Sentences with phrase «for dead characters»

Hell, I feel I am closer to the Left For Dead characters, despite the complete lack of character arcs in that game.

Not exact matches

We only included the characters who died in the movie prior to that moment who are probably dead for good — the vanished characters will most likely come back somehow in the next «Avengers» movie.

For American travelers, Priceline's brand remains stronger, so much so that the company returned William Shatner's Negotiator character back from the dead.

Or was it only an event in the lives of the disciples — a change in their outlook as they came to realize through further reflection upon their dead and buried Teacher, that his influence still lived on, that his teaching had been true, that his life must be their example and his character a pattern for themselves to follow, that although he was dead he must still be revered in their memory as their Lord whose spirit could still be recreated in themselves in so far as they dedicated themselves to the aim of following in his footsteps?

Hawthorne is deeply honored for his role in the articulation of the American character because he was creatively appreciative of what he repudiated and knew to be dead.

Now come back on as another character and tell us to consume pus - laden milk stolen from the babies she makes it for and that their dead rotting flesh injected with ammonia to make it red is also good for us!

In the film Fat, Sick, and Nearly Dead the main character, Joe Cross, drinks nothing but juice for 60 days and loses a lot of weight and calms...

PRNEWSWIRE — Showtime Networks is teaming up with love.com to promote the new season of the quirky and darkly comic SHOWTIME Original Series, DEAD LIKE ME (TM), which premieres on July 25th at 10PM (ET / PT)... The promotion features a «Love of Your Life» Sweepstakes in which the grand prize winner will receive a trip to the Aventura Spa Palace in Mexico, courtesy of Orbitz... During the course of the series, characters in the show will search for love through the love.com service... SHOWTIME will promote the series and the sweepstakes via on air spots and links to love.com on the SHOWTIME homepage, SHO.com, as well as the DEAD LIKE ME (TM) homepage.

How this work - at - home mom is fulfilling her dreams At 8 pm on a Wednesday night, Stefanie Robertson sits comfortably on her sofa, puts Lauren Cohan looks a long way from her character on The Walking Dead in this shoot for Harper's Bazaar but she's clearly very at home posing up a storm for

From the «Telltale's TWD series fanboy» side this game having all you need: good and charismatic characters with their own stories, absolutely GREAT main character, Michonne, and, for the first time, those cool psychodelic flashbacks with her daughters are absolutely creeping me out in a good way and COOLEST ACTION with machette, when I was seeing that, I was just like «Whoa, well, you got what you deserved, you walking dead motherf ** kers!».

No offense to Chris Klein and Mena Suvari, but their characters felt like dead weight by the second film, as did those played by Tara «I'll suck your cock for 1000 $» Reid and Shannon Elizabeth.

The Marine campaign for me is the most intense survival horror game yet (mainly because the Xenomorph is such a memorable character)- in terms of providing dread and checking every corner as you make your way slowly in the dark, it is unsurpassed (Dead Space is a very close 2nd).

Grace is a dead ringer for Cordelia, and in playing both characters, Gomez essentially just has to look like herself.

While the Walking Dead is a bunch of characters (who nobody cares whether they live or die) sitting around talking about their feelings and who should be in charge for 8 episodes (with an occasional zombie forced in, for no apparent reason), Z Nation actually shows a full world view (with more than Walking Dead ’s

Hudd first came to serious critical attention with his portrayal of Guildenstern in a 1925 modern - dress production of Hamlet, and he later became a theatrical star in the play Too Good To Be True, in the role of Private Meek, a character modeled after T.E. Lawrence; as surviving photos from the production reveal, in costume he was a near dead - ringer for the real - life Lawrence.

Unlike walking dead, where you have to sit through existential analysis for all characters, this is a bloody and brain eating horror fest.

This pack is headlined by the inclusion of two new characters for competitive multiplayer and co-op friendly Escalation mode: the Decepticon speedster Dead End, and fallen Autobot champion Zeta Prime.

The original Red Dead Redemption introduced gamers to a varied cast of well rounded and believable characters back in 2010 and it would be a shame not to see some familiar faces returning for the prequel (because we now know it is, in fact, a prequel).

The English Patient is at most a feature for dreamy young adults (especially those who consider it romantic for a character to become a Nazi in order to spend time with a former lover's dead body), and even the good points of The Crucible and Ghosts of Mississippi don't include the sort of insights that ought to come with age.

This piece of news confirms our post from March 2016, where we told you that one of the characters named Gaylen would be featured in the film, seeking revenge for her dead son, Kenny Brandon:

There are also directors of fiction films that I admire, that spire me a lot and that illustrate my pronounced taste for marginal characters: Freaks by Tod Browning, The 400 Blows by François Truffaut, The Elephant Man by David Lynch, Wings of Desire by Wim Wenders, Dead Man by Jim Jarmusch, Dogville by Lars von Trier, Spider by David Cronenberg, Amores Perros by Alejandro G. Iñárritu, Time of the Wolf by Michael Haneke, The Host by Bong Joon - ho, Old Boy by Park Chan - wook, Children of Men by Alfonso Cuarón, Tomboy by Céline Sciamma, Two Days, One Night by the Dardenne brothers and the very recent and magnificent I, Daniel Blake by Ken Loach.

It's not brain dead comedy created solely for slapstick humor but has a self - depreciating way of portraying the life of its central characters and their actions.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

Barry, a much acclaimed character actor for his work in Dead Man Walking and Born on the Fourth of July, moves between menacing and feeble.

Whether we're watching a character hustle meth for gas money, characters hide a dead body on a swing, or take a pizza break after cleaning their crime scene, I was impressed with how far «Rough Night» went.

It's also jam - packed with more characters all fighting for more screentime, more plot, more exposition, more storylines, and more dead spaces in between all of the good stuff.

It's impossible to reconcile the idea of a son alive with that of a son dead, so he shows the mother in bubbles of congealed time, invested in futile pursuits, as in the moment when, drowned in darkness, she calls a woman she does not know on the phone to ask her to be a character witness for her son.

Lauren Cohan is set to star in a new ABC series, but what might this mean for her beloved character on The Walking Dead?

Zack, the eccentric creep of the fighting games, transports seven of the female characters from Dead or Alive 3 (plus newcomer Lisa) to his private island resort for a two week vacation.

Not only is Evil Dead and Don't Breathe director Fede Alvarez taking over for the continuing adventures of Lisbeth Salander, but he's also bringing a brand new version of the character to the screen for his The Girl in the Spider's Web.

Surprisingly dull and unfunny for the talent involved, «Life After Beth» is a dead - on - arrival comedy that's just as much in need of some brains as its title character.

All we know for now is that Hideo Kojima and Guillermo del Toro are involved and that the main character is being voiced and modeled after The Walking Dead's Norman Reedus.

A recurring gag in the original script would involve the characters having a «Dead Pool» on each other (betting when they would die), but also a separate on for the trouble singer, who had been dealing with drug problems for years at that point in time.

Rockstar recently dropped the third trailer for Red Dead Redemption 2, which focused on the game's incredible atmosphere, characters, and some of the activities that we'll be partaking in.

For example, you can hear stories about the exploits of Red Harlow and the rest of the game's characters during the campfire stories in Red Dead Redemption (which takes place about 30 or so years after the events of Red Dead Revolver).

WHY: AMC has never been afraid to take a gamble — and in the case of «The Walking Dead» and «Breaking Bad,» they've paid off in spades — but for as great as the idea of a martial arts TV series may sound, «Into the Badlands» is a disappointing mess of half - baked ideas and unlikable characters that squanders its potential.

WHY: The fourth season of «The Walking Dead» may be plagued by many of the same problems as previous years, but while its tendency to let plotlines drag on for too long causes the show to grind to a halt at times, the renewed focus on keeping the story moving even when its characters aren't plays a huge part in its success.

Taking the John Godey bestseller as a serviceable basic structure, Stone has devised the most adroit, yet regionally credible, verbal business for virtually everybody who opens his mouth in the course of the picture; a character may lack a name but he won't be permitted to contribute dead space on the soundtrack.»

The camera does take on the point - of - view of someone at some point, then jumps back to an objective place, then plays that trick Evil Dead II plays with perspective in the scene where Ash wakes up in a clearing and looks around in a panning 360 - degree take, only for the audience to discover that the camera eye is both character and commentator, more physical in its way than a first - person point - of - view could ever be.

The latest cinematic trailer for Overkill's The Walking Dead video game introduces gamers to the character Grant, who's looking for his granddaughter.

Even if the level of other characters» own development decreases as they move down the food chain of plot importance (Some speak of their lack of feelings of worth and act upon them, others give themselves neat nicknames and show off their abilities, and one seemingly appears only as fodder for the villain (After the pronouncement that said character is dead, we half expect the follow - up to be «And we have killed him»)-RRB-, there is at least this conflict of ideas between its central characters playing out as though it, instead of nifty superhuman talents, is what matters the most.

It was interesting for me — the differences between this character and Michonne in The Walking Dead is there's this history to how the Dora Milaje move.

Paul Rudd was one of the best parts, his dead pan humor worked for the character and he seemed to be having fun.

Over the course of a couple of phone chats — one interrupted by a dead cell phone battery — one can hear the earnest joy in her voice, usually followed by that laughter, when talking about her journey from M. Night Shyamalan's The Village, her feature film debut, to the massive success of Jurassic World despite her character's penchant for running in heels from dinosaurs and, most recently, her 2017 Screen Actors Guild Award - nominated performance in an episode of Netflix's Black Mirror.

She follows the advice of her late mother to «have courage and be kind,» a phrase that is uttered so often in this film that, if you chose to play a drinking game where you drank a shot each time you heard it, you'd be dead before the main character got transformed for the ball.

After graduating as valedictorian of her film school, Laney (a luscious Winona Ryder) gets a job assisting unctuous morning - show host Grant Gubler (John Mahoney) but moonlights as an amateur documentarian, compulsively videotaping the goings - on of roommates Vickie (Janeane Garofalo) and Troy (Ethan Hawke) and gay fourth - wheel Sammy (Steve Zahn, a dead ringer in character for «Party of Five»'s Mitchell Anderson).

The only things keeping Dawn of the Dead from soaring are a quartet of characters (the doomed dad, the slut, the slack - jawed yokel, the cross-dressing émigré) who function as distracting padding — and the sort of squeamishness in regards to hardcore gore that our culture of creeping sanctimony has made par for the course since the grand guignol of the original.

Max's dead mother, Rosemary's dead husband (another Rushmore graduate), and Herman's stint in Vietnam may not be equivalent points of reference for these characters, but the movie gently treats them as if they were.

Prediction: While Denzel Washington is locked in a dead heat for Best Actor, his Fences costar Viola Davis might be the surest thing of the night — in part because she's great, in part because the character is great, and in part because it's a leading performance in a supporting category.

Coming from the Koei Tecmo team, famed for various franchises, but especially Dead or Alive, was there any desire to make the female characters in this game... well, you know.