Sentences with phrase «frieze magazine issue»

Alex Becerra's exhibition Las Putas Problematicas at ltd los angeles reviewed by Jonathan Griffin in Frieze Magazine Issue no. 167 November - December 2014

This review of Bob Parks's exhibition at Grand Union, Birmingham, was published in Frieze magazine issue 159, November 2013

Not exact matches

«The Best Work at Frieze New York 2017 Was By Woman Artists,» Format Magazine, May 13, 2017 «Mary Simpson and Joanne Greenbaum: A Correspondence,» Turps Banana, Issue 17, pg.

A Professor of Contemporary Art at the University of Central Lancashire in Preston where she leads the Making Histories Visible research project, Himid is featured in Frieze Magazine Jan - Feb 2017 issue.

This review of Melvin Edwards's exhibition at Stephen Friedman Gallery, London was published in issue 169 of Frieze magazine, March, 2015.

This review of Issac Julien's exhibition PLAYTIME at Victioria Miro, London, was published in Frieze magazine, issue 162, April 2014

This review of Ellen Gallagher's TATE gallery retrospective «AxME» was published in Frieze magazine, issue 157, September 2013

This feature surveying the history of Slavery on Film in the 20th Century, was published in Frieze magazine, issue 162, April 2014

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

A former editor of Afterall and co-founder of the journal FR David, Roelstraete has published extensively on contemporary art and related philosophical issues in numerous catalogues and journals including Artforum, e-flux journal, Frieze, Metropolis M, Mousse Magazine, and Texte zur Kunst.

2008Griffin, Jonathan, Second Life, Frieze, p.120 - 123, 2008 Another End, Vilma Gold, Exhibitions Pick of the Week, Guardian Guide, 5 July, 2008 Thatcher, Jennifer, Greenland Street, Art Review, December, 2008 Cohen, Louise, A Wise Old Bird, The Times Newspaper, 20 October, 2008 Sumpter, Helen, Going Underground, Timeout, London, 11 - 17 July, 2008 Brian Griffith's Liverpool Debut, Art World, November, 2008 Morton, Tom, Bring His Tariff, A Bulletin, A foundation, Issue Two, Autumn, 2008 Life Is a Laugh, Uk Recent Projects, Public Art Review, Issue 37, 2008 Harris, Ed, One Way of Dealing With Tube Delays, Evening Standard, 12 July, 2008 Mind the Gap, And the Panda, Metro, 13 July, 2008 Paws for a Laugh, Metro, 17 July, 2008 Giant Panda Head in Tube Station, BBC News, 13 July, 2008 Day in Pictures, BBC News, 12 July, 2008 Brian Griffiths, Avantgarde Magazine, May, 2008

, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December

2011 I'll Make The World Explode, Cristabel Stewart, Tank, Fall Issue, 2011 Safety In Numbers, Exhibition Review «IllumiNations», Claire Bishop, Artforum, September 2011 Dealing With -, Exhibition Review, Hans - Jürgen Hafner, Texte Zur Kunst, September 2011 Word Play, Dieter Roelstraete, Frieze, May 2011 Karl Holmqvist, Catherine Hug, Bad Day Magazine, Issue 9, 2011 2010 Karl Holmqvist: Making Space, Melissa Grönlund, Afterall Issue 25 Autumn 2010 27 Senses, Exhibition catalogue, Electra, 2010

In a 5 - part series from the upcoming issue of Frieze Week magazine, Chicago, São Paulo, Berlin, Tokyo and Los Angeles come to Randall's Island.

2010 Fiduccia, Joanna & Holte, Michael Ned, «New Abstract Painting», Kaleidoscope, Winter, 2010 Lehrer - Graiwer, Sarah, «Richard Aldrich», Artforum, November, 2010 Knight, Christopher, LA Times, October 1, 2010 Haddad, Natalie, «Focus: Richard Aldrich», Frieze, October, 2010 Smith, Roberta, «Le Tableau: French Abstraction and Its Affinities», The New York Times, June 2, 2010 Buchmaier, Barbara, «Ready - Made Painting», Spike Art Quarterly, Summer, 2010 Busta, Caroline, «Besides, With, Against, and Yet: Abstraction and the Ready - Made Gesture» May, Issue 03, 2010 Graw, Isabelle & Hochdorfer, Achim, «There Is No Such Thing as «Painting»», Texte Zur Kunst, Issue 77, March, 2010 Falconer, Morgan, «Besides, With, Against, and Yet», Frieze, March, 2010 Saltz, Jerry, «Change We Can Believe In» New York Magazine, March 8, 2010 Meade, Fionn, «Whitney Biennial 2010», Whitney / Yale, 2010 Hudson, Suzanne, «Besides, With, Against, and Yet», Artforum, February, 2010 «MicroTate» Tate Etc., Issue 18 - Spring, 2010

6, 1 August, pp. 44 - 45 Johnson, Ken, Linger, The New York Times, 28 June, p. E34 Johnson, Ken, Jim Hodges, The New York Times, 31 May, p. E39 Demarest, Marty, Subterranean Sounds, The Inlander Online Horodner, Stuart, Jim Hodges, Bomb Magazine, Issue No. 79, Spring, pp. 100-101 2001 Mahoney, Robert, Jim Hodges, Time Out New York, 9 August, Issue 307 Levin, Kim, Short List, Village Voice, 7 August Smith, Roberta, Quick as a Shutter, Group Shows Shatter Conventional Wisdom, The New York Times, 6 July Schmerler, Sarah, James Graham and Sons, through August 3, Time Out New York, 19 - 26 July, Issue 304 2000 Musgrave, David, Natural Dependency, Art Monthly, November - December, p. 232 Benjamin, Marina, One sensation after another, Evening Standard, London, 5 November, p. 62 Rugoff, Ralph, Beauty bites back, Harper's Bazaar, October, pp. 234 - 235 LaBelle, Charles, Review, Frieze, September - October, pp. 119 - 120 The New Yorker, Museum of Modern Art, 11 September, p. 18 Moreno, Gean, Interview: Jim Hodges, New Art Examiner, June, p. 13 - 15 Baker, Kenneth, San Francisco Chronicle, 22 April, p. E1 & E10 Jowitt, Deborah, Amour, Sex, and All That Jazz, The Village Voice, 29 February, pp. 61 - 62 Keats, Jonathon, Letters to a young Artist, San Francisco Magazine, February, pp. 56 - 57

, Art Guide Australia, June Pena, Anne Marie, A Terrible Beauty: Politics, Sex and the Decline of Empires, Cmagazine, issue 114, Summer Pollock, Barbara, Arthur Solway: Bringing the West to the East, Artnet, 22 May Artists to look out for at Frieze Art Fair New York 2012, Huffington Post, 5 May Little, Mandy, Ship art docks for exhibition, The Mercury, 2 May Guner, Fisen, The Arts Desk, 23 April Brown, Mark, Yinka's ship goes on permanent display in Greenwich, The Guardian, 23 April Yinka Shonibare Ship in a Bottle finds new home, BBC News online, 23 April Yinka Shonibare, Nigerian Whose Artwork creates a mark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, February

Kim Dingle's work has been reviewed in Art in America, Arts Magazine, Art Issues, Artscene, [5] Frieze, [2] Artforum, London Financial Times [6] and Huffington Post.

Meanwhile, her work graces the cover of the January / February issue of Frieze magazine and also appears on the cover of the Spring / Summer edition of Afterall, a London - based journal of art, context, and enquiry.

A clue can be found in the first issue, from September 1991, of the contemporary art magazine Frieze.

In the March 2008 issue of this magazine, FRIEZE asked Brannon, «What do you like the look of?»

An Interview with Thomas Hirschhorn, October 113, Summer, pp. 77 - 100 Bryson, Norman, Books, Frieze, Summer, pp. 110 - 115 Smith, Terry, Primacy, Convergence, Currency, Art Papers, May / June, p. 23 Egenhofer, Sebastian, Form und Produktion, Texte Zur Kunst, March, pp. 196 - 200 Lafuente, Pablo, Thomas Hirschhorn, Frieze, April, pp. 109 - 110 Rian, Jeff, Swiss Diss Artforum, February, p. 68 Desanges, Guillaume, Thomas Hirschhorn, Exit Express, March, pp. 6 - 7 Hirschhorn, Thomas, Shrine On, Sleek magazine, Issue 9, Winter Hirschhorn, Thomas, Emergency Library, Old News, no. 2 Hirschhorn, Thomas, Utopia, Utopia = One World, One War, One Army, One Dress, Gagarin, no. 12 Kielmayer, Olivier, Le public blasé, Art Suisse Riding, Alan, Swiss democracy: a critique and a uproar, International Herald Tribune, 4 January Samoyault, Thiphaine, Souvenir bref du musée précaire Albinet, plus un commentaire, LeJournal des Laboratoires, no. 3, January Fiat, Christophe, Un sujet flambant neuf - Andy Warhol, Le Journal des Laboratoires, no. 3, January Haidu, Rachel, Les Utopies précaires de Thomas Hirschhorn, Le Journal des Laboratoires, no. 3, January Couto, Rodrigo Carrizo, Un eposición en París provoca una tormenta política en Suisa, El País, 6 January Sigg, Oswald, Wegen Brandgefahr verboten, Das Magazin, 22 - 28 January Sennewald, Jens, Die Kunst als Antithese der Demokratie, Kunst Bulletin, January De Saint - Do, Valérie, Hirschhorn met le feu

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TMagazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TMagazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TMagazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Tmagazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Nadim Abbas» recent solo exhibition at VITRINE London, «Camoufleur», has been reviewed in the May issue of Frieze magazine.

PRINT PUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - Published

Roelstraete is an editor of Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum, Frieze, and Mousse Magazine.

A detail from Ciprian Muresan's «All images from a December 2016 issue of Frieze magazine,» part of «All Images From a Book...» at the David Nolan Gallery.

Bibliography 2014 «South likes: Vanessa Safavi at The Breeder, Athens», Klea Charitou, South as a state of mind, March 2013 «The joy of adventure: on the work of Vanessa Safavi», Fabian Schoeneich, RES, June, 2013 «Des métaphores à la logique suspendue Vanessa Safavi», Estelle Nabeyrat, Code 2.0, issue 6, Spring 2013 «Brand New», Andreas Schlaegel, Flash Art, March — April, 2013 2012 «Deserts, ideologies and relics», Quinn Latimer, Frieze d / e, no. 7, Berlin «A conversation between Vanessa Safavi and Silvio do Nascimento», Wandering Magazine, no. 1, Berlin 2011 «Fokus — Vanessa Safavi», Christiane Rekade, Kunstbulletin «Vanessa Safavi», Aoife Rosenmeyer, Art in America «Don't you have anything else to talk about than the color of your car?»

Kruglyanskaya last showed in London at Studio Voltaire in 2014 and had the cover of Frieze magazine's November issue last year, so it is little wonder that there was a big crowd at the opening last night.

Bibliography Frieze New York, 2014 catalogue Antonis Donef, Elephant Magazine, spring 2014 Vitamin D2, Phaidon, 2013 Frieze New York, A photo tour, Time Out New York, May 2013 Antonis Donef, Elephant Magazine, Issue II - Summer 2012 Liste, The Young Art Fair in Basel, catalogue, 2012 Contemporary Woman in Greece, exhibition catalogue, curated by Marina Fokidis, organized and produced by Vima, Athens Christos Paridis, «Athens - Shanghai», Paper magazine, no. 22, April 2010 «Artists to watch», 2boards, April - June 2010 «The Yellow Wilderness», exhibition catalogue, essay by Christopher Marinos, Kalfayan Galleries, Athens, 2009 «Mimes», exhibition catalogue, Kalfayan Galleries, Athens, 2009 Maria Marangou, «Imitation - Mimes and Stage Design», Eleftherotypia, 18 May 2009 When Art Imitates and re-writes, Vima newspaper, Athens, 2 June 2009 Theodora Malamou, Antonis Donef, Velvet, no. 44, October 2009 Antonios Donef, 2007, exhibition catalogueMagazine, spring 2014 Vitamin D2, Phaidon, 2013 Frieze New York, A photo tour, Time Out New York, May 2013 Antonis Donef, Elephant Magazine, Issue II - Summer 2012 Liste, The Young Art Fair in Basel, catalogue, 2012 Contemporary Woman in Greece, exhibition catalogue, curated by Marina Fokidis, organized and produced by Vima, Athens Christos Paridis, «Athens - Shanghai», Paper magazine, no. 22, April 2010 «Artists to watch», 2boards, April - June 2010 «The Yellow Wilderness», exhibition catalogue, essay by Christopher Marinos, Kalfayan Galleries, Athens, 2009 «Mimes», exhibition catalogue, Kalfayan Galleries, Athens, 2009 Maria Marangou, «Imitation - Mimes and Stage Design», Eleftherotypia, 18 May 2009 When Art Imitates and re-writes, Vima newspaper, Athens, 2 June 2009 Theodora Malamou, Antonis Donef, Velvet, no. 44, October 2009 Antonios Donef, 2007, exhibition catalogueMagazine, Issue II - Summer 2012 Liste, The Young Art Fair in Basel, catalogue, 2012 Contemporary Woman in Greece, exhibition catalogue, curated by Marina Fokidis, organized and produced by Vima, Athens Christos Paridis, «Athens - Shanghai», Paper magazine, no. 22, April 2010 «Artists to watch», 2boards, April - June 2010 «The Yellow Wilderness», exhibition catalogue, essay by Christopher Marinos, Kalfayan Galleries, Athens, 2009 «Mimes», exhibition catalogue, Kalfayan Galleries, Athens, 2009 Maria Marangou, «Imitation - Mimes and Stage Design», Eleftherotypia, 18 May 2009 When Art Imitates and re-writes, Vima newspaper, Athens, 2 June 2009 Theodora Malamou, Antonis Donef, Velvet, no. 44, October 2009 Antonios Donef, 2007, exhibition cataloguemagazine, no. 22, April 2010 «Artists to watch», 2boards, April - June 2010 «The Yellow Wilderness», exhibition catalogue, essay by Christopher Marinos, Kalfayan Galleries, Athens, 2009 «Mimes», exhibition catalogue, Kalfayan Galleries, Athens, 2009 Maria Marangou, «Imitation - Mimes and Stage Design», Eleftherotypia, 18 May 2009 When Art Imitates and re-writes, Vima newspaper, Athens, 2 June 2009 Theodora Malamou, Antonis Donef, Velvet, no. 44, October 2009 Antonios Donef, 2007, exhibition catalogue, Athens

Perhaps the most radical and pertinent is one asked by critic Dan Fox in an editorial in this month's issue of Frieze magazine: where's the beef?

Read Jennifer Kabat's feature about my work in the September 2017 issue of frieze magazine.

To mark its 25th anniversary, Frieze magazine commissioned three different covers for its September issue, which also included a review of the 25 most significant works of art produced over the past quarter century.

The economy and Aesthetics of artists» editions», Mousse Magazine by Orit Gat, issue # 57, Februay / March «Days are Dogs», PALAIS, by Camille Henrot, issue # 26, October 2016 «It sounds contemplative, but often it's excitement that drives my work», by Fridey Mickel, Taz - Blogs «David Horvitz: Give and Take» by Peter Hill, Vault, Issue 16 «Frieze Projects: The opposite of pickpocket», by Radhika Seth, Financial Times on line «L'issue # 57, Februay / March «Days are Dogs», PALAIS, by Camille Henrot, issue # 26, October 2016 «It sounds contemplative, but often it's excitement that drives my work», by Fridey Mickel, Taz - Blogs «David Horvitz: Give and Take» by Peter Hill, Vault, Issue 16 «Frieze Projects: The opposite of pickpocket», by Radhika Seth, Financial Times on line «L'issue # 26, October 2016 «It sounds contemplative, but often it's excitement that drives my work», by Fridey Mickel, Taz - Blogs «David Horvitz: Give and Take» by Peter Hill, Vault, Issue 16 «Frieze Projects: The opposite of pickpocket», by Radhika Seth, Financial Times on line «L'Issue 16 «Frieze Projects: The opposite of pickpocket», by Radhika Seth, Financial Times on line «L'arte?

Partially inspired by Tate's example, this year's issue of Frieze Masters Magazine includes a geographically diverse mix of sculptures, paintings and textiles, many of which were made hundreds and even thousands of years ago.