Sentences with phrase «gallery display developed»

The result is a museum label that is exactly what the industry had been waiting for: the AMLABEL Digital Gallery Display developed on electronic paper technology.

The result is a museum label that is exactly what the industry had been waiting for, the AMLABEL Digital Gallery Display developed on electronic paper.

Not exact matches

Microsoft's primary market for Surface 2, which was developed in conjunction with Samsung, includes restaurants like the Hard Rock Cafe, in addition to galleries and other public spaces in need of a dynamic visual display.

The AMLABEL Digital Gallery Display in USA is an editable, real - time in - gallery digital label developed on electronic paper to replace existing galleryGallery Display in USA is an editable, real - time in - gallery digital label developed on electronic paper to replace existing gallerygallery digital label developed on electronic paper to replace existing gallerygallery cards.

Reyahn King (York Art Gallery), Scott Gray (Sony World Photography Awards), Griselda Goldsbrough (Aesthetica Art Prize) and Bryony Harris (Max Mara Art Prize for Women) thought about how awards give practitioners a chance to display their pieces amongst peers, gaining increased exposure and further developing their ideas.

In 2014 Rebecca was appointed Programmer for the Attic Gallery at One Thoresby Street, curating and programming a series of group shows, talks programme, social events, performances and residencies in order to further develop and explore her current concerns in: gender politics, capital, commodity, sexuality, display, experience, and interaction.

Her latest exhibition showcased at the Annka Kultys Gallery in the heart of east London is a display of selfies, videos and screen grabs taken from her various social media sites where she has developed a significant following.

The version hosted by Manchester Art Gallery was developed with Peter Saville and Richard Wentworth, a coupling that explains why the design of the show is an odd but likeable mix of slick graphics (instructions stencilled in large font on the wall of the main gallery) and DIY support structures, such as Wentworth's clunky viewing ramp, which also doubles as a display platform for piles of A4 take - home instruGallery was developed with Peter Saville and Richard Wentworth, a coupling that explains why the design of the show is an odd but likeable mix of slick graphics (instructions stencilled in large font on the wall of the main gallery) and DIY support structures, such as Wentworth's clunky viewing ramp, which also doubles as a display platform for piles of A4 take - home instrugallery) and DIY support structures, such as Wentworth's clunky viewing ramp, which also doubles as a display platform for piles of A4 take - home instructions.

Finally settled in, Luke is returning to New Image Art Gallery for his second exhibition displaying his most developed and ambitious body of work to date.

Reyahn King (York Art Gallery), Scott Gray (Sony World Photography Awards), Griselda Goldsbrough (Aesthetica Art Prize) and Bryony Harris (Max Mara Art Prize for Women) think about how awards give practitioners a chance to display their pieces amongst peers, gaining increased exposure and further developing their ideas.

On display in Mitchell - Innes & Nash's front gallery is the work An Invitation (2012), which was developed from an invitation Ledare received for a private commission.

In 2012 the Institute was invited to develop an exhibition at the Whitechapel Gallery, London as part of a continuing programme of displays dedicated to making archives public.

The Whitechapel Gallery will work together with the Contemporary Art Society on these displays, drawing upon the Contemporary Art Society's 103 - year expertise in developing public collections of contemporary art in the UK as well as its diverse networks including artists, curators and collectors.

Liebert will be tasked with further developing the museum's contemporary art program with Reto Thüring, Chair of Modern, Contemporary, and Decorative Art, and Curator of Contemporary Art, including planning exhibitions at CMA and the Transformer Station as well as displays of the permanent collection in the museum's contemporary art galleries, and acquiring works of contemporary art for the collection.

Situated at 50 Moganshan Rd., which has developed to become Shanghai's artistic centre, the main gallery (bldg 16) serves as a show room for displays of artworks and smaller exhibitions, while the larger H - Space (bldg 18) woeks as a flexible white - cube exhibition hall for the display of extensive shows and grand scale projects.