Sentences with phrase «frankfurt kitchen»

Margarete Schütte - Lihotzky was influenced by this book when she designed the Frankfurt Kitchen, perhaps the most famous modern kitchen, again, according to Claus Bech - Danielsen of the Danish Building Institute, «constructed on the basis of an analysis of workflow and storage needs.

Paul Overy, in his book Light, Air and Openness shows this photo of a typical family scene, and, ties the Frankfurt kitchen to the Hygiene Movement, from that period between the wars when people finally understood how germs cause disease but didn't have antibiotics to deal with it.

In 1927, Margarete Schutte Lihotzky, the first woman to qualify as an architect in her native Austria, built on and expanded upon the ideas of the Bauhaus kitchen with her design for the Frankfurt kitchen, designed for the new worker housing being built in that city.

Interestingly enough, the Frankfurt kitchen did not come with a refrigerator, thought to be an extravagance in a place where people still shopped every day.

The Frankfurt kitchen, though quite small, was full of thoughtful touches designed to ease the burden of homekeeping, including a fold - out ironing board, a wall - mounted dish drainer, and aluminum bins for dry goods, which had handles and spouts for pouring.

The Frankfurt Kitchen was hugely influential on subsequent kitchen design: like the Bauhaus example, it seems preternaturally modern, although with a bit more warmth (and even color).

She then describes the work of German designers, including Margarete Schutte Lihotzky, designer of the Frankfurt Kitchen.

Frederick was a serious women's rights activist and saw efficient design as a way to help women get out of the kitchen, but Margarete Schütte - Lihotzky was much more radical in her design of the Frankfurt Kitchen ten years later.

Designs from other noted partnerships include Lilly Reich and Mies van der Rohe's Velvet and Silk Café (1927), Grete Lihotzky's Frankfurt Kitchen (1926 — 27), and collaborations between Aino and Alvar Aalto, Ray and Charles Eames, Florence Knoll and Herbert Matter, and Charlotte Perriand, Pierre Jeanneret and Le Corbusier.

Early on, Eileen Gray furnishes a vacation home for an architect and editor, Jean Badovici, and Grete Schütte - Lihotzky designs a Frankfurt kitchen.

The kitchen is inspired by the design of the Frankfurter Küche (Frankfurt Kitchen) by the Viennese architect Margarete Schütte - Lihotzky.

Conceived in 1926, the Frankfurt Kitchen with its functional form was intended to optimize household workflows.

Not exact matches

Recent solo exhibitions include Castello di Rivoli (Turin); MMK Frankfurt; Tate Britain and The Serpentine Gallery (both London); Palais de Tokyo (Paris); The Stedelijk Museum (Amsterdam); The Kitchen and MoMA PS1 (both NYC).

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Strictly Painting 2, Voges & Deisen, Frankfurt Bareikis, Giehler, and Saylor, Eleni Koroneou Gallery, Athens Come on Feel the Noise, Asbaek Gallery, Copenhagen Escape Velocity, Miller Durazo Gallery, Los Angeles Burglar, curated by Elizabeth Balogh, Spencer Brownstone Gallery, New York, NY Leo Koenig, Inc., Brooklyn, NY You Are Now Leaving the Goldie - Locks Zone, M.O.C.A., D.C., Washington, DC Machine Gun Etiquette, Spencer Brownstone Gallery, NYC Pets, Bronwyn Keenan Gallery, New York, NY Solar Perplexus, Spanish Kitchen, Los Angeles, CA Gramercy Art Fair, Miami, FL

Duncan's video and performance work has been exhibited at Komuna / / Warszawa (Warsaw), Mousonturm (Frankfurt), zeitraumexit (Mannheim), The Kitchen (New York City), Parkhaus Projects (Berlin), La Casa Encendida (Madrid), ZKM (Karlsruhe) and LACMA (Los Angeles).

The Kitchen, New York, NY; Rockland Center for the Arts, West Nyak; Seattle Arts Museum, Washington; Mikery Theatre, Amsterdam; ECG - TV Studios, Frankfurt Drawings, Objects.

His work has been the subject of over seventy - five solo exhibitions in museums and galleries throughout North America and Europe, including: The Museum of Modern Art, New York; MHKA, Antwerp; The Kitchen, New York; Contemporary Arts Museum, Houston; Portikus, Frankfurt; The Queens Museum of Art, New York; De Apple Foundation, Amsterdam; and The Barcelona Pavilion, Fundació Mies Van Der Rohe, Barcelona.