Here,
frieze magazine editors offer their picks.
Not exact matches
A former
editor of Afterall and co-founder of the journal F.R. DAVID, Roelstraete has published extensively in catalogues and journals, including Artforum, e-flux journal,
frieze, Mousse
Magazine, and Texte zur Kunst.
An expert panel comprising Emily Butler, Mahera and Mohammad Abu Ghazaleh Curator, Whitechapel Gallery; Cameron Foote, Assistant Curator, Whitechapel Gallery; artist Ryan Gander; Co-Owner of Hales Gallery Paul Hedge; Deputy
Editor of
Frieze Magazine Amy Sherlock; and collector Robert Suss embraced the formidable challenge of choosing work to feature in the exhibition.
To celebrate
frieze's quarter century, the
editors choose 25 key artworks: one for each year of the
magazine's existence
Dan Fox is Co-
Editor of
frieze magazine, having worked for
frieze since 1999, most recently as Senior
Editor.
His writing has appeared in numerous exhibition catalogs and
magazines including Kaleidoscope, Mousse, and
Frieze, where he is a contributing
editor.
A former
editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal,
Frieze, Metropolis M, Mousse
Magazine, and Texte zur Kunst.
Accompanying the color plates are an introduction and chronology of the artist's work by exhibition curator Rachel Hooper, an essay tracing Coolquitt's connections to other contemporary artists and designers by
Frieze magazine senior
editor Dan Fox, an in - depth exploration of Coolquitt's concepts and process by art writer Jan Tumlir, an interview with Coolquitt by director and chief curator of White Columns Matthew Higgs, and Coolquitt's biography and bibliography.
He is Contributing
Editor at
Frieze and has written for a range of
magazines and exhibition catalogues.
For «I Am For An Art Criticism That...» the new director of Witte de With, Defne Ayas, and associate curator, Amira Gad, managed to present an eminent line - up of participants, including Brian Kuan Wood,
editor and co-founder of e-flux journal, Jörg Heiser, associate
editor of
Frieze magazine, Aimee Lin, former editorial director of the Contemporary Chinese art
magazine «Leap», and Carol Yinghua Lu, a Chinese curator.
Verwoert is a contributing
editor to
Frieze magazine and also writes regularly for Afterall, Metropolis M, and Springerin.
An
editor of Afterall journal and frequent contributor to Mousse
Magazine,
Frieze and Artforum, Roelstraete's writing has appeared in numerous catalogues and art publications.
As a contributing art
editor at Dazed & Confused and contributing
editor at Berlin - based Sleek, she has contributed writing on contemporary art for the past five years to
magazines including Harpers Bazaar Art Arabia,
Frieze online, LEAP and Thisistomorrow and various catalog essays and artist's texts.
Lodger is a series of exhibitions at Blain Southern, conceived by the writer, curator, and Contributing
Editor for
frieze magazine, Tom Morton.
Lodger is a new series of exhibitions at Blain Southern, conceived by the writer, independent curator, and Contributing
Editor for
frieze magazine, Tom Morton.
Her writing and criticism is published regularly on Rhizome, where she is a contributing
editor, and has appeared in a variety of
magazines, including
frieze, ArtReview, The White Review, Art Agenda, Flash Art, The Art Newspaper, Momus, The Brooklyn Rail, Spike Art Quarterly, and BOMB
Magazine.
Eugenia Bell is the executive
editor of Design Observer and the former design
editor of
frieze magazine.
Tom Morton is a writer, curator, and Contributing
Editor for
frieze magazine.
Hoffmann has been
editor - at - large for Mousse
magazine since 2011 and is a frequent contributor to
Frieze and Artforum.
Paul Clinton is assistant
editor of
Frieze and
Frieze Masters
magazine.
Roelstraete is an
editor of Afterall and a contributing
editor to A Prior
Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum,
Frieze, and Mousse
Magazine.
JURY: Bernard Blistène, Director, Centre Georges Pompidou, Paris Max Hollein, Director, Schirn Kunsthalle Frankfurt, Frankfurt Dakis Joannou, President, DESTE Foundation for Contemporary Art Tom Morton, Writer; Curator; Contributing
Editor,
Frieze magazine Jakub Julian Ziolkowski, Artist
* The Associate
Editor of
Frieze Art
Magazine, Christy Lange, joins the artists as a curator - in - residence.
Jan Verwoert is Contributing
Editor at
Frieze magazine.
This year at
Frieze London there is an opportunity to hear directly from the
Editor of Aesthetica
Magazine, Cherie Federico, and artist Marcus Lyon who will discuss the changing face of photography in the digital world.
Group discussions are led by James Trainor (former US
editor from
Frieze Magazine and a frequent AZ teaching collaborator)-- and an itinerary is crafted for each program by Andrea Zittel.
IN CHOOSING THE LIST OF 25 significant artworks spanning 1991 - 2015,
Frieze editors state in the
magazine that they «agreed on a group of artworks from around the world that reflect something important about the time in which they were made, whose influence has grown over the years and which still feel urgent, fresh and relevant today.»
Tom Morton (Curator, Writer and Contributing
Editor, Frieze) Tom Morton is a writer, independent curator, and contributing editor of Frieze Mag
Editor,
Frieze) Tom Morton is a writer, independent curator, and contributing
editor of Frieze Mag
editor of
Frieze Magazine.
She is a contributing
editor for
Frieze and co-founder and co-
editor of Contemporary Art & Investment
magazine.
With a previous Ph.D. in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years as an architecture and design critic and
editor, organizing numerous conferences and salons, and writing for publications including
frieze, I.D.
Magazine, Blueprint, and The New York Times.
He is a contributing
editor at
Frieze magazine, a visiting tutor at the Royal College of Art in London, has written numerous catalogue essays and has contributed to several
magazines and journals.
She is a contributing
editor of
Frieze magazine and was the co-artistic director of the 2012 Gwangju Biennale.
Lodger is a series of exhibitions at Blain Southern, conceived by the writer, curator, and contributing
editor for
frieze magazine, Tom Morton.
Additionally, Staple has also written for a range of catalogues and publications; she was formerly
editor - at - large of
frieze magazine and continues as a contributing
editor.
Alumni from ARTiculation, a national and international public speaking initiative, learn the key points of writing an art review from
frieze magazine deputy
editor, Amy Sherlock.
We took over half the resturant and were joined by a fantastic group, including one of my favourite people in the world — Dennis Freedman, the creative director of W
magazine in New York, as well as curators from Dallas Museum of Art, Haus der Kunst and Kunstverein in Munich, as well as Jennifer Higgie, the
editor of
Frieze magazine, and Martin Clark, director of Tate St Ives, among others.
He contributes to
magazines and journals such as Art Monthly, Domus,
frieze, Mousse
Magazine, and TATE ETC., and is founding
editor of the Slimvolume imprint, which to date has published editions and books by over 250 artists.
Prior to that, he was associate
editor of
frieze magazine, where is currently a contributing
editor and columnist.
Jennifer Higgie, the
editor of art
magazine Frieze, said: «He's a really compelling filmmaker.
He is currently setting upa major art project called Sound Museumand a contributing
editor for
Frieze magazine.
He is a contributing
editor of Bomb
magazine, and writes regularly for the ski
magazines Freeze and Powder, as well for the contemporary art
magazines Parkett,
Frieze, and Artforum.