Sentences with phrase «gallery building historical»

What: Soho Gallery Building historical -LSB-...]

What: Soho Gallery Building historical site

Not exact matches

Hahndorf — named after the ship's master, Captain Hahn, has turned many of its historical building into galleries and craft shops.

Penwortham is in the heart of the Clare Valley and easily accessible to places of interest such as wineries, art galleries, historical towns, sites and buildings.

Albany boasts approximately fifty buildings of historical charm, most being used as museums, art and craft galleries or restaurants.

Historical buildings, museums, art galleries and a myriad of temples are among countless other attractions that share the space with good shopping, restaurants and people hanging up their laundry in front of their houses.

Motel 98 is a great location to base yourself in Rockhampton with the Theatre, Art Gallery, City Mall, Historical buildings and shopping all within minutes walk.

Established in 2011, MARC STRAUS is a contemporary art gallery in the Lower East Side of New York, occupying a fully reconstructed four - story historical building on Grand Street.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Wols's first U.S. retrospective at the Menil Collection, which has among the largest and widest - ranging public holdings of his paintings and works on paper, aggravates the historical slight by splitting the show between two of the museum's smaller exhibition galleries on opposite sides of the building.

Now, Sharp and Slotover have decided to step back from day - to - day operations to focus on building new additions to the Frieze empire, turning over the reins of all fairs to a dynamic successor: Victoria Siddall, previously the director of Frieze Masters, the innovative fair that brings together dealers of contemporary art with galleries showcasing historical pieces, from Old Masters to antiquities.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young aGallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young agallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young agallery, as well as young artists.

Visible through a broad wall of glass at the building's entrance, the installation is one of the central components of New - York Historical's new Robert H. and Clarice Smith New York Gallery of American History.

The gallery exists in a renovated historical building and includes a rear working studio space and darkroom.

The gallery, a 1,300 square meter glass - encased modernist building preserved from the Socialist Era, is located in one of the city's historical landmarks on Karl - Marx - Allee in Berlin - Mitte.

During the month of May, the exhibition Picturing the Downtown Eastside will re-activate this historical building, once a hub for Vancouver's art scene, which included artist run initiatives such as the Perel Gallery, Artspeak, the Kootenay School of Writing, the Or Gallery and artist studios.

he Gallery provides a unique and personalized approach to building outstanding contemporary collections for both individuals and corporations, emphasizing artwork that addresses contemporary issues with strong historical ties.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Taking place in the galleries of the PMA's Perelman Building beginning in the spring of 2016, a series of installations and programs features newly commissioned works of art and performances by acclaimed living African artists - in - residence, set against the backdrop of an exhibition of historical African art drawn from the University of Pennsylvania Museum of Archaeology and Anthropology's unparalleled collection — the largest of its kind in the United States.

In 2010, he had two solo shows: Bicho Geográfico (Geographic Beast), a site - specific installation at Acclamation Palace, an eighteenth century building, in which the artist gave a unique reading of Brazilian historical icons; and Transverso (Transverse), at Paulo Darzé Gallery, which gathered projects about the end of modernist utopias.

Artworks in themselves, the ensembles are presented throughout the museum's medieval galleries in its Fifth Avenue building, among historical items of inspiration, including bejeweled crosses and gilded chalices dating to the 15th century.

In summer 2012 the gallery moved to Schöneberger Ufer in Tiergarten, where it is set in a historical building created in 1911 for the Berlin Association of Female Artists (Verein der Berliner Künstlerinnen), which also housed the galleries of Ferdinand Möller and the brothers Nierendorf.