Sentences with phrase «french painting collection»

Their findings will enhance understanding of the works, both for display and for the French painting collection catalogue.

Not exact matches

We draw your attention to this semi-famous collection of paintings, circa 1900, of what French artists thought the year 2000 would look like.
The collection of classical and contemporary paintings, on loan from the Metropolitan Museum of Art, has been featured in Architectural Digest, and is perfectly accented by the French lace curtains and Viennese velvet draperies.
I adore The Wallace Collection (you can read more about it in this guest post I wrote), which houses an impressive collection of French paintings, china and furniture in stunningly beautiful rooms.
The duo found inspiration in several unlikely places for the collection, including the 1975 film «Stepford Wives,» Frank Lloyd Wright's architecture, and early paintings by the French impressionist Eugene Boudin.
The sharp paint really pops, especially when parked next to his dusty collection of French oddities.
The looted art collection is equally impressive, with French Impressionist and Post-Impressionist paintings taken from German private collections to the Soviet Union at the end of World War II.
The first floor houses Napoleon III's apartments, Egyptian artefacts and a collection of Italian and French Renaissance paintings.
The French pavilion inspired building houses a collection that spans 4,000 years, featuring European painting and sculptures, Mediterranean ancient art, and the largest collection of works on paper in the American West.
Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
The previous record for a painting by the artist at auction was $ 40.9 million, which was set in 2009 at Christie's in Paris when a 1911 painting by the French master was offered with a similar impressive provenance, coming from the collection Yves Saint Laurent and Pierre Bergé.
Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).
The department's collection of 19th - century French painting is world famous, with remarkable works by Barbizon, Impressionist, and Post-Impressionist artists, counting Renoir's Dance at Bougival and Gauguin's Where Do We Come From?
Organized in partnership with the Art Gallery of Ontario (AGO), supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.
Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.
Organized in partnership with the Musée national des beaux - arts du Québec, supported by the Estate of Jean - Paul Riopelle in Montréal and the Joan Mitchell Foundation in New York, the exhibition will focus mainly on large - format paintings from French, Canadian and American private and museum collections.
The museum has also received La Surprise, a painting by the renowned 18th - century French artist Jean Antoine Watteau, from the same collection.
Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
Plus: Elmhurst Art Museum appoints John McKinnon as executive director Works missing from Air India's # 200m art collection Christie's sues Delta Airlines for Gerhard Richter painting damage and French Academy in Rome removes upper age limit for Villa Medici fellows
The majority of works in the exhibition will be on loan from private collections, and will comprise important, large - scale paintings from his most memorable themes, including French Money, Vocabulary Lessons, Civil War Veterans, Camel cigarette packs, as well as portraits of his mother - in - law Berdie, his then wife Augusta, and the poet Frank O'Hara.
VMFA to share works publicly while galleries are refurbished The esteemed French Impressionist Art and British Sporting Art collections at the Virginia Museum of Fine Arts will be embarking on national and international tours during the next two years, creating opportunities for more people to view these important paintings and sculptures that were donated to...
Strengths in French and Italian painting of the 17th and 18th centuries, 19th - century sculpture, and early modernist painting characterize this collection.
The New Art Gallery holds collections of European art, from Dutch marine scenes and British landscapes to French Impressionism and Victorian narrative painting.
The early part of the collection features French and Russian art from the beginning of the twentieth century, cubist paintings and superb holdings of expressionist and modern British art.
Paul and Bunny Mellon with Lady Bird Johnson, wife of President Lyndon B. Johnson, and Gallery director John Walker on the opening night of the twenty - fifth anniversary exhibition, «French Paintings from the Collections of Mr. and Mrs. Paul Mellon and Mrs. Mellon Bruce,» March 17, 1966
From 1946 to 1966, Charles C. Cunningham, the museum's longest - running director, enlarged the scope of the collections in medieval and Asian art, seventeenth - century Dutch paintings, French impressionism, nineteenth - century American art, modernism, and contemporary art.
Chester Dale, made his first gift to the Gallery in 1943 and eventually bequeathed most of his remarkable collection of French and American paintings to the museum in 1962.
The more advanced French painters accepted him, and before Canadian galleries were acquiring his paintings on any scale, Morrice's work was moving into the great European public collections.
Among the new arrivals is a significant set of 10 time - based media works from the collection of Peter and Mari Shaw, including Melik Ohanian's The Hand (2002), and Promises (2001) by Anri Sala; 12 Japanese paintings from the literati, Zen and Kano schools, from the Gitter - Yelen collection; several examples of American furniture design; and an exceptional 16th - century stained glass window by French artist Jean Chastellain depicting The Adoration of the Magi.
That collection belonged to Marvin Schein, a manufacturer and distributor of generic drugs and medical products from Long Island who had spent years quietly buying paintings, porcelains and French furniture, many of them at auction.
«The exhibition casts new light on two artists represented in depth in SFMOMA's holdings, and in fact several of the Matisse paintings now in our collection were among the very first paintings by the French artist that Diebenkorn ever saw.»
Highlights of the European art collection include English genre painting of the nineteenth - century as well as examples of French post-Impressionistic painting from the late nineteenth and early twentieth century.
During her tenure, Myers served as the project director, author and general editor of French Paintings 1600 — 1900: The Collection of the Nelson - Atkins Museum of Art, a collection catalogue featuring essays on more than 100 paintings and pastels to be published online beginningPaintings 1600 — 1900: The Collection of the Nelson - Atkins Museum of Art, a collection catalogue featuring essays on more than 100 paintings and pastels to be published online beginningpaintings and pastels to be published online beginning in 2018.
A trio of large - scale anamorphic paintings by French photographer Georges Rousse formed the backdrop to Tait's Spring Summer 2015 collection on the upper floor of 180 The Strand, where the winner of the first LVMH award's individual aesthetic was writ large, setting him apart from the mainstream fashion houses.
At the Nelson - Atkins Museum of Art, Kang conducted research in Paris for the museum's forthcoming collections catalogue, French Paintings: The Collections of the Nelson - Atkins Muscollections catalogue, French Paintings: The Collections of the Nelson - Atkins MusCollections of the Nelson - Atkins Museum of Art.
In collaboration with the Consulate General of France and the France - Florida Foundation for the Arts, this exhibition will feature paintings by French artists in private collections such as Christian Boltanski, Sophie Calle, Annette Messager and Bernar Venet — many of which have never been presented to the public before.
The French component of the 18th century collection contains paintings by Watteau, Fragonard and Boucher, while Italy is represented with capriccios and historic glimpses into the daily life of Rome and Venice with works by Longhi, Pannini, Guardi, Canaletto, and Tiepolo.
Featuring more than eighty paintings by thirty - seven artists from thirteen countries, drawn from prominent collections across the United States and abroad, this exhibition presents renowned artists such as Berthe Morisot (French), Mary Cassatt (American), and Rosa Bonheur (French) alongside lesser - known yet equally important peers including Anna Ancher (Danish), Lilla Cabot Perry (American), and Paula Modersohn - Becker (German).
The Foundation's collection includes over 1,000 artworks by the French artist: paintings, drawings, sculptures and engravings; along with works from his personal collection, Dubuffet also donated to the Foundation several documents and manuscripts.
European painting The collection comprises some 800 paintings, dating from the 14th to the 20th century, of French, Dutch, Italian, Spanish, and British art.
The majority of the museum's collection lie in the areas of Italian Renaissance painting, French Impressionism, photography, American and European decorative arts, African and pre-Columbian gold, American art, and post-1945 European and American painting and sculpture.
Among the world's greatest collections of paintings by Manet, Monet, Renoir, Cézanne, Van Gogh, and Gauguin, the Gallery's later 19th - century French paintings returned to public view in a freshly conceived installation design.
Museum of Fine Arts, Houston (MFAH) Thanks to its patrons Percy S. Straus, Samuel H. Kress, and Sarah Campbell Blaffer, MFAH's permanent collection consists of 56,000 artworks representing cultures of Europe, Asia, North and South America, and Africa, including Italian Renaissance paintings, French Impressionist works, American art, and post-war sculpture.
In addition to its collection of Brazilian Art, it includes European paintings, sculptures, drawings, engravings, and decorative arts: notably masterpieces of the French and Italian schools, as well as those by Spanish, Portuguese, Flemish, Dutch, English and German artists.
Towards Impressionism traces the development of French landscape painting from the schools of Barbizon and Honfleur up to Impressionism, featuring over forty works from the extraordinary collection of the Musée des Beaux - Arts, Reims, alongside works from the Frye Founding Collection.
French painting in manuscripts, 1420 - 1530, from American collections, [exhibition held at the Pierpont Morgan library... from 18 November 1982 to 30 January 1983]
Especially interesting is Wendy and Emory Reves» collection of over 1,400 objects (jewelry, furniture and paintings by impressionist, post-impressionist, and early modernist masters), on display in a 15,000 - square - foot replica of their villa on the French Riviera.
As a complement to German Romanticism, which is well - represented in the Kunsthalle's collection, and the French art of the period, the Gainsborough show thus presents England as a further centre of European landscape painting.
The museum has a a large collection of French Impressionist masterpieces, including the largest collection of Claude Monet paintings on the West Coast and the only intact mural in the United States by David Alfaro Siqueiros, «Portrait of Mexico Today», 1932.
The exhibition features five paintings by the French artist Bernard Smol (1897 — 1969) that are currently in the museum's collection.
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