Sentences with phrase «foundation supported exhibition»

Not exact matches

Mark Ereira, Lloyds TSB Foundation regional coordinator for the East of England, welcomed today's events, supported by the Lloyds TSB foundation: «The exhibition shows how children really perceive their fathers and their role within the family.

Make a significant impact through an individual or foundation gift by directing your support toward a specific Gallery exhibition or program.

The retrospective exhibition that highlights the foundation's support of local craftsmanship over the last 16 years also marks the opening of its new building, Yeol Bukchonga in the Bukchon area in Seoul.

The foundation's support has been particularly meaningful for us, since it recognizes the hard work BURNAWAY has done to support and promote artists in and from the South, from providing valuable exhibition coverage and taking readers into artist studios to offering professional development workshops, lectures, and visiting critic residencies.

But this time around it was not my usual amazement that anyone alive today was naïve enough to believe the old avant - garde orthodoxy of shocking the bourgeois, the tired old line offered in support of Deitch by Aaron Rose, a curator of one of Deitch's recent exhibitions: «I feel like [Deitch] is shaking the foundation of the castle, and the people who've been living quite comfortably in that castle for the last 20 years are nervous about it.

The foundation may be best known for its support of Artpace, downtown's artist - in - residency, exhibition and education space, but it also houses Pace's private art collection in what was her SoFlo (South Flores Street) apartment, loans work to museums worldwide, and maintains CHRISpark.

Support for this exhibition was provided by Alturas Foundation, a family foundation dedicated to the visual arts and American culture.

However, as a registered charity with an ambitious exhibition programme and far - reaching portfolio of education projects, we have to fundraise for the rest of our income, much of which comes from the generous support of trusts and foundations.

The support of trusts and foundations is vital to the South London Gallery's programme of education projects with children, families and our local communities, as well as supporting our diverse programme of exhibitions.

It is only with the support of trusts and foundations that the South London Gallery can run the award - winning programme of projects with local schools, children and families, as well as many of our exhibitions.

The Santa Monica Museum of Art is grateful to the following foundations and organizations for support of the exhibition and catalog: Philip Aarons and Shelley Fox Aarons; Charles Brittin; LLWW Foundation; the National Endowment for the Arts; and the Pasadena Art Alliance.

The series is made possible by the generous support of an anonymous foundation, The Norfolk Consortium, Delta, and the Business Exhibition Council of the Chrysler Museum of Art.

The exhibition was funded through the generosity of the Smart Family foundation, Inc., the Lannan Foundation, the Andy Warhol Foundation for the Visual Arts, and the Nathan Cummings Foundation, with the support and encouragement of Mrs. Beatrice Cummings Mayer, Mary and Roy Cullen, and the John Nuveen Company.

DEPART FOUNDATION AND PROVINCIA DI ROMA PRESENT WHEN IN ROME: THIRTY WORKS OF ART BETWEEN NOW AND THEN APRIL 20 - MAY 21, 2011 The exhibition will take place at The Italian Cultural Institute of Los Angeles with support from the Hammer Museum, LAXART and ForYourArt.

The exhibition was fabricated by the Foundations Group, headed by Saif Sumaida (AR» 92), overseen by Harry Gaveras (AR» 93) who acted as owner's representative, and received support for graphics through Trustee Mark Epstein (A» 76).

The Glass Studio Visiting Artist Series was made possible by the generous support of an anonymous foundation, The Norfolk Consortium, Delta Airlines, and the Business Exhibition Council of the Chrysler Museum of Art.

She recently founded Art Bridges, a 501 (c)(3) foundation that supports exhibitions of American art at institutions across the United States.

As the UK's largest artist foundation, it's our mission to preserve Moore's legacy at our Hertfordshire site and facilitate the study of sculpture of all kinds at our Leeds venue, as well as supporting sculpture exhibitions, publications, acquisitions and conservation through our grants scheme.

The foundation's support at this time is essential to strengthening the exhibition program planned for our new building, and we are profoundly grateful to the foundation, its board, and its executive director, Julia Gruen.»

Founded by Mieke Kooistra in 2007, kOOii: Art & Artist Support is an independent foundation that operates kOOii Art Space, which is rented to artists and arts groups for workshops, exhibitions and other events.

Edited by Phyllis Lambert Design and Construction of «Comparative Skin Models», 2001 «BOULEVARD» Literary Journal Saint Louis University «The Finisher,» 2000 «HARD AND SOFT» Encountering Architecture, 1997 «Inward speech / Shared stories» «THE MEMORY OF LOSS» Essay in exhibition catalogue, 1990 «PRESENCE AND PERCEPTION» Architectural Investigations; Essay in Catalogue, 1989 GRANTS AND HONORS RHODE ISLAND SCHOOL OF DESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART and P.S. 1.

In Princeton, this exhibition has been made possible by the generous support of the Allen R. Adler, Class of 1967, Exhibitions Fund; the Apparatus Fund; the Judith and Anthony B. Evnin, Class of 1962, Exhibition Fund; the National Endowment for the Arts; the Frances and Elias Wolf, Class of 1920, Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; an anonymous foundation; and the Partners of the Princeton University Aexhibition has been made possible by the generous support of the Allen R. Adler, Class of 1967, Exhibitions Fund; the Apparatus Fund; the Judith and Anthony B. Evnin, Class of 1962, Exhibition Fund; the National Endowment for the Arts; the Frances and Elias Wolf, Class of 1920, Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; an anonymous foundation; and the Partners of the Princeton University AExhibition Fund; the National Endowment for the Arts; the Frances and Elias Wolf, Class of 1920, Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; an anonymous foundation; and the Partners of the Princeton University Art Museum.

Major support for the Contemporary Jewish Museum comes from the Koret and Taube Foundations, who are the lead supporters of the 2010/11 exhibition season.

Annual Fund — $ 738,431 Membership — $ 239,672 Exhibition Support — $ 188,568 Catalogue Support — $ 0 Estate Bequests — $ 116,705 Proceeds from deaccession — $ 70,388 Grants — $ 36,000 Government — $ 1,010,000 Foundations — $ 0 Corporate — $ 0 Sub-total — 2,399,764 Reserve from FY16 — $ 142,047

Exhibition Credit: Peter Blume: Nature and Metamorphosis was organized by the Pennsylvania Academy of the Fine Arts, Philadelphia, with support from presenting foundation sponsor the Henry Luce Foundation.

The quilts in the exhibition are drawn from the collection of Tinwood Alliance, a nonprofit foundation for the support of African - American vernacular art.

Such activities highlight the importance of private foundations in an exhibition environment that lacks the state support available in other major European capitals.

The foundation also supports the work of curators, academics, and magazines internationally through its residency program and by hosting public events on Wednesdays and ongoing exhibitions at its space at 3295 20th Street in the Mission.

10 % of the show's proceeds will benefit the foundation which is dedicated to providing inner city youth with significant exposure to the arts, as well as, supporting under - represented artists with exhibition opportunities.

CIFO fosters cultural understanding and educational exchange through three primary initiatives: a Grants and Commissions Program for emerging and mid-career visual artists from Latin America; an exhibitions program showcasing work by Latin American artists and international contemporary art from the Ella Fontanals - Cisneros Collection at the CIFO Art Space; and foundation - initiated support for other arts and culture projects.

Sultan expressed appreciation for the award and the foundation's support in presenting an exhibition that allows the discovery or rediscovery of the art and impact made by Jane Frielicher and Jane Wilson.

Its mission was «to assist young printmakers in the production, exhibition, and marketing of their work,» and the foundation pledged to support «the work of artists whose art is seldom seen by the general public, including [that] of «indians, eskimos, asians, hispanics, and blacks [sic].

The projects featured in the exhibition constitute a uniquely American model of architectural design and economic development, defined by a reliance on public and private sector collaborations and often aided by government, foundation, and non-profit support.