Sentences with phrase «french painting movement»

Not exact matches

The French, in particular, are doing incredible work analysing paint recipes and tracing the movement of the ancient artists as they painted.

Just as modernist painting bears the traces of the painter's movements and presence, and modernist literature has moved toward the first - person essay, the autobiography, and the diary, so the strain of modernist filmmaking that was launched with the French New Wave has integrated the filmmaker's methods with the movie itself, and turned fictions into documentaries about their making.

Sitting on a gridded bench by Superstudio, the radical Italian architecture firm, is an iPad looping a video by the Venezuelan painter Eugenio Espinosa, performing with a gridded fabric; a painting of repeated amoeboid forms by Claude Viallat, the grand man of the French movement Supports / Surfaces, continues the play between repetition and creation.

Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor paintings, which later influenced a movement of garden art in America.

«Our galleries of French painting introduce this movement with extraordinary works by Monet, Renoir, and Sisley.

Transforming these unintentional tableaux, Gallery references the masterful paintings from American abstract expressionism and French décollage art of the 1960's Nouveau Réalisme movement.

Degas and NOMA Edgar Degas, famed French artist and one of the founders of the impressionist movement, painted Portrait of Estelle Musson Degas, 1872 during his brief stay in New Orleans.

It may seem almost absurd to even suggest that the influence of the works of the so - called French, German, and Italian «Post Impressionists,» «Futurists,» «Cubists,» and other «ists,» as exemplified by representative examples at the Armory show, can have any immediate, or even near future effect, upon the generally strong, good and, from the conventional art viewpoint, sane, American painting and sculpture of today, but there is no doubt that the study of these new groupings, called «movements» in painting and sculpture, which have so emphasized and influenced the art of Europe today, for the past 5 years, and even the derision which they have excited, and will continue to excite, has had and will have a stimulating effect.

Wyatt Gallery transforms these unintentionally made tableaux, referencing the masterful paintings by American abstract expressionism and French décollage art of the 1960's Nouveau Réalisme movement.

Especially as the competition between national schools of abstract painting escalated, breaking out in arguments and even punches in the case of Kline and the French painter Jean Fautrier, it would follow that the internal competition within these national schools also intensified.27 This was certainly true on the French side at the Venice Biennale: in a very unusual move, two artists — Fautrier and Hans Hartung — were awarded Grand Prizes in painting, whereas normally only one was given, because the jury could not decide between the two contenders.28 Within the context of the politics internal to the movement of abstract expressionism, Meryon could thus be seen as a reassertion of Kline's original, breakthrough style as his own and thus a defence of his personal artistic identity, after Kline himself had turned to colour, around 1955, and left it up for grabs.

[5] Harrison's writing reveals an interest in the retinal perception of color, and in tonal harmony; he believed that the term Impressionism was descriptive not merely of the recent movement in French painting, but referred to any work done «honestly and sincerely» before nature.

Interestingly, Feneon also coined the term Tachisme to describe the painting technique of the Impressionists, some 60 years or so before it was re-used by the French art critic Michel Tapie to describe the Tachisme splinter movement which evolved out of abstract expressionism.

The Phillips» collection began as a museum of modern art, exemplifying Paris - based European art movements such as French Realism (c. 1850 onwards) Impressionism (c.1873 - 83), Post-Impressionism (c. 1880 onwards), Fauvism, Intimism, Expressionism, Primitivism, Symbolism, and Cubism, before taking on 20th century styles such as Precisionism, American Realism, Ashcan School, Abstract Expressionism, Colour Field painting, Kinetic art, and geometric abstract art.

Through connected artists such as Yves Klein — who also became a member of French art movement Nouveau Réalisme — Jean Tinguely, and Lucio Fontana, ZERO would re-define painting, explore the monochrome, and serial structures, and produce artworks made from flames and smoke, filling whole galleries with their environmental works, they would turn to the deserts and skies as viable sites for art.

Museological in scale and executed with precise skill, the paintings recall the history of monochromatic works as they are seen in multiple modern art movements from Russian Constructivism to Minimalism to the french BMPT painting group.

He was already established as a dealer for the French Barbizon School of landscape painting, when he met Claude Monet (1840 - 1926), and Camille Pissarro (1830 - 1903) in England, during the Franco - Prussian War (1870 - 1), after which he quickly became a champion of the Impressionism movement, providing stipends and one - man shows for his stable of painters.

Existential Art (1940s and 1950s) John Paul Sartre's existentialist philosophy, with its themes of alienation and angst in the face of the human condition, can be seen in paintings by the American Abstract Expressionists, the Informel and «CoBrA» movements, the French Homme - Temoin (Man as a Witness) group, the British Kitchen Sink art group, and the American Beats - all of whom from time to time are designated Existential, as are many individual painters and sculptors: like the Swiss sculptor Alberto Giacometti, and the surrealist / expressionist Francis Bacon.

A new movement born of an Instagram account has one central complaint: Pierre - Auguste Renoir - the French impressionist — was a terrible artist, and his paintings should be removed from museums.

Alfred Sisley, who was French by birth but had British nationality, painted in France as one of the Impressionists; Walter Sickert and Philip Wilson Steer at the start of their careers were also strongly influenced, but despite the dealer Paul Durand - Ruel bringing many exhibitions to London, the movement made little impact in England until decades later.

Characterized by his use of color, gesture, and movement, De Niro's art is grounded in the act of painting and drawing, bridging European modernism, especially French, with Abstract Expressionism.

Camille Corot (1796 — 1875) is best known as the great master of landscape painting who bridged the French neoclassical tradition with the impressionist movement of the 1870s.

As it was, luminism (an American painting style) came before Impressionism (a French style), and both movements evolved quite independently of each other.

An important contributor to French painting, the self - taught Paris - born artist Yves Tanguy was an active member of the Surrealism movement and one of the most recognizable of modern artists.

Part of the avant - garde movement that included Henri Matisse, Maurice de Vlaminck, and André Derain, van Dongen employed aggressively clashing colors to paint sensuous and even garish representations of the fashionable French bourgeoisie, and the wealth that permitted their leisurely lifestyle.

The least strident sub-variant of the wider Art Informel style - itself one of the most important European modern art movements of the post-World War II period - Lyrical Abstraction (or «Abstraction Lyrique») was a French style of 20th century painting in the manner of American Abstract Expressionism.

The show starts with the foundational work of the realists and quickly shifts to the pioneering work of the impressionists; then there's a section devoted to American followers of the French - based movement, and finally, a salute to Monet, the star of Nature as Muse, many of whose paintings are included, notably the DAM's «Waterloo Bridge.»

Other leading members of this plein air painting movement included members of the school of English landscape painting, such as John Constable (1776 - 1837) and Richard Parkes Bonington (1802 - 28), as well as French painters like Theodore Rousseau (1812 - 67), Camille Corot (1796 - 1875), Narcisse Diaz de la Pena (1808 - 1876), Charles - Francois Daubigny (1817 - 1878), Jules Dupre (1811 - 1889), Joseph Harpignies (1819 - 1916), Constant Troyon (1810 - 1865), Charles - Emile Jacque (1813 - 1894), Antoine - Louis Barye (1796 - 1875), Albert Charpin, Felix Ziem and Alexandre De Faux.