Sentences with phrase «french art cinema»

Jean - Luc Godard's 1960 film Breathless not only launched the French New Wave and made the director's name forever synonymous with French art cinema — it also made a star out of its leading man, the theretofore unknown Jean - Paul Belmondo.

Not exact matches

Located on the most influential spot of La Croisette, on the rooftop of the Palais des Festivals, the new space welcomes the world of cinema in a casual yet stylish atmosphere where «the French Art of Living» will be savored with a glass of the new limited edition of Mouton Cadet wine.

Despite the French subtitles, this isn't art house cinema.

French cinema and filmmakers are famed for innovating styles like avant garde, film noir, art nouveau, and cinéma vérité.

Prize is named for pioneering film writer Louis Delluc (1890 - 1924), whose early insistence that cinema is an art form that can transcend storytelling makes him the spiritual father of French film criticism.

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

Talent ranging from «Dunkirk» director Christopher Nolan to French national treasure Agnes Varda, Angelina Jolie to «Get Out» creator Jordan Peele, and «Wonder Woman's» Patty Jenkins to «The Beguiled's» Sofia Coppola will be among many who'll discuss their art of cinema and remind people that they're eligible for awards.

Starring Caroline Ducey and real - life porn star Rocco Siffredi, Catherine Breillat's art - house stunner about a frustrated French libertine opened the floodgates for explicit content within serious works of cinema.

Ever since the Lumière brothers sold the first ever cinema ticket in Paris in 1895, France's film industry model has been savvily perfected to protect both art and commerce, to enhance creativity and optimise profit, but this also means the French resistance to modify the status quo and change the windows of exploitation is greatest.

Art - lovers (and lovers of French cinema, from the reveries of Georges Méliès and Louis Feuillade on) may be entranced.

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Curated by the DMA's Hoffman Family Senior Curator of Contemporary Art Gavin Delahunty with the Nancy and Tim Hanley Assistant Curator of Contemporary Art Anna Katherine Brodbeck, Truth takes its name from the well - known quotation by French film director Jean - Luc Goddard, «[t] he cinema is truth 24 frames per second,» which suggests that the moving image is particularly capable of ethically and creatively capturing a meaningful construction or framing of reality.

The earnest «reflexivity» of the narration, which constantly draws attention to its modes of discourse; the smug female voice - over artist, who bizarrely mispronounces the numerous French words; the use of another medium — in this case dance — to create a kind of abstract demonstration of the film's content — these things all hark weirdly back to the «materialist» theory that influenced art school teaching in the Nineties, and further back to the frequently soul - destroying «deconstructed narrative» cinema of the late Seventies and early Eighties.

At the same time Bourouissa does the rarefied world of fine art a favour, by plunging it into the cut - n - paste aesthetic of Les Banlieues, and relocating it amidst the voices of resistance of urban French Hip Hop from Supreme NTM, Arsenik or Booba, as well as of the cinema of La Haine (1995, director Mathieu Kassovitz) and Un Prophete (2009, director Jacques Audiard).

Laurence Wagner (b. 1984) grew up in Switzerland where she studied History of Art, French Literature, History and aesthetics of cinema at the University of Lausanne before doing a Master in Critical Curatorial and... More

In the days when the Art Gallery of Ontario had a cinema, he'd duck out for Eric Rohmer matinées and return to the office filled with banter about the French director's film theory.

A high - end, independent French magazine published each trimester and sold in all major press stores, CRASH is dedicated to fashion, art, cinema and celebrities.