life in America since the events of 9/11; homages to his friends, the women quilt makers of Gee's Bend, Ala.; memories of vanishing ways of life and his childhood in the the South; and evocations of human struggles for freedom.

«It was such a brilliant, mind - blowing exhibition,» says Lucy Mitchell - Innes of the Whitney's Museum of Amercan Art's lauded 2013 Jay DeFeo retrospective, «that we were quite intimidated to follow on that.»

(e) Inclusion on Competition - and exhibition - related products to be sold by the the World Photography Organisation or any third party following the individual agreement by the author

The following selections are drawn from two related bodies of work — the series Unbranded: Reflections in Black by Corporate America 1968 — 2008 (2005 — 08), and Unbranded: A Century of White Women 1915 — 2015 (2015), which are the focus of the exhibition Hank Willis Thomas: Unbranded currently on view at the Block Museum of Art, Northwestern University.

The following exhibitions were displayed at MAM (or will be displayed at MAM) and are now on view at other institutions.

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

The following conversation between Professor Harry Naar of Rider University and Louis Finkelstein took place on the occasion of an earlier exhibition there.

In the exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel paintings in oil on linen.

The following review originally appeared in the November 18, 2008 edition of The New York Observer and is posted here on the occasion of Calder 1941, an exhibition at the 57th Street outpost of Pace Gallery (until December 23, 2011).

The exhibition opens on May 23, 2015, with a reception for the artist, followed by a second phase beginning June 26, 2015, which launches the immersive outdoor video installation and the augmented reality experience.

Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.

While I was on my way to see his current exhibition, Trevor Winkfield — Saints, Dancers and Acrobats, at Tibor de Nagy Gallery (February 17 — March 25, 2018), I began to wonder — as someone who has followed his work since the late 1970s, and who has read many of the things written on his work, as well as much of his own writing — if I could add anything to what has already been said.

The following interview was published on MINUS SPACE in March 2004 in conjunction with Richard Bottwin's spotlight exhibition.

The tapestry goes on permanent display in the Clothworkers» Hall following this exhibition.

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

On Friday, Feb. 3, a new show will be opening at the Gerhard Richter Archive in Dresden, to be followed by exhibitions at various museums, including the New National Gallery in Berlin and the Centre Pompidou in Paris.

This presentation follows the artist's recent major European survey, All I Have Learned and Forgotten Again, that was on view in 2013 at Lille Métropole, musée d'art moderne, d'art contemporain et d'art brut in Villeneuve d'Ascq, France, before it traveled to the Camden Arts Centre in London, making it the first solo exhibition of his work in the city.

Her latest works from 2013 were included in a selected exhibition of small works on paper touring internationally — The Drawing Box show launched in Mumbai, India and is now touring to Belfast and Dublin and Ireland followed by Malaysia and Italy in 2014.

Following an exhibition in Moscow in 1933 titled Fifteen Years of Artists of the Russian Soviet Federated Socialist Republic, the formalist avant - garde artists were heavily criticised, the journalistic hand falling hardest on the geometric abstraction of a certain Kazimir Malevich.

Following the success of her show at the Saatchi Gallery in 1994, which generated a great deal of publicity for her work, Saville went on to take part in the exhibition American Passion, which toured from the McLellan Gallery, Glasgow, to the Royal College of Art and the Yale Center for British Art in New Haven, Connecticut.

Pace is delighted to announce a presence in Switzerland with the opening of an exhibition space in Geneva this March, closely following the gallery's first time participating in the city's premiere art fair, artgenève, on view 1 - 4 February 2018.