Sentences with phrase «framing conversations in»

To understand why the issue is so complex in America, you have to frame the conversation in the context in which both sides understand the issue: (Note that I am using the terms «Pro-Life» and «Pro-Choice» even though different groups call them by different labels)

However, I believe that if we frame our conversations in terms of human rights, that is the internationally recognised standards that governments have already committed to, we have a less confrontational and potentially more transformative way to talk about lateral violence.

Not exact matches

As the always - incisive Bryan Roberts, framed it for me in a conversation around this time last year, hospitals «are essentially big capital assets trying to stuff people through them.»

Giving back — in whatever way you can — to those less fortunate, also fuels a good frame of mind, propelling you through stressful conversations or negotiations.

Case Study # 2: Put yourself in the right frame of mind and show empathy As Chief Personnel Officer at Booz Allen Hamilton, Betty Thompson, is accustomed to having hard conversations.

Label the news you need to deliver as a «difficult conversation» in your mind; instead frame the discussion in a positive or neutral light

In her book, Melanie Ross has provided us with an affectionate framing of evangelical liturgical practices that will surely bring a greater and much - needed clarity to the conversation between evangelicals and high - church Christians, if not a greater sympathy.

They are taught in conversation with other texts, other framings, some merely different, some once or presently contending with them for canonical relevance.

Having spent the last ten years wrestling through some tough questions related to faith, heaven, hell, and salvation, I really appreciate the personal way in which Bell frames the conversation, asking the very questions I was so afraid to ask all those years and proclaiming the same hope I only dared believe — that God doesn't give up on people, that he is ever - loving, ever - redeeming, ever pursuing.

He had a voice that carried, a burning intensity that showed in his carriage and conversation, a large frame, and the broad, thick hands of a farmer.

In most cases, you won't end up actually sending the letter to the person, but the process of writing it will help you gain perspective on your feelings, and might even help you frame a conversation you need to have.

One's worldview may take a few knocks in the process but, if the conversation is entered into in the right frame of mind, a brittle faith can be tempered into an altogether tougher, sharper one in the end.

But Coro still appears to be the first online with the news, something that Broussard completely neglects to mention in his rush to frame a prepared statement as a personal conversation.

Because that's the way our own stories are often framed in the media and in everyday conversations.

In this sense, she added, understanding how risk is constructed in media gives insight into how national concerns and conversations get frameIn this sense, she added, understanding how risk is constructed in media gives insight into how national concerns and conversations get framein media gives insight into how national concerns and conversations get framed.

«Basically we've both long thought that the cumulative emissions work is policy - relevant... and the fact that negotiators are squealing means we're probably right about that,» Frame said in an email conversation.

Using empathy to frame your concerns in a way that enables a productive conversation is positive; being so empathetic that issues never get worked through is not.

And if you're not, read the next two steps to see if you can get in the right frame of mind to proceed with a productive conversation.

Sure to spark conversation, the Typography «Tempo di Vino» Framed Wall Art fits perfectly in any home's decor.

If you want to be polite and and least make a cursory appearance, frame your exit with a white lie in your greeting or early conversation, claiming you have a headache.

Should they find someone in that small time frame that it takes to get a conversation flowing, they may decide to have an impromptu lunch date.

These conversation selections will help you to learn more about a personal and keep touching them before you be connected with in personal and create the step toward an actual, physical time frame.

Framed by a boisterous dinner scene between playwright friends, alarm bells ring early in Melinda and Melinda when conversation turns to whether a random scenario, the arrival of an unexpected stranger at a dinner party, would work best as the premise for tragic drama or comedy.

The picture has a framing story and a movie - long narration, two more ingredients in the neo - noir / American Gothic stew that Eastwood has continued to perpetuate long after his twin Americana triumphs A Perfect World and Unforgiven rendered the conversation — at least inasmuch as Eastwood is capable of carrying it — moot.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Hitchcock is in every frame of this film, literally — mailing a letter that was to have been the way that murderous Johnnie receives his post-film comeuppance — and thematically through his obsessions with eyeglasses as the source of knowledge and power, trains as the suggestion of sex and sophistication, perilous perches as the places where seismic changes occur, and morbid dinner conversations as subversions of the social strata.

Framed by a conversation between two co-workers in a mysterious outpost, «White Christmas» strings together three flashbacks with seemingly tenuous connections.

Every frame of every scene is so perfectly timed — pauses in conversation synchronized with seemingly random snippets of other conversations, or juke box songs, or bits from the tele.

'' «Framing is its Own Dark Art»: Karyn Kusama on «The Invitation»»: In conversation with Filmmaker Magazine's Jim Hemphill.

Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive subtheme which suggests that well, of course that this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment by their menfolk.

Instead, right down to the nearly synonymous title we get a lurid, silly «Prisoners» me - too (and that film itself was far from flawless) in which the only additions are a flashback - and - forward structure that never works, the kind of contrivance in which a laptop camera accidentally left transmitting records a crucial conversation (perfectly framed) and a crude, distastefully regressive sub-theme which suggests that, well, of course this is what happens to girls and to women (even successful, intelligent, independent women) when they are left alone even for a moment by their menfolk.

Not for nothing, it makes textbook - worthy use of negative space — heightening the effectiveness of its intimate conversations, characters are often tucked away into the corner of the frame in fully realized visuals.

«Throughout the long history of Hollywood and the history of the Oscars, there has been an ongoing conversation about racism that has often been framed in terms of black and white,» said Todd Boyd, a professor at the University of Southern California who studies race and pop culture.

It is a film that speaks its words through glances both furtive and longing, through conversations in door frames, through toy trains and fedoras and santa hats.

the frame just sits there, stationary, for what feels like minutes, as we watch a couple having a conversation in a cleverly - placed mirror, or Casey pacing around outside, smoking, anxiously rattling off rapid - fire architecture jibber - jabber to herself.

In A Quiet Passion, the «deepening menace» of death creeps around the outer edges of the frame, butting its way into casual conversation and sometimes interrupting the flow of events, as during a quick tally of the Civil War's inconceivable body count.

The default setting for a film about political scandal is to have characters conduct an endless stream of conversation and frame them in tight shots that make their environments irrelevant.

We can use SECD in our report cards to frame essential, multiyear conversations between students and teachers, teachers and parents, and parents and students.

So while it's tempting to frame the fight in New York as a perilous fight between Democratic education reformers and «the de Blasio wing» of the party, public charter schools are just too local to drive a national political conversation — let alone a serious civil war within the Democratic party.

In the spirit of questioning and collaboration, Scott Reed, another Assessment Literacy tribe member, profoundly shared Harvard University's Dean of Education, James Ryan's, Five Essential Questions in Life with us at a recent convening to frame our questioning conversatioIn the spirit of questioning and collaboration, Scott Reed, another Assessment Literacy tribe member, profoundly shared Harvard University's Dean of Education, James Ryan's, Five Essential Questions in Life with us at a recent convening to frame our questioning conversatioin Life with us at a recent convening to frame our questioning conversation.

Answer: The first conversation in a coaching cycle is a great opportunity to frame coaching around a goal that is standards - based.

The SOAR frames give us a common language for engaging in meaningful conversation around instruction, and the rubrics are a useful tool that will help teachers plan instruction as well as reflect on their practice.

The «Real As Me» curriculum features interactive conversations framed around on true stories by teens and is already underway with great success in a pilot program at Windsor Terrace Middle School.

Research has shown veterinarians and their clients perceive «value» differently, with veterinarians often framing their conversations of veterinary care in a manner that attends more to the veterinarian's perception of value.

The main conversation lounge in the middle of the home has tall ceilings and enormous picture windows framing the Pacific Ocean.

Ultimately, we hope each conversation will become an in - depth consideration of the design detail being featured and become a resource that you can turn to when in need of design inspiration and frame design confidence.

Frame consultants Tracy Gill and Simeon Lagodich in conversation with Stephanie Heydt, Margaret and Terry Stent Curator of American Art at the High Museum, Atlanta, GA..

Frame consultants Tracy Gill and Simeon Lagodich in conversation with Stephanie Heydt, the High Museum's Margaret and Terry Stent Curator of American Art.

I approached her as part of my ongoing research on different issues of copyright in art, and our conversation was framed by a discussion of joke theft and comedic appropriation.

Many of the sculptures that you submitted to this issue seem as though they are conversation with painting in many ways — with their relationship to the wall, two dimensions, and the frames with empty spaces, etc..