Sentences with phrase «group exhibition tours»

Group exhibition tours are offered Tuesday through Friday between 11 a.m. and 4 p.m. and Thursday until 7 p.m. Reservations are required for all groups.
In and Out of Touch group exhibition touring Hungary and Berlin 1995 (Curated by Barbara Thumm, Budapest, Galeria, Budapest, Ungarn — Haus Ungarn, Berlin, Germany)

Not exact matches

After being off limits to the public for more than 100 years, today Cockatoo Island is the location for cutting - edge art exhibitions, group tours and unique accommodation.
Join this special group of young professionals, ages 21 to 40, for private exhibition tours, artist studio visits, and networking events.
A poetry and fiction workshop is planned for March, when the Northern Berkshire Community Collation brings its Unity teen writing group for a tour of the exhibition.
Join this group of young professionals, ages 21 to 40, for private exhibition tours, artist studio visits, and networking events.
Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol
In 1965 the Washington Gallery of Modern Art (1961 - 68) organized a seminal exhibition that toured widely - including to the Walker Art Center and The Rose Art Galleries at Brandeis University - and helped define this group of artists.
Book a tour for your group to explore the collection and special exhibitions with a BMA educator.
September 27th - October 27th During the post war years the British Council promoted a group of British sculptors on the prestigious stage of the Venice Biennale and at subsequent touring exhibitions across Europe, North and South America.
Recent notable group exhibitions include «Geometries On and Off the Grid: Art from 1950 to the Present», The Warehouse, Dallas, Texas, USA (2015); «Geometric Perspectives on Japanese Abstraction», BTAP, Tokyo, Japan (2014); «Tokyo 1955 - 1970 New Advanced Guard», The Museum of Modern Art, New York, USA (2013); «The 70s in Japan, 1968 - 1982» The Museum of Modern Art, Saitama, Japan (2013); «Mono - ha Avantguard», Nakanoshima Design Museum, Oska, Japan (2012); «Depicting the Uncanny: Tricks and Humor», The Yokosuka Museum of Art, Kanagawa Japan (2011); «Japanese Art after 1945: Scream Against the Sky», Yokohama Museum of Art, Kanagawa, Japan; touring to Guggenheim Museum SoHo, New York, USA; San Francisco Museum of Modern Art in association with the Center for the Arts at Yerba Buena Gardens, San Francisco, USA (1994).
She was also co-organizer, with Helmut Draxler, of «Services,» a «working - group exhibition» that toured to eight venues in Europe and the United States between 1994 and 2001.
To celebrate its 30 year anniversary, CPS is also curating the upcoming touring group exhibition 1/81, with a first presentation at the Coa Museum in Portugal.
Curators Sarah Perks (HOME Director of Visual Art), with Olya Sova and Anya Harrison of The New Social, will lead a curator tour of this new group exhibition which seeks to redress the legacy of the Russian Revolution on its centenary by exploring how contemporary artists are responding to the state of the «New East» today.
In 1957 he showed for the first time in the UK, as part of an Arts Council touring exhibition, and held his own among a group that included Dubuffet, the Canadian abstract expressionist Jean - Paul Riopelle, the French tachiste Pierre Soulages, and Karel Appel, Bogart's compatriot and a member of the Cobra group (Copenhagen, Brussels, Amsterdam).
The artist presented the multi-disciplinary performance work red, yellow, lime, pink, lavender, green, scarlet, lavender, scarlet, green, lavender as part of The Magazine Sessions 2016 at the Serpentine Galleries, London, and has participated in group exhibitions including Chromaphilia & Chromaphobia, Kansas City Art Institute (2016); Terra Provocata, Fondazione del Monte and Museo Civico Medievale, Bologna (2016); From The Ruins..., 601Artspace, New York (2015); Hangzhou Triennial of Fiber Art, Hangzhou, China (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013); Graphite, Indianapolis Museum of Art (2013); The Air We Breathe, San Francisco Museum of Modern Art (2011); Coming After, The Power Plant, Toronto (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum of Modern Art, New York (2009).
Docents give dynamic, interactive tours of current Blaffer Art Museum exhibition (s) or the University's public sculpture collection to students and K - 12 school groups, as well as to community groups of adults and kids.
Group exhibitions include The New Human, Moderna Museet Malmö (touring to Moderna Museet, Stockholm, 2016); SALTWATER: A Theory of Thought Forms, 14th Istanbul Biennial (2015); 10th Shanghai Biennale (2014); In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts (2012); Dancing Through Life, Centre Pompidou, Paris and Move: Art and Dance since the 60s, Haus der Kunst, Munich (2011).
MCASB offers tours through all exhibitions for individuals as well as groups.
The tour group will work with the artist to construct a simple visual trail across the gallery spaces that maps their physical journey through the building and explores the key themes in the exhibition including ideas relating to time, dimensionality, trace, surface, materiality and process.
Reus has been included in group exhibitions at CCS Bard Hessel Museum of Art, Annandale - on - Hudson; Kunsthalle Bern; Kestnergesellschaft, Hanover; LUMA Westbau, Zürich; Kunsthalle Wien, Vienna; Rubell Family Collection, Miami; Museu Nacional de Arte Contemporanea, Lisbon; David Roberts Art Foundation; De Appel, Amsterdam and the British Art Show 8 (touring).
Recent highlights of group exhibitions include Women of Abstract Expressionism (Denver Art Museum, and tour, 2016 — 2017); Abstract Expressionism (Royal Academy of Arts, London, and tour, 2016 — 2017) Matisse and American Art (The Montclair Art Museum, NJ, 2017); and Making Space: Women Artists and Abstraction (The Museum of Modern Art, New York, 2017).
Group exhibitions include British Art Show 8, Leeds Art Gallery, touring UK venues (2015 - 17); «The Weight of Data», Tate Britain, London and «Transparencies», Bielefelder Kunstverein; Kunstverein Nürnberg (all 2015).
Selected forthcoming and recent group exhibitions include The Painting Show, British Council Touring Exhibition; Electronic Superhighway 2016 — 1966,, Whitechapel Gallery, London; Celia Hempton, Mendes Wood DM, São Paulo, (2016); The Ultimate Vessel, Koppe Astner, Glasgow; fig - 2 25/50 in collaboration with Prem Sahib and Cecilia Bengolea, ICA Studio, London; I'm here but you've gone, Fiorucci Art Trust, London; The Chic and the Borderline, DRAF Istanbul, Grand Hotel de Londres, Istanbul,; La femme de trente ans, Galerie Art: Concept, Paris; Odradek, Instants Chavirés, Montreuil (2015); Tomorrow: London, South London Gallery, London; Burning Down The House, Gwangju Biennale; Pontoon Lip with Katie Cuddon, Cell Project Space, London (2014) and Abstract Cabinet, David Roberts Art Foundation, London, (2013).
It seeks to engage the community through exhibitions, publications, and public programs, and welcomes members of the public, academic institutions, and museum groups for self - guided tours that last up to two hours.
Please call the Program Coordinator at (602) 257-4356 to discuss tour options for your group using our other galleries and special exhibitions.
Her work has been included in group exhibitions such as «SoundSpill,» Zabludowicz Collection, New York (2013), «With the Tip of a Hat,» the Artist's Institute, New York (2012), «Novel,» a screening for Time Again hosted by the Sculpture Center, New York (2011), «Outrageous Fortune: artists remake the Tarot,» Hayward Touring / Focal Point Gallery, Southend (2011), and «The Great White Way Goes Black,» Vilma Gold, London (2011).
• Sunday, June 10, from 1 - 3 pm, there will be an opening event for the exhibition; • Sunday, June 17, at 2 pm, Butler Director Dr. Louis Zona will present a free art talk, «Joan Mitchell in Historical Context,» in the museum's Beecher Center auditorium; • Groups may call to schedule a tour by Butler docent volunteers who will guide visitors through the Joan Mitchell exhibits (330.743.1107, ext. 115);
The Wexner Center offers tours of gallery exhibitions and architecture for university courses or groups of any discipline.
Recent exhibitions include, 2010: Surjection, Art Gallery of York University, Toronto; The Things That Happen When Falling In Love, a solo exhibition at Baltic Centre, Gateshead; The Capital of Accumulation, a solo exhibition at Project 88, Mumbai; The New Décor, a touring group exhibition at Hayward Gallery, London and The Garage Center for Contemporary Culture, Moscow.
Group exhibitions for Atlas in 2010 included: Hayward Gallery, London; ICA Philadephia, touring to Contemporary Arts Museum, Houston; MIT / LIST Visual Art Center, Cambridge, Massachusetts; Kunstverein Nürnberg, Nürnberg; De Hallen Haarlem, The Netherlands; PS1, New York, touring to Garage Centre for Contemporary Culture, Moscow and KAde Kunsthal in Amersfoort.
Groups of ten or more may schedule free docent - led guided tours of Kemper Museum's Permanent Collection and special exhibitions; to see more information visit the Museum's Tours page.
Daum Museum Escape Group Docent Anita Dabney and Nicole Thomas leading a tour through the exhibition «Figures.»
Finalists selected from each of five regional exhibitions will be included in the 2014 National Fine Art Exhibit, on view for one year at BGCA's headquarters gallery in Atlanta, and presented to touring groups including the BGCA National Conference, visiting elected officials, youth groups, and more.
During Daum Escape, busloads of students and teachers are welcomed by docents who take small groups on tours of the current exhibitions.
The New Décor, a touring group exhibition at Hayward Gallery, London; The Garage Center for Contemporary Culture, Moscow
Groups of ten or more may schedule free docent - led (guided) tours of Kemper Museum's Permanent Collection and special exhibitions.
Recent solo and group exhibitions include Summer Show, Lion and Lamb Gallery, London (2013); Andrew Graves, Studio 1.1 Gallery, London (2012); The Curator's Egg, Altera Pars, Anthony Reynolds Gallery, London (2012); The Perfect Nude curated by Phillip Allen and Dan Coombs, Wimbledon Space, toured to Phoenix Gallery, Exeter (2012).
Her work has also been featured in numerous group exhibitions including Polar Dispatches at the Portland Museum of Art, Portland, ME; Estratos, PAC Murcia, Spain and Experimental Geography, ICI, currently touring.
A group of high school students from Anacostia High School, SEED Public Charter School, and School Without Walls, led by poet Holly Bass, toured the SAAM exhibition and from that visit, wrote poems that described their own portrait of war.
His selected group exhibitions include the touring exhibition Got It For Cheap, which travelled across Europe from David Risley Gallery, Copenhagen to Steinsland Berliner Gallery, Stockholm and Agnes B'd Gallerie du Jour, Paris, in 2016.
After the group tour, I walked the exhibition with van Rensburg and he explained how the show came together, pointed out significant works, and noted particular artists and their connections with Lawrence.
He has also participated in group exhibitions including Hangzhou Triennial of Fiber Art (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013); Graphite, Indianapolis Museum of Art (2013); The Air We Breathe, San Francisco Museum of Modern Art (2011); Coming After, The Power Plant (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum of Modern Art, New York (2009).
The influential touring retrospective Gerhard Richter: Malerei 1961 - 1993 opened in 1993, grouping together 130 works in a critically - acclaimed exhibition that was to completely transform the artist's career.
Group museum exhibitions include Artists» Film International, MAAT, PT (2017 - 2018); Staging Film, Busan Museum of Art, KR (2016); Art in the Age of Energy and Raw Material, Witte de With, NL (2015); Music for Musuems, Whitechapel Gallery, UK (2015); Listening: Hayward Touring (Baltic 39 & The Bluecoat), UK (2014 - 2015); Inside, Palais de Tokyo, Paris, FR (2014 - 2015); Assembly, TATE Britain, London, UK (2014); Aquatopia, TATE St Ives & Nottingham Contemporary, UK (2013 - 2014); Art Sheffield 2013, Site Gallery, UK.
The exhibition presents a significant group of works by Glenn Ligon, whose US - touring mid-career retrospective is currently on show at the Los Angeles County Museum of Art.
Recent notable group exhibitions include Ron Arad's Curtain Call, The Roundhouse, London (2011); Rude Britannia, Tate Britain, London (2010); Laughing in a Foreign Language, Hayward Gallery, London, UK (2008); Momentary Momentum, Parasol Unit foundation for contemporary art, London; touring to Kettle's Yard, Cambridge, UK (2007 - 2008); The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York, NY (2006) and State of Play, Serpentine Gallery, London (2003).
Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).
The brochure contains information about group tours, outreach programs, and activities, as well as an overview of the exhibition.
Curators Sarah Perks, HOME Director of Visual Art, with Olya Sova and Anya Harrison of The New Social, will lead a curator tour of this new group exhibition which seeks to redress the legacy of the Russian Revolution on its centenary by exploring how contemporary artists are responding to the state of the «New East» today.
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