Beyond the Surface: Miriam Schapiro's Enduring Legacy Is on
Full View at the Museum of Arts and Design, April 24, 2018
Not exact matches
Greater Boston During Drawing Owls from Life
at the
Museum of American Bird Art, discover more about these amazing... [Click title to
view full post]
Darling Harbour is the busy, popular waterfront area on the western edge of the CBD, and the area is
full of attractions from
museums to the biggest playground in the city, not to mention a huge range of restaurants (including many chains) and the fantastic
view of the city lights
at dusk.
The Villa Song is a gorgeous four star property with French Colonial - style architecture located beside Saigon River in District 2 of Ho Chi Minh City.Guests staying here will find themselves perfectly situated in a sanctuary of calm while still being a short transit away from the main highlights of a stay in Ho Chi Minh City, such as the Reunification Palace, War Remnants
Museum, Saigon Opera House, Ben Thanh Market, Thien Hau Pagoda, Notre Dame Cathedral, and more.Four styles of rooms are available
at this location: Deluxe Garden, Deluxe River
View, Art Suite River
View, and Imperial Suite.All are elegantly decorated in a clean modern style with accents of Vietnamese taste, and are equipped with air conditioning, sleek furnishings, high speed wireless internet access, en suite bathroom with
full amenities, in - room safe, and more.
3.5 hour whale watching cruise off Point Loma (you will go out to sea) Opportunity to spot whales, dolphins, sea lions and other marine wildlife and featuring GRAY WHALES An exclusive look
at local environmental efforts Professional live narration by our expert captains and Whalers from San Diego Natural History
Museum Snack bars featuring hot food and snacks,
full bar and souvenirs Climate - controlled indoor or outdooor seating up on the sun deck 30 feet off the water for great
views Views of famous San Diego land
views Views of famous San Diego land
Views of famous San Diego landmarks
«
Full House:
Views of the Whitney's Collection
at 75» ran through September 3, 2006,
at The Whitney
Museum of American Art.
The exhibition will highlight a selected group of paintings, on
view for the first time in Harlem, bringing Blayton's work
full circle, to the original home of the Studio
Museum at 2033 Fifth Avenue, the current location of Elizabeth Dee.
The question of whether a
full - scale retrospective better serves this most protean and profligate of sculptors is tested by the survey «John Chamberlain: Choices,» currently on
view at the Solomon R. Guggenheim
Museum in New York City.
: The Whitney
Museum of American Art,
at nearby 99 Gansevoort, has a glorious Stuart Davis show, «In
Full Swing,» on
view through Sept. 25.
Art conservation is set to get exciting (or
at least very public) when the
Museum of Contemporary Art (Moca LA) will clean and restore an important drip painting by Jackson Pollock in
full view of the public, reported The Art Newspaper.
The extraordinary range and persistence of this effort was on
full view this past summer in the hundreds of prints, multiples, books, posters and photographs that filled the exhibitions «Sigmar Polke: The Editions»
at the me Collectors Room in Berlin and «Gerhard Richter: The Editions»
at the
Museum Folkwang in Essen.3
Visions of US: American Art
at NOMA is on
view November 14 - January 24, 2016 NEW ORLEANS, LA — This November, NOMA will open Visions of US: American Art
at NOMA, the first exhibition in the
museum's history to highlight the
full breadth of its extraordinary American Art collection.
The Savannah College of Art and Design is pleased to announce the photography exhibition Jack Leigh:
Full Circle, Low Country Photographs, 1972 - 2004, on
view from Tuesday, July 15, through Thursday, Oct. 2,
at the SCAD
Museum of Art.
The couch is front and center in «Rodney McMillian:
Views of Main Street,» an exhibition that opens on Thursday
at the Studio
Museum in Harlem, one of three East Coast shows of his work that will run concurrently, introducing many viewers to the
full sweep of a 15 - year career that has delved deeply, and often with haunting beauty, into questions of class, race and American belonging.
Here is the
full list of artists included in «America Is Hard to See,» on
view May 1 through September 27
at The Whitney
Museum's new home
at 99 Gasevoort Street.
Installation
view of
Full House:
Views of the Whitney's Collection
at 75 (Whitney
Museum of American Art, New York, June 29 — September 3, 2006).
Following is the
full list of exhibitions on
view at Long Island
museums.
Following is the
full list of exhibitions on
view at museums across Long Island.
On
view at the
museum this fall is All of Everything: Todd Oldham Fashion (through September 11, 2016), an exhibition featuring more than 65
full ensembles from designer Todd Oldham's studio archives, and Julien Prévieux: What Shall We Do Next and Patterns of Life (through November 13, 2016), an exhibition of the work of the French artist Julien Prévieux, who critically addresses politics, economics, technology, and the culture of the workplace by incorporating and reinterpreting the physical behaviors or language specific to each.
Opening Sunday, Oct. 19: «Archibald Motley: Jazz Age Modernist,» is a
full - scale survey offering a rare opportunity to
view Motley's masterful portraiture and interpretations of Chicago jazz and Paris blue
at the Los Angeles County
Museum of Art (through Feb. 1, 2015).
1 «Stuart Davis: In
Full Swing» opened
at the Whitney
Museum of American Art, New York, on June 10 and remains on
view through September 25, 2016.
The lecture and panel discussion series will include a
full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The
View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass
at Corning
Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts
at the Newark
Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».
At the Private View, Etchells will present a short improvised performance under the title «Word File (Vitrine)», drawing on and developing the strategies for text improvisation that he has pursued in recent years in the full length performance project «A Broadcast / Looping Pieces» (2014), previously performed at David Roberts Foundation and Hayward Gallery, London, Stedelijk Museum, Amsterdam, KunstenFestivaldesArts, Brussels, Hebbel Theatre, Berlin amongst other place
At the Private
View, Etchells will present a short improvised performance under the title «Word File (Vitrine)», drawing on and developing the strategies for text improvisation that he has pursued in recent years in the
full length performance project «A Broadcast / Looping Pieces» (2014), previously performed
at David Roberts Foundation and Hayward Gallery, London, Stedelijk Museum, Amsterdam, KunstenFestivaldesArts, Brussels, Hebbel Theatre, Berlin amongst other place
at David Roberts Foundation and Hayward Gallery, London, Stedelijk
Museum, Amsterdam, KunstenFestivaldesArts, Brussels, Hebbel Theatre, Berlin amongst other places.
Influential Los Angeles artist and raconteur Larry Johnson (Art BFA 82, MFA 84) has a
full - scale survey of his work on
view at the Hammer
Museum in Los Angeles through Sept. 6.
«MoMAR is an unauthorized gallery concept aimed
at democratizing physical exhibition spaces,
museums, and the...
View full entry
Influential Los Angeles artist and raconteur Larry Johnson (Art BFA 82, MFA 84) has a
full - scale survey of his work on
view at the Hammer
Museum in Los Angeles through...
Three exhibitions currently on
view in New York City — Stuart Davis: In
Full Swing, Carmen Herrera: Lines of Sight, and the Hilma af Klint exhibition that is secreted within The Keeper exhibition
at the New
Museum — provide object lessons on the necessity of seeing «in person» artworks that in reproduction appear flat and graphic in a way that stays fixed
at the level of an image with no scale so that when looking
at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phone.