Further exhibitions followed, including an initial showing at the Royal Hibernian Academy (RHA) with «Menhirs with Sun», in 1962.
Not exact matches
The next installment of INK will offer
further thoughts on the role of these marginalized formats in culture and art, with discussion of the
following exhibitions, among others.
Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group
exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany)
Further Exhibitions «Kaleidoscope GmbH» / international group
exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group
exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany
Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.
Following the publication of «We Wanted a Revolution: Black Radical Women, 1965 — 85: A Sourcebook,» which «focused on re-presenting key voices of the period by gathering a remarkable array of historical documents,» a second volume has been released to
further amplify the
exhibition.
Following Cassiopeia: HAND (Primary, Nottingham, March 2016) and Cassiopeia: HIP (APT Gallery, London, May 2016), the project will
further develop in the upcoming
exhibition at Guest Projects (London), which will take place in November 2016.
The
exhibition follows his recent residency at Bellas Artes Projects in the Philippines, where he
further developed his printing techniques.
With rebirth and renewal in mind, the
exhibition exploits the coincidence of one birth and two anniversaries — the inauguration of OGR, the 25th anniversary of the Fondazione Sandretto Re Rebaudengo's collection of contemporary art and the 60th anniversary of founding of the Situationist International
following a meeting in Alba, not
far from Turin.
About Dale Marshall and «Beauty in The Wound» The
exhibition follows his brutally honest and heartfelt 3 ‐ month museum
exhibition in Central England at the Herbert Art Gallery and Museum titled «Walls with Wounds «which received British public acclaim attracting well over 8000 visitors, some travelling from as
far from these shores of Northern and Southern California.
Following the
exhibition, Girls Club will remain as the guardian of the prints, storing and seeking
further exhibition opportunities for the project.
To get
further information on the
exhibition, just
follow the link to the Facebook event or visit the Imago Mundi website.
Another
exhibition for Gray at Abbott and Holder was programmed for the
following year which had a
further good reception.
After receiving rave reviews,
further solo
exhibitions followed in Los Angeles, Zurich, Rome and Rotterdam, as well as a prestigious invitation to Documenta 7 in West Germany, where Basquiat was the youngest exhibited artist within a line - up that included established contemporary masters such as Cy Twombly, Gerhard Richter and Joseph Beuys.
Culture Shifts, the title of this
exhibition collection, does a lot of work in this show; initially it sets out the stall for an underrepresented culture to be pinned up in the gallery, but that's
far from the line this
exhibition follows.
The latter would exhibit the artist's own work in a group
exhibition entitled «Surréalisme» in 1932 and over the course of the
following three decades Cornell would
further hone his approach to his signature bric - a-brac assemblages, integrating seemingly contrary, fetishized objects such as marbles, seashells, butterflies, postcards, navigational tools, toys, and sundry paper ephemera - which he sourced from antique and junk shops in New York - into highly sophisticated, strikingly organic tableaux.
This is Fredrik Söderberg's first
exhibition in Galleri Riis Oslo, and also his most extensive presentation of recent paintings so
far,
following up on some of the themes in his
exhibition in our Stockholm gallery last year.
Many recipients of the Jerwood / FVU Awards» previous editions gained
further critical recognition
following their
exhibitions at Jerwood Space.
In 1961 he was given a one - man
exhibition at the Hyde Park Gallery and
further solo shows
followed at the ICA, Agnews and other top London galleries.
«Having
followed Jia's artistic journey thus
far, we are very pleased to establish a working relationship with him, and we look forward to his first
exhibition with the gallery,» Larry Gagosian said in a statement.
Having established itself as the second leg of Europe's fall tour of art fairs,
following hot on the feels of Frieze London, Paris's FIAC fair has built itself into one of the art calendar's more impressive
exhibitions, and is now expanding even
further, pushing for a place as one of the market's premier selling events.
Recent solo
exhibitions and commissions include:
Following Nature, Indianapolis Museum of Art, Indianapolis, IN (2013); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago, Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, DC, Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a
further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).
During these discussions participants are invited to join Gallery curators and guest speakers in an exploration of the Gallery's permanent collection,
exhibitions and conservation projects,
followed by tea or coffee with the speaker in the Gallery café, to allow for
further discussion.
The first Aitchison solo
exhibition at the Beaux Arts
followed in 1959, and there were
further shows in 1960 and 1964 before Lessore, who had run the gallery on a wing and a prayer, finally closed it.
Further the individual number per
exhibition place category, which are gallery, museum, non-profit, collector,
followed by the total number of
exhibition places where the
exhibitions took place.
The Line curator is working on plans for temporary projects and
exhibitions — with
further details to
follow.
Furthering the Serpentine's commitment to contemporary design —
following Konstantin Grcic's Design Real in 2009 — both
exhibitions highlight objects that have made a significant impact on our lives and offer new perspectives on material culture.
In 1933 he founded the abstract group Unit One, along with fellow artists Henry Moore (1898 - 1986), Barbara Hepworth (1903 - 1975), her husband Ben Nicholson (1894 - 1982), and the critic Herbert Read, and during the
following years he staged
further exhibitions, as well as doing commercial work.