Their findings will enhance understanding of the works, both for display and for
the French painting collection catalogue.
Not exact matches
We draw your attention to this semi-famous
collection of
paintings, circa 1900, of what
French artists thought the year 2000 would look like.
The
collection of classical and contemporary
paintings, on loan from the Metropolitan Museum of Art, has been featured in Architectural Digest, and is perfectly accented by the
French lace curtains and Viennese velvet draperies.
I adore The Wallace
Collection (you can read more about it in this guest post I wrote), which houses an impressive
collection of
French paintings, china and furniture in stunningly beautiful rooms.
The duo found inspiration in several unlikely places for the
collection, including the 1975 film «Stepford Wives,» Frank Lloyd Wright's architecture, and early
paintings by the
French impressionist Eugene Boudin.
The sharp
paint really pops, especially when parked next to his dusty
collection of
French oddities.
The looted art
collection is equally impressive, with
French Impressionist and Post-Impressionist
paintings taken from German private
collections to the Soviet Union at the end of World War II.
The first floor houses Napoleon III's apartments, Egyptian artefacts and a
collection of Italian and
French Renaissance
paintings.
The
French pavilion inspired building houses a
collection that spans 4,000 years, featuring European
painting and sculptures, Mediterranean ancient art, and the largest
collection of works on paper in the American West.
Individual
collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian
paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century
French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a
collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
The previous record for a
painting by the artist at auction was $ 40.9 million, which was set in 2009 at Christie's in Paris when a 1911
painting by the
French master was offered with a similar impressive provenance, coming from the
collection Yves Saint Laurent and Pierre Bergé.
Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract
Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29)
French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les
collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).
The department's
collection of 19th - century
French painting is world famous, with remarkable works by Barbizon, Impressionist, and Post-Impressionist artists, counting Renoir's Dance at Bougival and Gauguin's Where Do We Come From?
Organized in partnership with the Art Gallery of Ontario (AGO), supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format
paintings from
French, Canadian and American private and museum
collections.
Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format
paintings, a number of works on paper and archival documents from more than 30
French, Canadian and American lenders, private and museum
collections.
Organized in partnership with the Musée national des beaux - arts du Québec, supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format
paintings from
French, Canadian and American private and museum
collections.
The museum has also received La Surprise, a
painting by the renowned 18th - century
French artist Jean Antoine Watteau, from the same
collection.
Individual
collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian
paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store
paintings; Hiroshi Sugimoto's 18th century
French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a
collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
Plus: Elmhurst Art Museum appoints John McKinnon as executive director Works missing from Air India's # 200m art
collection Christie's sues Delta Airlines for Gerhard Richter
painting damage and
French Academy in Rome removes upper age limit for Villa Medici fellows
The majority of works in the exhibition will be on loan from private
collections, and will comprise important, large - scale
paintings from his most memorable themes, including
French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.
VMFA to share works publicly while galleries are refurbished The esteemed
French Impressionist Art and British Sporting Art
collections at the Virginia Museum of Fine Arts will be embarking on national and international tours during the next two years, creating opportunities for more people to view these important
paintings and sculptures that were donated to...
Strengths in
French and Italian
painting of the 17th and 18th centuries, 19th - century sculpture, and early modernist
painting characterize this
collection.
The New Art Gallery holds
collections of European art, from Dutch marine scenes and British landscapes to
French Impressionism and Victorian narrative
painting.
The early part of the
collection features
French and Russian art from the beginning of the twentieth century, cubist
paintings and superb holdings of expressionist and modern British art.
Paul and Bunny Mellon with Lady Bird Johnson, wife of President Lyndon B. Johnson, and Gallery director John Walker on the opening night of the twenty - fifth anniversary exhibition, «
French Paintings from the
Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce,» March 17, 1966
From 1946 to 1966, Charles C. Cunningham, the museum's longest - running director, enlarged the scope of the
collections in medieval and Asian art, seventeenth - century Dutch
paintings,
French impressionism, nineteenth - century American art, modernism, and contemporary art.
Chester Dale, made his first gift to the Gallery in 1943 and eventually bequeathed most of his remarkable
collection of
French and American
paintings to the museum in 1962.
The more advanced
French painters accepted him, and before Canadian galleries were acquiring his
paintings on any scale, Morrice's work was moving into the great European public
collections.
Among the new arrivals is a significant set of 10 time - based media works from the
collection of Peter and Mari Shaw, including Melik Ohanian's The Hand (2002), and Promises (2001) by Anri Sala; 12 Japanese
paintings from the literati, Zen and Kano schools, from the Gitter - Yelen
collection; several examples of American furniture design; and an exceptional 16th - century stained glass window by
French artist Jean Chastellain depicting The Adoration of the Magi.
That
collection belonged to Marvin Schein, a manufacturer and distributor of generic drugs and medical products from Long Island who had spent years quietly buying
paintings, porcelains and
French furniture, many of them at auction.
«The exhibition casts new light on two artists represented in depth in SFMOMA's holdings, and in fact several of the Matisse
paintings now in our
collection were among the very first
paintings by the
French artist that Diebenkorn ever saw.»
Highlights of the European art
collection include English genre
painting of the nineteenth - century as well as examples of
French post-Impressionistic
painting from the late nineteenth and early twentieth century.
During her tenure, Myers served as the project director, author and general editor of
French Paintings 1600 — 1900: The Collection of the Nelson - Atkins Museum of Art, a collection catalogue featuring essays on more than 100 paintings and pastels to be published online beginning
Paintings 1600 — 1900: The
Collection of the Nelson - Atkins Museum of Art, a
collection catalogue featuring essays on more than 100
paintings and pastels to be published online beginning
paintings and pastels to be published online beginning in 2018.
A trio of large - scale anamorphic
paintings by
French photographer Georges Rousse formed the backdrop to Tait's Spring Summer 2015
collection on the upper floor of 180 The Strand, where the winner of the first LVMH award's individual aesthetic was writ large, setting him apart from the mainstream fashion houses.
At the Nelson - Atkins Museum of Art, Kang conducted research in Paris for the museum's forthcoming
collections catalogue, French Paintings: The Collections of the Nelson - Atkins Mus
collections catalogue,
French Paintings: The
Collections of the Nelson - Atkins Mus
Collections of the Nelson - Atkins Museum of Art.
In collaboration with the Consulate General of France and the France - Florida Foundation for the Arts, this exhibition will feature
paintings by
French artists in private
collections such as Christian Boltanski, Sophie Calle, Annette Messager and Bernar Venet — many of which have never been presented to the public before.
The
French component of the 18th century
collection contains
paintings by Watteau, Fragonard and Boucher, while Italy is represented with capriccios and historic glimpses into the daily life of Rome and Venice with works by Longhi, Pannini, Guardi, Canaletto, and Tiepolo.
Featuring more than eighty
paintings by thirty - seven artists from thirteen countries, drawn from prominent
collections across the United States and abroad, this exhibition presents renowned artists such as Berthe Morisot (
French), Mary Cassatt (American), and Rosa Bonheur (
French) alongside lesser - known yet equally important peers including Anna Ancher (Danish), Lilla Cabot Perry (American), and Paula Modersohn - Becker (German).
The Foundation's
collection includes over 1,000 artworks by the
French artist:
paintings, drawings, sculptures and engravings; along with works from his personal
collection, Dubuffet also donated to the Foundation several documents and manuscripts.
European
painting The
collection comprises some 800
paintings, dating from the 14th to the 20th century, of
French, Dutch, Italian, Spanish, and British art.
The majority of the museum's
collection lie in the areas of Italian Renaissance
painting,
French Impressionism, photography, American and European decorative arts, African and pre-Columbian gold, American art, and post-1945 European and American
painting and sculpture.
Among the world's greatest
collections of
paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th - century
French paintings returned to public view in a freshly conceived installation design.
Museum of Fine Arts, Houston (MFAH) Thanks to its patrons Percy S. Straus, Samuel H. Kress, and Sarah Campbell Blaffer, MFAH's permanent
collection consists of 56,000 artworks representing cultures of Europe, Asia, North and South America, and Africa, including Italian Renaissance
paintings,
French Impressionist works, American art, and post-war sculpture.
In addition to its
collection of Brazilian Art, it includes European
paintings, sculptures, drawings, engravings, and decorative arts: notably masterpieces of the
French and Italian schools, as well as those by Spanish, Portuguese, Flemish, Dutch, English and German artists.
Towards Impressionism traces the development of
French landscape
painting from the schools of Barbizon and Honfleur up to Impressionism, featuring over forty works from the extraordinary
collection of the Musée des Beaux - Arts, Reims, alongside works from the Frye Founding
Collection.
French painting in manuscripts, 1420 - 1530, from American
collections, [exhibition held at the Pierpont Morgan library... from 18 November 1982 to 30 January 1983]
Especially interesting is Wendy and Emory Reves»
collection of over 1,400 objects (jewelry, furniture and
paintings by impressionist, post-impressionist, and early modernist masters), on display in a 15,000 - square - foot replica of their villa on the
French Riviera.
As a complement to German Romanticism, which is well - represented in the Kunsthalle's
collection, and the
French art of the period, the Gainsborough show thus presents England as a further centre of European landscape
painting.
The museum has a a large
collection of
French Impressionist masterpieces, including the largest
collection of Claude Monet
paintings on the West Coast and the only intact mural in the United States by David Alfaro Siqueiros, «Portrait of Mexico Today», 1932.
The exhibition features five
paintings by the
French artist Bernard Smol (1897 — 1969) that are currently in the museum's
collection.