For those of you who missed it, here is the full video from our recent event at The New School in conjunction with our Fall 2015 Main
Gallery Exhibition Archive Bound, featuring Independent Curator Karen E. Jones in conversation with Frida Kahlo of the Guerrilla Girls.
Not exact matches
Today you can visit this
archive of our technological past at the Computer History Museum in Mountain View, California, which reopened this past January following a two - year, $ 19 million makeover that resulted in the 19 -
gallery exhibition «Revolution: The First 2000 Years of Computing.»
Archive Gallery, Whitechapel
Gallery The Whitechapel
Gallery presents a dedicated programme of
exhibitions curated from
archives twice a year in
Gallery 4, bringing them to life as a curatorial resource through rare films, photographs, artefacts and documents.
His gift also included a collection of 1,200 works of art, extensive
archives from the Martha Jackson and David Anderson
galleries, and a trust to assist with
exhibition and
gallery support.
China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National
Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics
Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film
Archive, CA (2008), and The Chinese Contemporary Art
Exhibition, Miro Museum, Barcelona, Spain (2008).
An extensive
archive of videos and documentary material related to works such as Damaged Goods
Gallery Talk Starts Here (1986), Preliminary Prospectuses (1993), and Services (1994) will mark the beginning of this
exhibition.
The Jerwood
Gallery's
exhibition includes photographs,
exhibition catalogues and
archive material generously loaned by the William Scott Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James
archive material generously loaned by the William Scott
Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James
Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James Scott.
- Press: Artist Chris Smith Talking Shop, by ChicagoArts - MartinJon Garcia, Published on March 21, 2013 - Juror: Governors State University -2012 Illinois Community College Juried
Exhibition, January 27 - March 2012 - Review: Chris D. Smith's «Unspoken Language», Review by Zachary Johnson on The Chicago Arts
Archive - Sixty Inches From Center - Interview: Sitting Down With Chris Smith, Zachary Johnson, Sixty Inches From Center, Mar 31, 2011 - Lecturer for Paul Klein, KLEIN ARTIST WORKS at Linda Warren
Gallery, November 22, 2010 - Lecturer for Loretta Bourque from the School of the Art Institute of Chicago at Linda Warren
Gallery, 2009
With beautiful
galleries,
exhibitions, artist commissions, collection displays, historic
archives, education resources, inspiring art courses, café / bar and bookshop, the
Gallery is open all year round, so there is always something free to see.
The Whitechapel
Gallery archive exhibitions are generously supported by Catherine Petitgas.
With beautiful
galleries,
exhibitions, artist commissions, collection displays, historic
archives, education resources, inspiring art courses, dining room and bookshop, the
Gallery is open all year round, so there is always something free to see.
A concurrent
exhibition of the artist's letters, notebooks, journals and photographs will be on view at the
Archives of American Art's New York Research Center and
Gallery, also located in the UBS building.
Tagged with Andrew Bick, art, art
exhibitions, Brandon Taylor, Clare Kenny, constructivism, Cullinan Richards, David Rhodes, Hepworth Wakefield, Karim Noureldin, Lion and Lamb
Gallery, Maria Lalic, modernism, painting, Robert Holyhead, Stuart Elliot, System Painting Construction
Archive, systems, systems art, William Scott
The
gallery hosts a number of temporary displays throughout the year within eight spaces, ranging in focus from temporary monographic
exhibitions to public and private collections and
archive displays.
Selected solo and group
exhibitions for 2013 - 2014 include
Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo
Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.
Today from the
archives, we bring you Madeline McLean's review of Paul Graham's 2012
exhibition The Present at Pace
Gallery.
On Friday, Feb. 3, a new show will be opening at the Gerhard Richter
Archive in Dresden, to be followed by
exhibitions at various museums, including the New National
Gallery in Berlin and the Centre Pompidou in Paris.
Xtreme
Archive: Project X 1992 - 1999
Exhibition: November 9 - December 11, 2015 18th Street Arts Center Main
Gallery 1639 18th Street, Santa Monica, 90404 Reception: November 21, 6 - 8PM Free and open to the public.
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the
exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film
Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art
Gallery, Triple Candie, Esopus Space, and others.
On the lower level, Honfleur
Gallery will open its art files to the public in the form of a curated
exhibition while upstairs, The
Gallery at Vivid Solutions will show photographs from Worn Magazine's
archives.
To recognise and commemorate your valuable support through a legacy gift, we will enter your name next to the
exhibition of your choice in the Whitechapel
Gallery Archive.
Major solo
exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film
Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art
Gallery of Ontario (2014).
Bailey is from Australia and recently curated
exhibitions for the AIDS 2014 conference including the
exhibition Vital Signs - Interpreting the
Archive at the Blindside
Gallery in Melbourne which featured contemporary artists engaging with the collection of the Australian Lesbian and Gay
Archives.
The
exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov
Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art
exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art
Archive and the well - established Hanart TZ
Gallery in Hong Kong.
He left behind a large body of work and an extensive
archive including
exhibition catalogues, reviews, and correspondence that are now part of the permanent collection of the George Segal
Gallery at Montclair State University.
He has participated in several international group
exhibitions including 10 Mexican Photographers: A Select End - of - the - Century Generation (Lehigh University Art
Gallery, Pennsylvania), Never Odd or Even (Marres Center for Contemporary Art, Revolver
Archive F, Aktuell Kunst, Germany), Master Humprey's Clock (Stanley Brouwn pavilion, de Appel Arts Centre, Amsterdam, Netherlands), Das phantastische Geheimnis des exotishen Universums (Galerie Ostermeier, Berlin), and Third Guangzhou Triennial in China.
Lee has had solo
exhibitions at Artpace (San Antonio, TX), Pitzer College Art Galleries, Pitzer College (Claremont, CA), Commonwealth and Council (Los Angeles, CA), Los Angeles Contemporary
Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and group
exhibitions at Weatherspoon Art Museum at UNCG (NC), Centro Cultural Metropolitano (Quito, Ecuador), SOMArts (San Francisco, CA), LAXART (Los Angeles, CA), Raymond
Gallery at Art Center College of Design (Pasadena, CA), among many others.
The Whitechapel
Gallery archive exhibitions are generously supported by Catherine and Franck Petitgas.
Culled from the artist's
archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his
archive publicly as digital projections at Yale University, as well as in conjunction with the
exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art
Gallery and the Studio Museum in Harlem in 2013 - 14.
As part of the
exhibition programming, the
gallery will become a common space for storytelling and tea drinking with Dylan Miner; a bustling executive assistant's office with Sheryl Oring; and a tactile, expansive personal
archive with the performance collective The Hinterlands.
Installation view of the Agnes Martin
exhibition curated by Douglas Crimp Visual Arts
Gallery, New York 1971 c - print, 25 x 20.3 cm from the
archive of Douglas Crimp
Virginia Dwan at the
exhibition Language III, Dwan
Gallery, New York, 1969, photograph by Roger Prigent, courtesy of Dwan
Gallery Archive
Poster for the Agnes Martin
exhibition curated by Douglas Crimp Visual Arts
Gallery, New York, 1971 58 x 43.5 cm from the
archive of Douglas Crimp
This month alone, you can visit two
exhibitions she's conceived: «S / Election: Democracy, Citizenship, Freedom» at the Los Angeles Municipal Art
Gallery, where she was recently named curator, and «A Subtle Likeness» at ONE National Gay & Lesbian
Archives at the USC Libraries.
From this corpus of 82 images, some of which appeared briefly as props in Dunye's film The Watermelon Woman (1996), Leonard created The Fae Richards Photo
Archive, which she first exhibited at the 1997 Whitney Biennial and which is on view in the
exhibition Outliers and American Vanguard Art at the National
Gallery of Art through May 13, 2018.
The
exhibition, Falkenstein's second large - scale solo show at Michael Rosenfeld
Gallery, will be accompanied by a fully - illustrated color catalogue, featuring a reprint of an
Archives of American Art oral history interview conducted between the artist and Paul Karlstrom in 1995.
The first UK survey of Elmgreen & Dragset announced for this Autumn, in addition to new
exhibitions and commissions across our
archive, collection and project
galleries.
Group
Exhibition 2000 Charles Sumner School Museum and Archives, Washington, DC, Group Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 2000 Charles Sumner School Museum and
Archives, Washington, DC, Group
Exhibition 1999 Rock Creek Gallery, Washington, DC, Group Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1999 Rock Creek
Gallery, Washington, DC, Group
Exhibition 1986 Gallery 1199, New York, NY, Joining Forces, Group Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1986
Gallery 1199, New York, NY, Joining Forces, Group
Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition, Curators: Charles Abramson, Senga Nengudi - Fittz 1986 20 West Theatre, Harlem, NY, Apartheid and Other White Lies, Solo
Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1986 The Muse Community Museum, Brooklyn, NY, Group
Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1985 Howard University, Washington, DC Birth of a Blackwomanartist, Thesis show 1985 The Center for Art & Culture of Bedford Stuyvesant, Brooklyn, NY, A Common Thread: Caribbean & African - American Women's Tribute to Wanda Ducoste Wiener, Esq., Group
Exhibition 1980 Howard University Law School, Washington, DC, Group Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1980 Howard University Law School, Washington, DC, Group
Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Washington Conference of Artists, Chicago, IL, Group
Exhibition 1979 Howard University, Washington, DC Student Show, Group Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Howard University, Washington, DC Student Show, Group
Exhibition 1979 Smith - Norton Gallery Washington, DC, Group Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Smith - Norton
Gallery Washington, DC, Group
Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority exhibit
Exhibition 1979 Shrewsbury Library, Monmouth County NJ, Monmouth County Alumnae Chapter, Delta Sigma Theta Sorority
exhibitionexhibition, show.
, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo
Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the
Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan
Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule
Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer
Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary
Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.
Recent solo
exhibitions include George Hadjimichalis: Works 1985 — 2000, National Museum of Contemporary Art, Athens; From the
Archives of the Workshop of Projects and Images in Crisis, Zoumboulakis
Gallery; Interpretation of Points Opposite / 2, Epikentro
Gallery, Patra; and Synaxis Maroneias, Ephoreia of Byzantine Antiquities, Kavala, Greece.
Recent group
exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film
Archive, Berkeley, CA; «Regarding Truth, An
Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay
Gallery, Sacramento, CA; «M.F.A.
Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student
Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class
Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried
Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student
Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students
Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture
Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing
Exhibition,» Leon, Spain.
As well as this, early collages and photographs from the
archive of Martin Wong at the Fales Library were selected for the
exhibition by the artists Danh Vo and Julie Ault are shown in vitrines and are displayed in the window of the
gallery.
David Castillo
Gallery is proud to present a solo
exhibition by Lyle Ashton Harris, Ektachrome
Archive 1986 - 96: Part I — Recovering Identity and Desire.
Programs at 18th Street Arts Center comprise our residency - based
exhibition and public program series Artist Lab, emerging artist
exhibitions in our Atrium
Gallery, artist - driven events, a semi-annual Pico Block Party family festival, community programs related to our Culture Mapping 90404 online oral history project and
archive, partnership
exhibitions with other institutions, and an annual publication.
In addition, talented
exhibition designer Ben Griswold worked with Gwen Chanzit, curator of modern art and the Herbert Bayer Collection and
Archive, to come up with a perfect
gallery plan to show off these beautiful artworks.
Group
exhibitions include: Northern Print Biennale, Laing Art
Gallery, Tyne & Wear
Archives and Museums, Newcastle upon Tyne, 2009 and John Moores Liverpool
Exhibition 19, Walker Art
Gallery, Liverpool, 1995.
Selection: FFWD
Archives, Kunstverein in Hamburg, Hamburg, Germany After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center for Contemporary Art, Staten Island, NY Pop Abstraction, Pennsylvania Academy of Art, Philadelphia, PA (brochure)(re) Mediation: The Digital in Contemporary American Printmaking, University of South Florida Contemporary Art Museum, Tampa, FL Painting: Now and Forever, Part I, Pat Hearn
Gallery and Matthew Marks
Gallery, New York An
Exhibition of Paintings, Gagosian
Gallery, Beverly Hills, CA The Eighties, Culturgest, Lisbon
Kang has had solo
exhibitions at Pitzer College Art Galleries, Pitzer College (Claremont, CA), ArtPACE (San Antonio, TX), Commonwealth and Council (Los Angeles, CA), Los Angeles Contemporary
Archive (Los Angeles, CA), Centro Cultural Border (Mexico City), and group
exhibitions at Weatherspoon Art Museum at UNCG (NC), SOMArts (San Francisco, CA), LAXART (Los Angeles, CA), Raymond
Gallery at Art Center College of Design (Pasadena, CA), among many others.
Christa Maiwald moved to New York in 1973, where she established herself as a video artist with solo
exhibitions at the Whitney Museum of American Art, Anthology Film
Archives, Holly Solomon
Gallery, and Franklin Furnace, among others, and was included in the 1979 Whitney Biennial.
The Public Events and
Exhibition Program comprises our Artist Lab series, focusing on mid-career Los Angeles based artists with accompanying solo
exhibitions and artist - driven events; a new Moveable Lab series exploring engagement in the public sphere, presentations of emerging artists in our Atrium
Gallery, and a diverse set of community - focused projects including our ground - breaking Culture Mapping 90404 interactive website and
archive, and semi-annual Pico Block Party Festival.