Sentences with phrase «further exhibitions on»

Not exact matches

Further rise in the quality of participants In the international section, over 265 exhibitors from outside China showcased their latest solutions and technologies for the beverage and liquid food industry on around 23,000 square meters of exhibition space.

Adele Irving and fellow researcher Oliver Moss are conducting further research on the experiences of homeless people in the North East and will showcase this research at an exhibition as part of the Economic and Social Research Council's 2014 Festival of Social Science.

Then on September 12th our team will stay in Cologne to attend dmexco exhibition where we hope to learn a lot from this event to further improve the Dating Factory platform and share our marketing knowledge with you to help you grow your dating sites and revenues.

«Exhibition» takes this a step further through Jovan Ajder's amazing sound design that morphs the home from a shelter from the sirens outside, to an oversize cavern with all it's metallic creaking and huge sliding doors that dwarf D when she is on her own.

SAPCA offers specifiers and buyers: • Free advice on what to look for in an indoor floor • Peace of mind when choosing a supplier that is a SAPCA member (all our members are credit scored annually and have to adhere to strict codes of practice) • Access to its membership database to source providers of quality installations • A technical mediation service (in case it is ever needed) • Access to free seminars and exhibitions For further details about SAPCA, visit www.sapca.org.uk, call 024 7641 6316 or e-mail [email protected]

In addition to quarterly PBL exhibitions, student further share and reflect on their learning through Student Led Conferences (SLCs).

Further in the exhibition you'll be greeted by racing cars once driven by legends like Sir Stirling Moss and Michael Schumacher, along with the technology developed by Ferrari that went on to revolutionise motor racing.

The International Convention Centre, a world - class example of modern architecture that lies between the beachfront and downtown, and across from the Exhibition Centre, has placed Durban on the International Conference map and draws business travellers from far and wide.

To further help facilitate business between exhibitors and buyers the Speed Networking session will now take place as a one hour - long session before the exhibition opens on Monday 7 November at 9 am - 10 am in Platinum Suite 3 and 4.

For 2011 the London conference will be supported by two new further WTM Vision Conference events; the first in Milan, Italy on April 14 and the second at WTM's sister exhibition Arabian Travel Market (ATM) in Dubai, UAE on May 4.

The art» otels take the style even further and provide permanent, modern art exhibitions throughout the hotels and room, focused on one artist per hotel.

Ironically my highlights stem back to the first 5 years when I organised exhibitions and collaborative projects on a regular basis and travelled as far as Hong Kong to launch a book I edited and co-designed... it would be great to return to this level of curation.

I have FOUR solo exhibitions lined up so far for 2017 and a mountain of new (and now dry) work to get on Saatchi and Artstack.

For the exhibition «Always A Little Further,» curated by Rosa Martinez, we created six giant 17 - foot posters taking on the Biennale itself (Benvenuti alla Biennale Femminista!)

SO FAR SO CLOSE, Exhibition catalogue, Almine Rech Gallery, 2017 255 PLATES, Triangle Books, Brussels, 2015 STUDIES FOR SUNSETS, Karma, New York, 2014 FUGUE, Triangle Books, Brussels, 2014 SCENIC DRIVE AHEAD, Bunk Edition, 2014 ON KNOWING AND NOT, John d'Agata and Jean - Baptiste Bernadet, Karma, New York, 2013 IF THERE IS A CHANCE, Jean - Baptiste Bernadet & Benoit Platéus, Karma, New York, 2011 ANONYMOUS, Jean - Baptiste Bernadet & Xavier Noiret - Thomé, Art Paper Editions, Gent, 2011

If you'd like to return to further experience the exhibition on another day, a great option is to apply the price of your ticket toward a Museum membership, which allows for another free exhibition visit.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

As a measure of its growing ambition, the catalogue for Marlborough's impressive 1960 Van Gogh exhibition of 18 self - portraits was introduced with an essay «Van Gogh looks at himself» by the then director of the Kröller - Müller Museum in Otterlo, Professor A-M Hammacher, and a further essay by Oskar Kokoschka entitled «Van Gogh's influence on modern painting».

Not far apart, about two minutes or a bit more by foot, depending on what friends you see along the way, are the two present exhibitions at Paul Kasmin Gallery, at 293 and 297 Tenth Avenue.

Sharpie on wall, commissioned wall drawing as part of exhibition Far, Far Away at the Children's Museum of Photography, New York, New York.

The exhibition's title conjures both mythological and astronomical associations, and the primary medium of the work on view — the wool of the shag rugs Betbeze has distressed and distorted — makes it difficult to resist considering a further literary one, the 1870 novella Venus in Furs by the Austrian writer Leopold von Sacher - Masoch, from whose name the term «masochism» is derived.

A further insight into Mangold's process and the importance of drawing can be seen in the artist's works on paper, which have been given their own space in the exhibition.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

On the Far Side of the Marchlands is a partner exhibition at Schering Stiftung that presents works by Morehshin Allahyari, Cathrine Disney, Keeley Haftner, Brittany Ransom, and Daniel Rourke.

The next installment of INK will offer further thoughts on the role of these marginalized formats in culture and art, with discussion of the following exhibitions, among others.

The exhibition is slated to open in October of 2018, but no further information has been provided on what Bruguera plans to do with the enormous 35,520 square foot space.

Further exhibition support is provided, in part, by public funds from the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

Solo Exhibitions 2009 The Prophet, Howard House, Seattle, WA 2008 Ahab's America, Carl Berg Gallery, Los Angeles, CA 2007 American Baroque: Ruminations on Moby - Dick, RHC Art Gallery, Rio Hondo College, Whittier, CA 2006 Or The Whale, Carl Berg Gallery, Los Angeles, CA The Imago Sea, Bentley Gallery, Scottsdale, AZ 2005 The Sea is the Ghost of the World, Howard House, Seattle, WA The Last Archipelago, Carl Berg Gallery, Los Angeles, CA 2004 The Strange Tale of Near and Far, DCKT Contemporary, New York, NY Studying the Strange Tale of Near and Far, Michael's, Santa Monica, CA

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

A further important highlight is Fuego Flores in acrylic and oil stick on canvas by Jean - Michel Basquiat (1960 - 1988), which has remained off the market for over 20 years and was last exhibited publicly in the 1984 exhibition Jean - Michel Basquiat at the Gallery V in Stockholm.

The Members» Reception on Saturday, November 11, 2017 from 11 a.m. to 2 p.m. offers a preview of the exhibition with talks by artists on aspects of the exhibition, furthering the Museum's mission to foster connections among art, artists, and the community.

After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America.

He also installed his first - ever public art work on the High Line in New York, not too far from where the biennial exhibition is on view.

And the exhibition «Stephen Shore» is far from the final statement on Stephen Shore.

For her first solo institutional exhibition, «Tenderheaded,» on view at The Renaissance Society in Chicago through November 5, Packer further explores emotional and physical vulnerability through new portraits as well as a developing series of painted funerary bouquets.

Following the publication of «We Wanted a Revolution: Black Radical Women, 1965 — 85: A Sourcebook,» which «focused on re-presenting key voices of the period by gathering a remarkable array of historical documents,» a second volume has been released to further amplify the exhibition.

Further highlights of the exhibition include Mêle moments (1976), Les données de I «instant (1977), and Site aux disjonctions (1977) on loan from the Fondation Dubuffet and private collections.

AMST prides itself on providing educational and outreach programs for people of all ages as well as for the school districts within a 75 - mile radius of the city, Fullerton wrote, so this type of exhibition was a perfect fit to further achieve its mission.

PAL serves as a liaison between the fine arts administration and the graduate student body and seeks to further professional relationships for students in the New York arts community through organizing and executing open studios and on and off - campus exhibitions and events.

Further exhibition support is provided by public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

Furthering her exploration of the atmospheric and incidental, Barth conceived her latest major body of work,... and to draw a bright white line with light, on the occasion of her 2011 solo exhibition at the Art Institute of Chicago.

PAL serves as a liaison between the fine arts administration and the graduate student body and seeks to further professional relationships for students in the New York arts community through organizing and executing open studios in addition to on - and off - campus exhibitions and events.

The exhibition made a great impression on me — I could go as far as saying that it represented an epiphany, for whilst I had seen a number of Morandi's works in various museums and mixed shows, this was my first opportunity to see so many of his prints together.

The exhibition Canvas on Paint furthers the artist's experimental, witty, and profound exploration into the genesis of artworks and the ways they engage with their surroundings.

Not so far away, though, in the Phillips auction exhibition, I came across a three - faced woman in glazed plaster by Paloma Varga Weiz (estimate # 8 - 12,000 if you have your bidding head on).

Florence Berkman, «Pop Art on Exhibition Free, Far Out,» Hartford Times, January 11, 1964.

So far, the outdoor exhibition space has featured work by artists Imran Qureshi (2013), Dan Graham (2014), and Pierre Huyghe (on view through November 1, 2015).

Spanning seven decades, the exhibition runs the gamut from stark reality to poignant reflection and further on to delicious absurdity.

A suite of previously unseen preparatory watercolours and works on paper and a revealing essay by the exhibition's curator, Minna Moore Ede, further illuminate this extraordinary project by one of the most acclaimed artists working today.

The upcoming 2018 Gwangju Biennale (its 12th edition) has announced further details: 11 curators are responsible for seven exhibitions responding to the theme of «Imagined Borders», a reference both to the work of historian Benedict Anderson (particularly his 1983 book on nationalism, Imagined Communities) as well as the theme of the inaugural 1995 Gwangju Biennale, «Beyond the Borders».