Sentences with phrase «global art affairs»

The paintings will be on view for three months, until February 14th 2015, when Fridriks will participate at Venice Biennale 2015, in the context of the Global Art Affairs Foundation at Palazzo Bembo.

The exhibition is organised by GLOBAL ART AFFAIRS FOUNDATION.

Karlyn De Jongh, Sarah Gold, et al, Personal Structures: Time Space Existence (Cologne, Germany: Global Art Affairs Foundation, 2013), 178 — 181.

Karlyn De Jongh and Sarah Gold, Personal Structures, The Venice Biennale, exhibition catalogue (Bonn, Germany: Global Art Affairs Foundation, 2011), 42 — 47.

Not exact matches

Comrie honored 16 women in total, including Gaye Anderson, community affairs site developer manager for Healthfirst; June Bunch, 33rd state Assembly District leader; Jacqueline Grace Boyce, 29th Assembly District leader; Latasha Smith - Bondswell, CEO of Occasions Banquet and Catering Hall; Beverly Bazil Edge, founder and teacher at The Edge School of the Arts; Gular Hamilton Glover, a minister at the United Church of Christ; Jolander Headly, vice president of Willis Global Energy; Moira Jack, president of Delta Sigma Theta Sorority Inc..

The School of Professional Studies captures the expertise of the key sectors that make New York City a great global capital, such as real estate, finance, marketing, public relations, global affairs, hospitality and tourism, sports management, philanthropy and fundraising, communications / media, writing, the arts, and others.

Millions of avid readers come here every day to read the free publications created by enthusiastic publishers from all over the globe with topics in fashion, lifestyle, art, sports and global affairs to mention a few.

Exhibitions include Dos Mundos: Worlds of the Puerto Ricans 1973, Mira, Mira, Mira, Museum of the City of New York 1974, Ten Japanese Artists, 1975; Legacy of James Vanderzee, 1977; Sacred Artifacts: Objects of Devotion, 1982; Disinformation: The Manufacture of Consent, 1985; Repulsion: Aesthetics of the Grotesque, 1987; Foreign Affairs: Conflicts in the Global Village, 1988; Dia De Los Muertos, 1988; Prisoners of Image: Ethnic and Gender Stereotyping, 1989; Mon Reve: Haiti after the Duvaliers, 1989; Artists of Conscience, 1992; Peoples Choice: Komar & Melamid, 1994; Expansion Arts, I, II, III, 1995 - 1998; (Mickey) Mouse: An American Icon, 1998; The Artists as Patron, 1999; Honeymoon Series by Yoshio Itagaki, 2000; Between the Real and the Unreal: Recent works by Simen Johan, 2000, Genochoice an installation by Virgil Wong, 2000.

Charley has been fortunate to receive support from Arts Nova Scotia and has artwork in the collection of the Global Affairs Canada, Nova Scotia Art Bank and private collections.

Today, he is an active member of the global street art scene and his work is a reflection of current political and current affairs, alongside his Andean roots.

His work can be found in numerous public and private collections in Canada and abroad, including the Regional Municipality of Ottawa - Carleton (Ottawa); Woodland Cultural Centre (Brantford); Royal Ontario Museum (Toronto); Ottawa Art Gallery (Ottawa); The Canada Council Art Bank, (Ottawa); Nordamerika Native Museum (Zurich, Switzerland); City of Ottawa (Ottawa); Indigenous Affairs and Northern Development Canada (Gatineau); National Gallery of Canada (Ottawa); Global Affairs Canada (Ottawa).

His art is the comment on the ongoing global political turmoil, senseless violence, communal riots and brutal affairs and he further affirms that love, care and positive attitude are the constructive solution to these human agonies.

The U.S. Department of State's Bureau of Educational and Cultural Affairs (ECA) and the Bronx Museum of the Arts today announced a new international visual artist exchange program to stimulate dialogue and address local and global social issues.

NPN and VAN is supported by American Express, Andrew W. Mellon Foundation, The Andy Warhol Foundation for the Visual Arts, City of Los Angeles Department of Cultural Affairs, Doris Duke Charitable Foundation, Ford Foundation, Greater Philadelphia Tourism Marketing Corporation, Japan Foundation's Center for Global Partnerships, Japan-U.S. Friendship Commission, Joan Mitchell Foundation, Keller Family Foundation, Lambent Foundation Fund of Tides Foundation, Louisiana Division of the Arts, MetLife Foundation, Nathan Cummings Foundation, National Endowment for the Arts, Nonprofit Finance Fund, William Penn Foundation, Pennsylvania Council on the Arts, The Pew Center for Arts & Heritage, Pollock - Krasner Foundation, Robert Sterling Clark Foundation, Southwest Airlines, Official Airline of the National Performance Network, NPN and VAN Partners, and our Friends, Colleagues, Partners & individual donors.

The Rapid Response Unit is a year - long art project and cultural experiment that began in March 2018, inviting artists to respond creatively to global events and current affairs, to «interpret, create and challenge how we receive news».