Sentences with phrase «formal elements of color»

These paintings represent a cohesive body of work by Haessle in which he explores the formal elements of color and line to create non-objective, gestural abstractions.

Vincent Falsetta, a faculty member at UNT since 1977, plans to develop paintings incorporating the concepts and formal elements of his color studies.

«The Bay» is another example of one of her monumental paintings, again based on her love of landscape, that conveys a sense of luminosity and spontaneity, while also emphasizing the formal elements of color and shape.

Formal elements of color and design are introduced at age appropriate levels.

Narrative is unobtrusive; the formal elements of color, scale and space, fine drawing and unfinicky matte surfaces are a big part of the magic.

Not exact matches

Touching on formal elements such as color theory and Op Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is up.

More than other formal elements in the visual arts — such as color, line, or shape — scale directs attention towards the capacity of the artwork to respond to a specific location and call into play the role of the viewer.

The masterful process of formal elements separates this artist from the other contemporary still life painters, placing Fish closer to the Impressionist's use of broken color with the aim of building forms.

Furthermore, although his paintings are emphatically abstract (in fact, he believes in the historic inevitability of abstraction), they are not about the relationships of formal elements such as color, shape and line.

Formal elements, such as color, had to be purged of representational allusions.

In his artwork, formal elements such as color, texture and the materiality of his medium are employed as a semiotic system that can be read only through feeling.

For Fonda, the formal qualities of painting — the emphasis on color, line, shape and texture — are equally as important as the conceptual elements being interpreted on the canvas.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

The curatorial strategy thus sets up two boundaries for the work in the show: the colors blue and black as formal elements on the one side, and associations with the colors black and blue — including race, bruising as a metaphor, and the specific kind of suffering resulting from racism and racial inequality — on the other.

When one of my students writes «Monet played with color» or «Rembrandt played with light,» my impulse is to correct them, insisting that artists» deployment of formal elements and manipulation of their medium are more deliberate and thought - based than...

De Stijl sought the eradication of non-essential formal elements as exemplified by Piet Mondrian in his well - known grid compositions in primary colors, black, and white.

His works consist of strong formal elements, such as color, shape, balance, depth, composition, and scale.

How much of a story can be communicated through the formal elements of composition, texture, color, and form?

In interacting with the work over a significant period of time, we felt that that the most compelling way to structure the exhibition was to expose the common threads that run throughout this material: formal constructs such as grids / fields, verticality, pictorial imagery, and repetitive sequences; content such as color as subject, element as subject, interest in early American history (particularly that of Massachusetts), discourse about other artists and art; and relationships to the history of poetry.

«Rothko himself was known to repudiate interpretations of his art that isolate formal elements such as color or space, denying, on separate occasions, that he was primarily concerned with either of these.

We will investigate the formal elements of painting such as composition, space, form, color temperature and intensity, while maintaining an appreciation for the immediacy of the medium.

Subtle introductions of color ground the formal elements.

Behnke writes: «For the event, Roach brought together six abstract / non-objective painters whose works offer a dramatic contrast to their ancient surroundings even as formal elements (grids, texture, color and composition) are often reflected in the environment of the crypt.

This work is from a series where I scan and and re-print images of high end advertising to paint on them, using the composition, color and other formal elements already present in the image as a means to arrive at abstraction.

Of this new approach, she says, «I had to be really in tune with the materials — how paint was going to react with the canvas, how formal elements such as color and form were going to behave as more paint was added.»

Robert Mangold translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.

Henrique Faria Fine Art is pleased to present Imagining Spaces: Constructions in Color and Text, a group exhibition focused on the formal and thematic elements of color and text in Latin American art of the last sixty yColor and Text, a group exhibition focused on the formal and thematic elements of color and text in Latin American art of the last sixty ycolor and text in Latin American art of the last sixty years.

Vital Curiosity focuses on the ways each of these artists — who represent a diversity of generations, formal approaches, and experiences — seize upon color as a dynamic, and often ineffable, element in their abstraction.

Vibrating with hues, textures, and emotions, Humphrey's paintings demonstrated a consistent commitment to color, space, and structure — elements he used to move abstraction beyond formal considerations to that of the human experience.

Instead, some artists relied on the basic formal elements of art — for instance, line, shape, and color — to suggest abstract, universal concepts (love, war, music, spirit, energy).

Jason Peters» geometric sculpture, constructed from common industrial materials, playfully explores reflection and illusion, as well as the formal elements of line and color.

Childs» formal interests were line and space, light and color, and the dialogue of contrasting elements.

With classical restraint, Robert Mangold translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.

With classical restraint, Mangold translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.

Artist Robert Mangold, from his country studio in upstate New York, translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.

Wright's paintings, whether abstract expressionistic or color field, have bold colors and compositions, gestural strokes and the essence of drawing — through his generous use of the formal elements of line and the color black.

The «Overlays» also represented a fertile moment of formal experimentation as Semmel began exploring coloring and transparencies, compositional elements that she would continue to refine into her present day work.

In their works they dealt with what they considered to be the fundamental formal elements of abstract painting: pure, unmodulated areas of color; flat, two - dimensional space; monumental scale; and the varying shape of the canvas itself.

Both practitioners of «deep observation» of their surroundings, these artists employ similar artistic techniques as they explore the formal and abstract elements of color, shape, and light of still life objects and landscapes.

Lundeberg's attention to formal elements such as balance and color connect her to a previous generation of abstract artists, including Henri Matisse, Piet Mondrian, and Josef Albers.

A sculptural chandelier makes this scene feel a bit more formal while cream - color chair cushions add an element of comfort to metal chairs.