Sentences with phrase «gallery art icon»

More recently, Hodgkin was named the first recipient of the Swarovski Whitechapel Gallery Art Icon award (2014).
Past winners of the Whitechapel Gallery Art Icon are Sir Howard Hodgkin (2014), Richard Long (2015) Joan Jonas (2016) and Peter Doig (2017).
Nadja Swarovski commented: «We are delighted to continue our support of the Whitechapel Gallery Art Icon award for the fifth successive year and to celebrate Mona Hatoum's incredible cultural impact over her long career.
The American artist Joan Jonas has been presented with the third Whitechapel Gallery Art Icon award at a gala dinner at Christ Church Spitalfields, east London.
The Whitechapel Gallery Art Icon honours the lifetime achievements of one of the UK's greatest artists, Richard Long.
On 19 March 2015, Richard Long will be honoured as the second Whitechapel Gallery Art Icon, following Howard Hodgkin in 2014
Coinciding with the Whitechapel Gallery Art Icon 2017 with Swarovski, renowned figurative painter and Art Icon Peter Doig is joined in conversation by Whitechapel Gallery Director Iwona Blazwick.
Howard Hodgkin has been the first artist to be given the Swarovski Whitechapel Gallery Art Icon award.
Richard Long is to be honoured as the Whitechapel Gallery Art Icon, which celebrates the lifetime achievements of one of our greatest artists.
Generously supported by The Swarovski Foundation, the Whitechapel Gallery Art Icon honours the lifetime achievements of one of our greatest artists.
In addition to the Whitechapel Gallery Art Icon event, the Foundation generously supports the Swarovski Foundation Curator: Youth & Community Programmes post at the Whitechapel Gallery.
Press releases > Joan Jonas celebrated as Whitechapel Gallery Art Icon at a spectacular gala dinner
-- In addition to the Whitechapel Gallery Art Icon event, the Swarovski Foundation generously supports the Swarovski Curator: Youth Programme post at the Whitechapel Gallery.
-- In addition to the Whitechapel Gallery Art Icon event, the Swarovski Foundation generously supports the
Next week, the Whitechapel Gallery is naming him the first ever Swarovski Whitechapel Gallery Art Icon — a long name for a very worthwhile new honour.
Nadja Swarovski, Chairperson of the Swarovski Foundation said: «The Swarovski Foundation is proud to support the Whitechapel Gallery Art Icon Award, in recognising Richard Long.
British artist Richard Long (b. 1945) was the recipient of the annual Whitechapel Gallery Art Icon award for his lifetime achievements in 2015.
[22] He was also named the 2017 Whitechapel Gallery Art Icon.
To celebrate the Whitechapel Gallery Art Icon 2016, guests are invited to buy tickets to a celebratory gala dinner at the newly restored Christ Church Spitalfields, located in the heart of east London, on Thursday 25 February 2016.
Generously supported by the Swarovski Foundation, the Whitechapel Gallery Art Icon honours the lifetime achievements of one of our greatest artists.
American artist Joan Jonas (b. 1936) is announced today as the third artist to be awarded the Whitechapel Gallery Art Icon.
Commissioned on the occasion of Whitechapel Gallery Art Icon 2017 Courtesy Peter Doig and Stuart Carey
Press releases > Peter Doig celebrated as Whitechapel Gallery Art Icon with Swarovski at a spectacular gala dinner
Press releases > Richard Long celebrated as Whitechapel Gallery Art Icon at a spectacular gala dinner
Representing the panel of experts who chose Richard Long as the Whitechapel Gallery Art Icon 2015, Director of The Art Fund Stephen Deuchar read a citation in praise of his pioneering work as an artist who has transformed sculpture, performance and photography.
Past recipients of the Whitechapel Gallery Art Icon are: Sir Howard Hodgkin (2014), Richard Long (2015) and Joan Jonas (2016).
British artist Howard Hodgkin has been honoured as the first Swarovski Whitechapel Gallery Art Icon.
Peter Doig celebrated as Whitechapel Gallery Art Icon with Swarovski at a spectacular gala dinner
The Whitechapel Gallery Art Icon award was given to Joan Jonas for her presence as a central figure in contemporary art for over half a century.
We are immensely proud to honour Howard Hodgkin with the very first Swarovski Whitechapel Gallery Art Icon — our art Oscar.
The Swarovski Whitechapel Gallery Art Icon is to be given to Howard Hodgkin for his presence as a central figure in contemporary art for over half a century.
The artist was chosen as the third Whitechapel Gallery Art Icon by a panel of art experts chaired by Iwona Blazwick, including Stephen Deuchar, Director, The Art Fund; Ann Gallagher, Director of Collections (British Art), Tate; and Jackie Wullschlager, Chief Art Critic, The Financial Times.
The Whitechapel Gallery Art Icon is an annual award and gala honouring the lifetime achievements of one of our greatest artists.
Generously supported by the Swarovski Foundation, the Whitechapel Gallery Art Icon 2016 was presented to pioneering American artist Joan Jonas by Whitechapel Gallery Director Iwona Blazwick OBE on Thursday 25 February 2016 at Christ Church, Spitalfields.
The Whitechapel Gallery Art Icon — our art Oscar — supported by the Swarovski Foundation celebrates the lifetime achievement of an important artist.
British artist Howard Hodgkin is announced today as the first artist to be given the Swarovski Whitechapel Gallery Art Icon.
Generously supported by the Swarovski Foundation, the Whitechapel Gallery Art Icon 2015 was presented to British artist Richard Long by Edmund de Waal at a special gala dinner hosted by Whitechapel Gallery Director Iwona Blazwick OBE on 19 March 2015.

Not exact matches

And yet, when the gifted musician / author Jeremy Begbie reviewed art historian Dan Siedell's book God in the Gallery in the current issue of Image, Begbie appeared - ever so subtly - to take issue that Dan Siedell, in a book about art, limited himself to «one particular current within the Nicene river, the Eastern Orthodox tradition... and the council of Niceae (787 CE), the conference which established the orthodoxy of icons
Sod buying it as a motoring icon, pop it in a gallery and call it art.
One day Gwen said, moving a muffin to her mouth, that she was touched by the «austerity» of my short story — which was based, but only roughly, on my response to the Russian icon show at the Art Gallery of Ontario.
This «one tap» trick works other places too, where you see a small icon for it, and the feature came in handy for enlarging specific stuff, like a MAD - inspired art gallery they highlight in the new issue.
Here, the cobblestone streets mix with gleaming buildings, and you'll find a fun array of art galleries, boutiques, clubs, and cafes, along with some famous icons — Powell's City of Books, anyone?
One fifth of the world's Renaissance art is kept and displayed in Florence's museums, galleries, churches, monasteries and palaces; many in the Basilica Santa Croce, burial place of some of Italy's most celebrated icons including Galileo, Machiavelli and Michelangelo, and as many as 1,700 masterpieces in the world - famous Uffi zi Gallery.
«The secret to our gallery's success was finding a niche that worked for us and really focusing all of our efforts there,» says Katie Cromwell, co-founder of Gallery1988 (www.nineteeneightyeight.com), a world - renowned destination for pop culture - themed art that boasts two locations in the Los Angeles area and has collaborated with such entertainment icons as Spider - Man creator Stan Lee and the Beastie Boys.
2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson
Nadja Swarovski, Member of the Swarovski Executive Board said, «Swarovski has a proud tradition of supporting and celebrating artists across the creative spectrum and so we are delighted to continue our partnership with the Whitechapel Gallery in honouring the life's work of Howard Hodgkin, a unique talent and a true icon in the visual arts
David Drebin limited edition photographs featured alongside Art World Icons including Robert Rauschenberg, Andy Warhol and Chuck Close at Contessa Gallery booth at Art Miami.
Find out why Joan Jonas is an Art Icon and delve into the Whitechapel Gallery archives in our short film featuring Iwona Blazwick.
Whitechapel Gallery Director Iwona Blazwick and curator Ann Gallagher discuss Art Icon Richard Long's work over 40 years.
Hodgkin will be presented with the award at a spectacular gala dinner hosted by Whitechapel Gallery Director Iwona Blazwick OBE The Whitechapel Art Icon is to be -LSB-...]
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