Sentences with phrase «fugue paintings»

Fugue paintings, observed from a distance, appear airy and atmospheric, a hazy veil of color suspended somewhere just before the picture plane.

Also, Claude Monet inevitably comes to mind when Bernadet's paintings (the Fugue paintings) get closely inspected, not simply because of the appearance, but rather the inherent ability of the works to envelop the viewers into their own visual universe.

Not exact matches

-- Rauschenberg's pieces are an amalgamation of blotches of paint, newspaper clippings, photographs, and a variety of miscellaneous objects that together form associative fugues of elusive meaning.

Celan's poem Death Fugue (1948) gives the titles and themes to Kiefer's paintings Margarethe (1981) and Sulamith (1983).

In a fugue of abstraction and representation, depth and surface, micro and macro, the remarkable slippage between gestural waves of paint and fantastically rendered figures, creatures and objects, these epically scaled paintings evolve Cooke's fundamental interest in the theory and practice of painting to a compelling hybrid state of generation and destruction.

During the 1912 Salon de la Section d'Or, where František Kupka exhibited the abstract painting Amorpha, Fugue en deux couleurs (Fugue in Two Colors)(1912), the poet Guillaume Apollinaire named the work of several artists including Robert, Orphism.

From 1909 to 1913 many experimental works in the search for this «pure art» had been created by a number of artists: Francis Picabia painted Caoutchouc, 1909, [20] The Spring, 1912, [21] Dances at the Spring [22] and The Procession, Seville, 1912; [23] Wassily Kandinsky painted Untitled (First Abstract Watercolor), 1910, [24] Improvisation 21A, the Impression series, and Picture with a Circle (1911); [25] František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors), 1912 [26] and Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n ° 2 (1912 — 13); [27] Léopold Survage created Colored Rhythm (Study for the film), 1913; [28] Piet Mondrian, painted Tableau No. 1 and Composition No. 11, 1913.

His latest solo exhibition at Valentin Paris, Solarium, opened on May 19th; fresh off a series of paintings called Fugue shown almost back - to - back at Alon Segev in Tel - Aviv and Rod Barton in London (who first displayed the series back in 2014 at NADA NY).

Paul Pagk's Minuit Fugue, a pink abstract painting is pretty much the definition of painterly surface effect; I really love the contrast between the large areas of thick glossy paint, and the crustiness that occurred as the paint approached the whiteish lines.

The abstract expressionists were fond of titles that didn't help viewers out much — the recent «Abstract Expressionist New York» exhibition at the Museum of Modern Art included Ad Reinhardt's 1963 «Abstract Painting,» for instance, or Richard Pousette - Dart's 1943 «Fugue Number 2» or Barnett Newman's 1946 «Untitled» or Mark Rothko's 1945 - 6 «Untitled» or Clyfford Still's 1944 «1944 - N No. 2.»

Thomas Micchelli: As I was thinking of ways to approach the works in Fugue State, I found that my questions addressed them as «these paintings» instead of «your paintings» — a false but telling distinction --

Kandinsky entitled a 1912 painting Fugue (Controlled Improvisation), and by the 1920s lots of artists were doing it, Paul Klee and Josef Albers, amongst them.

Tagged with abstract art, art, art exhibitions, collage, construction, contemporary art, cubism, Fugue, John Bunker, Juan Gris, music, painting, Sam Cornish, Six Fugues, Westminster Library

Each painting places decades of work into dialogue within singular canvases, the exhibition progressing like 30 variations on a fugue, from Kusama's «Infinity Nets» of the late 1950s that spread like Spanish moss, to her zoetic polka dots, saturated chromatic fantasias, and obsessive reproductions of single shapes.