Sentences with phrase «for empty gallery»

Not exact matches

Nowadays the press gallery is pretty much empty by 8 pm, the bar and restaurant closed, and the same can be said for most of the rest of Westminster.
Several dozen Assembly members of both parties were in the chamber for the voting, but the galleries were empty.
Transform empty wall space into a gallery for your favorite family memories.
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* A couple of really good galleries in premium places that invite you to have a solo exhibition or group showing once a year; * one or two pop up shows a year in a suitable spot in a town near you (empty shops in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who worked in visual merchandising / interior design / blogging to be my agent in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.
For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»
2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany
A front page Village Voice story in November of 1969 describes how artists began (illegally) filling the neighborhood's large, empty industrial spaces, even though they weren't zoned for residential use, with James Rosenquist and Paula Cooper Gallery being name - checked as pioneers of the area.
Annet Gelink Gallery, «What's New», Amsterdam, Netherlands Boutique Céline, Avenue Montaigne, «Les Années Fatales», Paris, France Gallery Thaddaeus Ropac, «Next Generation: Heavenly Creatures», Salzburg, Austria The Dreamland Artist Club, «Creative Time in conjunction with a public project for Coney Island redevelopment», New York NY Kunsthaus Baselland, «Strategies of Desire», Basel, Switzerland Le Confort Moderne, «Out of Bounds», Poitiers, France Annet Gelink Gallery, «The Human Face is an Empty Force, a Field of Death», Amsterdam, Netherlands
In 2001, controversy arose when Martin Creed won for Lights Going On and Off, a conceptual installation in which Creed set the lights in an empty gallery space to turn on and off at regular intervals.
Recent solo exhibitions include Empty Collections at Meessen de Clercq Gallery, Brussels, Belgium, Ruins are More Beautiful at the Center for Contemporary Art, Warsaw, Poland, Private Collections at Locks Gallery, Philadelphia, The Museum of Failure at Luxe Gallery, New York, Beautiful / Ugly at Magnus Müller in Berlin and Bad Mirror at Galerie Gebruder Lehmann in Dresden, Mirror at the Pennsylvania Academy and A Whitney for the Whitney at Philip Morris at the Whitney Museum at Altria.
Participants of Parliament stand, walk, lie down and otherwise navigate an empty gallery space, in silence, for six hours a day, over the course of four days, at the Nasher Museum.
«In 1958, for his 30th birthday, he created The Void, emptying the Iris Clert gallery in Paris and painting it entirely white.
Upcoming exhibitions for gallery artists include: Susan Lee - Chun, Losing Yourself in the 21st Century, Maryland Art Place, Baltimore, Maryland, performance June 23, 2010; Pepe Mar, Mystic Visage, World Class Boxing: Debra & Dennis Scholl Collection, Miami, Florida, opening June 12, 2010; Glexis Novoa, Arte y confrontación en América Latina (1910 - 2010), Museo del Palacio de Bellas Artes, Mexico City, Mexico, opening January 2011; Frances Trombly, Paintings, Girls» Club: Collection of Francie Bishop Good & David Horvitz, Ft. Lauderdale, Florida, opening November 2010; and Wendy Wischer, No Longer Empty's exhibition The Sixth Borough on Governors Island, opening June 5, 2010.
Recent exhibitions include a solo show at Project for Empty Space, Newark; as well as exhibitions at Gavlak, Los Angeles; Paul Kasmin Gallery, New York; and the Nathan Cummings Foundation, New York.
Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY
In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings.
2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..
The ever - inventive David Shrigley, in addition to a couple of animations in the film series described below, is represented in BQ Gallery «s booth by a white room, empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room.
Taking Positions is a performance - for - screen that was recorded in the empty gallery space of Kunsthaus Dahlem in Berlin.
Previous exhibitions include; The Sixth Borough, c / o No Longer Empty, Governor's Island, New York (2010); Soul For Sale, Tate Modern, London (2010); Ghost Machine, Magnan Metz Gallery, New York (2009) Explorations of the Uncanny, Synthetic Zero Gallery, New York (2009); Almost Nothing, Soap Factory Gallery, Minneapolis (2009); LMCC Work Space Program, New York (2008); Non-Oblectif Sud, Côtes du Rhône (2008); Kerlin Gallery, Dublin (2008); West Germany Gallery, Berlin (2007); Irish Museum of Modern Art, Dublin (2007); Fieldgate Gallery, London (2007); Mercer Union Gallery, Toronto (2006); Hugh Lane Gallery, Dublin (2005) Crawford Municipal Art Gallery, Cork (2005); Bloomberg New Contemporaries, Manchester / Sheffield / London (2005); Alma Enterprises Gallery, London (2005); British Council / CityMine (d) Brussels (2005); Eastlink Gallery, Shanghai (2004); Gallery 411, Hangzhou (2004); Zedebois Centre, Lisbon (2003) EV+A, Limerick (2002); CCFA, Prague (2001)
For the Turner prize exhibition, however, he has decided to show Sleeper, a film that runs for over two hours and simply shows the artist dressed in a bear suit, shambling around an empty art gallery in BerlFor the Turner prize exhibition, however, he has decided to show Sleeper, a film that runs for over two hours and simply shows the artist dressed in a bear suit, shambling around an empty art gallery in Berlfor over two hours and simply shows the artist dressed in a bear suit, shambling around an empty art gallery in Berlin.
He is currently curating Empty Pr (oe) mises for the National Museum of Contemporary Art, Athens, and a new public performance by Stefanos Tsivopoulos on the White House sidewalk in collaboration with the Cooper Gallery at Harvard University.
I will never demand an art that provides answers, but I will plead for one that sets the right questions to the right people, and as I stood in an empty gallery and failed to connect with Thomas Locher's A Hundred Thousand Billion Societies (2017)-- a stack of boxes emblazoned with aphorisms about belonging — throngs of locals ghosted past, perspectives unchanged.
Using modernist aesthetics and ideals elucidated by the Russian constructivists and the Bauhaus school — both of which are movements known for their utopian aspirations — Cerrillo makes steel frames that outline empty gallery space, exploring the failure of Modernist abstraction to connote real meaning.
The granddaughter of the late King Faisal, Reem is perhaps best known for her criticism of Saudi society as well as her renowned gallery in Dubai dedicated to photography, The Empty Quarter.
Just when the city empties out, galleries have a way of filling up — for those long, lazy summer days of long, lazy summer group shows.
For this groundbreaking event, the Whitworth emptied every gallery space in order to create room for this unique work to develop and breatFor this groundbreaking event, the Whitworth emptied every gallery space in order to create room for this unique work to develop and breatfor this unique work to develop and breathe.
One gallery has been left empty save for pair of rather sinister mechanised replica snails by Swiss - born, New York - based Urs Fischer, which torturously circumnavigate the room.
He left the last large gallery in the Hirshhorn's circling sequence empty but for one element: a floor - to - ceiling white scrim that stretches the length of one wall and gives the illusion of straightening its curve.
This past weekend we stopped by Mark Moore Gallery for the opening reception of «Empty Distances» a group show curated by Caryn Coleman.
Buckman's work has been shown in solo exhibitions including Imprison Her Soft Hand at Project for Empty Space, Newark, Every Curve at PAPILLION ART, Los Angeles and Present Life at Garis & Hahn Gallery, New York.
Newark, NJ Project For Empty Space is thrilled to announce the opening of Imprison Her Soft Hand, a solo exhibition by Zoe Buckman, on Wednesday, February 22nd, from 6 - 8 PM, at the Project For Empty Space gallery in Newark.
The lazy echoes and deep thumping cuts warm the environment for the works and the listener, as the sounds resounding through the gallery recall the empty, repetitive lulls of easy listening music or the earworms attributed to pop or house dance beats.
The artist who won the Turner prize for an empty room in which the lights turn on and off, and who has made works out of blobs of Blu - Tack, broccoli and balloons, is to have his first career retrospective at the Hayward Gallery in London.
KM: There are many examples in art history of what we might call artistic inaction: from Yves Klein's empty gallery and John Cage's silent symphony, to Charlotte Posenenske ceasing to make art for the rest of her life.
2006 Under God's Hammer: William Blake versus David Shrigley, The Art Gallery of Western Australia This is a Paper Trinket for You to Wear, Bywater Brothers Editions, Toronto, Canada Shrigley Forced To Speak With Others, Azuli, London (spoken word recording 12» Vinyl & CD), England Worried Noodles (The Empty Sleeve), Tomlab, Cologne, Germany
Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.
by Henri Neuendorf for artnet news, August 9, 2017 You know it's road - trip season when the galleries have switched to summer hours, and the streets are empty on weekends, as everyone
It's fashionable these days to bash mega galleries for supporting empty, overwrought spectacles, and while those empty, overwrought spectacles are a problem, I still shudder to think of a world without the megas.
In the main gallery was his most recent solo show, «Empty Forest,» filled with spirit representations of rhinos and other beasts that have been driven to extinction by the region's lust for supposed medicinal potions.
Creed, 33, collected # 20,000 from pop icon Madonna for his controversial installation, which features an empty gallery with a pair of lights flashing on and off every five seconds.
Gallery Hopping: Last Chance to See Zoe Buckman's Hardhitting Feminism at Project for Empty Space, by Sarah Cascone, Artnet News, March 30, 2017
The culmination of their collective work will be presented on Sunday, October 23rd, at 3 pm at the Project For Empty Space gallery.
The mix continues in the main gallery where, in a nice symbolic touch, the installation opens with photographs by the Haitian - born Adler Guerrier of empty airport waiting rooms, ready for arrivals and takeoffs.
IB: When you see these vast crowds at the Tate and they're kind of looking at the art over their shoulder, sometimes you long for the old days of empty galleries.
He won the Turner prize for his work The Lights Going On and Off, which did precisely what it suggested when it was revealed in an empty gallery.
But in this large Chelsea gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.
Fall Guide Robert Shuster Ingrid Calame Finds Beauty in the Grime James Cohan Gallery hosts the artist's Swing Shift An empty asphalt parking lot rates pretty high on the ugly scale, so it would seem rather improbable that a painter had chosen just such a spot — in the city of Buffalo, no less — for its beauty.
The Gateway Project gallery space is a subsidiary of Project For Empty Space, a 501c3 non-profit arts organization.
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