Sentences with phrase «gallery exhibition design»

Professional Certificate in Museum Studies and Gallery Exhibition Design, San Diego Mesa College, Spring 2010

As a professor of art, she offers a course each semester in Gallery Exhibition Design.

Not exact matches

Paul Davis, an artist whose paintings and posters have been the subject of gallery exhibitions and museum retrospectives in the United States and abroad, has designed a poster featuring David Pechefsky.

Yet we know that people with serious sight problems struggle to fully participate in cultural experiences, such as museums and art galleries, with exhibitions and displays designed, primarily, for only the sighted.

The high - fashion design jewellers Cobra and Bellamy have put together a little gem of an exhibition of amber in their London gallery.

The research was presented as part of the London Design Festival in September 2015 and it was also on display at the Science Gallery in Dublin for the «Homesick» exhibition about technology and communication.

Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, AMLABEL Digital Gallery Display allows museums to manage and display gallery and exhibition object content in real - time, without the cost of printing paper Gallery Display allows museums to manage and display gallery and exhibition object content in real - time, without the cost of printing paper gallery and exhibition object content in real - time, without the cost of printing paper labels.

Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, the digital gallery display allows museums to manage and display gallery and exhibition object content in real - time, without the cost or delay of printing paper labels.

Originally a bakery, this exhibition space was converted first into a graphic design studio, and now into a contemporary art gallery.

Around each and every corner there is something to discover, from topnotch events, to lively festival and exhibitions, an exciting multi-cultural scene, art galleries, trendsetting fashion and avant - garde design, the majority within close proximity to the city centre.

The first ever American artist to receive a solo exhibition invitation from H.R. Giger, the Oscar - winning artist behind the design of Alien, to his H.R. Giger Museum Gallery, Castiglia is bringing his work to his native city of New York for the solo exhibition Resurrection, opening at Sacred Gallery NYC on October 4th.

An exhibition of his work, Gordon House: Paint to Print, is running at Broadway Gallery, Letchworth Garden City until 28 January, and designing the visual identity for the show fell to Cambridge - based design studio The District.

To uplift our spirits and take us into the lightness of spring, Greenwich Peninsula's NOW gallery welcomes its colourful new design exhibition for 2018 — Harmonics in Space by Fred Butler.

An exhibition, either solo or shared has been the most profitable experience in galleries but I found that it was too long between drinks just having a few pieces on their walls surrounded by many other works, often made up of pieces that had been created to fit in with that years interior design colour schemes and priced accordingly.

The exhibition and installation feature large - format prints, as well as custom designed newspapers, all framed within Liverpool's newest arts venture, Tapestry Gallery, in the heart of the Fabric District, Liverpool.

* A couple of really good galleries in premium places that invite you to have a solo exhibition or group showing once a year; * one or two pop up shows a year in a suitable spot in a town near you (empty shops in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who worked in visual merchandising / interior design / blogging to be my agent in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.

Providing 50,000 square feet of additional gallery space, MoMA's Diller Scofidio + Renfro - designed building project will «allow the museum to reconceive the presentation of its collection and exhibitions, and will provide greater visitor accessibility through the enhancement of the museum's public areas,» according to a press release.

When it's a Photograph, curated by Soo Kim, Otis College of Design's Bolsky Gallery, Los Angeles, CA Busan Biennial, curated by Nancy A Barton and Michael Cohen, Busan Museum of Modern Art, Busan, Korea Mel's Hole, curated by Doug Harvey, Grand Central Art Center, Santa Ana, CA (exhibition catalogue)

EXHIBITIONS GROUP SHOWS «Contact» Casa dei Tre Oci, Venice September 11, 2015 - January 10, 2016 «Vukani / Rise» Open Eye Gallery, Liverpool September 18 - November 29 «Making Africa, A Continent of Contemporary Design» Guggenheim, Bilbao October 23, 2015 - February 21, 2016

Recent group exhibitions include «Paul Clay,» Salon 94, New York, NY; «east Ex east,» curated by Jane Neal at Brand New Gallery, Milan Italy; «Ascending Dragon: Contemporary Vietnamese Artists Exhibition,» Armory Center for the Arts, Pasadena, CA; «Fresh From Chelsea,» University of Central Florida, Orlando, FL; «Keramik,» Pacific Design Center, Los Angeles, CA; «Inaugural Group Exhibition,» Susanne Vielmetter Los Angeles Projects, Los Angeles, CA; «Topographies,» Albright - Knox Art Gallery, Buffalo, NY; «California Dreaming,» Seiler + Mosseri - Marlio Gallery, Zurich, Switzerland; and «Super Vision», The Institute of Contemporary Art, Boston, MA.

Traveled to the Rhode Island School of Design, Providence, Rhode Island (April 30 - May 23, 1965), Museum of Fine Arts, Boston, Massachusetts (June 4 - 27, 1965), Detroit Institute of Fine Arts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965), Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling exhibition organized by U.S. Embassy in Paris

A graduate of Pratt Institute (BFA in Painting) and Parsons School of Design (MFA), Cake's works have been exhibited at numerous galleries and exhibitions, including a solo show at The Untitled Space in July 2015, «Allegories Of The Held,» as well as public works such as The Gateway Project's Mural in Newark Penn Station «Cast the Burden and the Light Will Impress».

SAVANNAH, Ga. — The Savannah College of Art and Design presents «Michael Scoggins: Now with Kung Fu Grip,» on display Jan. 1 — 31 at Pinnacle Gallery, 320 E. Liberty St.. The exhibition is free and open to the public.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

Designed to identify and support outstanding mid-career Minnesota artists, the McKnight Artist Fellowships for Visual Artists provide recipients with $ 25,000 stipends, public recognition, professional encouragement from national visiting critics, an artist book, and exhibition at the MCAD Gallery.

She had solo exhibitions and film screenings at the SCAD Museum of Art, University of Waterloo Art Gallery, Blaffer Museum of Art, Musée d'art contemporain de Montréal, Hirshhorn Museum and Sculpture Garden, Tampa Museum of Art, Skulpturenmuseum Glaskasten Marl, Herbert F. Johnson Museum of Art, Mint Museum of Art, Everson Museum of Art, Gibbes Museum of Art, and the Rhode Island School of Design Museum, among others.

Also showing as part of Liverpool Biennial 2018 are partner exhibitions John Moores Paintings Prize at the Walker Art Gallery, Bloomberg New Contemporaries 2018 at Liverpool John Moores University's School of Art and Design, and the Biennial Fringe.

Those who commit themselves will receive an official I AM NO LONGER AN ARTIST badge designed by Bob and Roberta Smith, and shall be invited to create one final drawing for inclusion in the Art Amnesty gallery exhibition, using materials provided onsite.

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

2016 — Invitation, Northern, Southern Gallery, Austin, TX 2014 — A Catalog, Tiny Park Gallery, Austin, TX 2013 — Two Person Exhibition with Jamie Panzer, Tiny Park Gallery, Austin, TX 2013 — Friends and Family, Gallery Black Lagoon, Austin TX 2013 — Oil & Water, Gallery Black Lagoon, Austin TX 2012 — Tenses of Landscape, University of Arkansas, Fayetteville, AR 2010 — Scape, Nicole Villeneuve Gallery, Chicago IL 2010 — Journeymaker, 1539 West Haddon, Chicago IL 2010 — Midnite Snacks ‐ Chicago, 1366 Space, Chicago IL 2009 — Big Youth, Corbett Vs. Dempsey, Chicago IL 2008 — Faculty Show, Harrington College of Design, Chicago IL 2008 — Somewhere, Elsewhere, Linda Warren Projects 2007 - 2010 — Art Chicago, Linda Warren Projects 2006 — MFA Show, G2, Chicago IL 2005 — Love 8, SUGS Gallery, Chicago IL 2005 — Nova Young Art Fair, Devening Projects, Chicago IL

Occupying every gallery in the new building, designed by Diller Scofidio + Renfro, the exhibition comprises over two hundred works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, made over the past two thousand years.

The Flood Gallery Fine Art Center fulfills its mission by designing and providing art exhibitions, public events, and educational experiences that promote the appreciation and enjoyment of art, support the creative efforts of artists, and enhance the quality of life through interpreting, collecting, and exhibiting art, architecture, dance, film, and design.

«OVERLOOK» features The Olana Partnership's largest loan exhibition in the Sharp Family Gallery with 55 works from CPPC including «Penetrable» by Jesus Rafael Soto which will be sited within Olana's designed historic landscape and 18 site specific works by Fernández.

Hello, I'm writing in response to the recent review by Ian Cofre of Amir Nikravan's exhibition Rational Design at Nathalie Karg Gallery.

They weren't that far off: The L.A. - born pioneer of the Light and Space movement, who is the subject of the gallery's inaugural exhibition, did design the green oasis, from its grassy terrace to the illuminated vines, as well as the skylights inside the galleries and a permanent Skyspace in the conference room.

Our flagship gallery presents innovative, high - quality exhibitions of local, national and international contemporary art and design, and a range of public programs.

Designed by the MNBAQ and organized in partnership with the Art Gallery of Ontario (AGO), supported by the Joan Mitchell Foundation in New York and the Estate of Jean - Paul Riopelle in Montréal, the exhibition mainly presents large - format paintings, a number of works on paper and archival documents from more than 30 French, Canadian and American lenders, private and museum collections.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Concurrent to this exhibition, at Lehmann Maupin Gallery in Soho, Winters will be exhibiting Set Diagram, a new series of 60 paintings for which the architect Rem Koolhaas has designed a site - specific installation.

1968 Art For Your Collection, Rhode Island School of Design, Providence (December 5 — 22) In Honor of Dr. Martin Luther King, Jr. (a benefit exhibition for the Southern Christian Leadership Foundation), Museum of Modern Art, New York (October 31 — November 3) Gallery Group Show including works by Appel, Domoto, Falkenstein, Hartigan, Hultberg, Jenkins, Jenson, Johnson, Mitchell, Pomodoro, Roth, Tàpies, and Thompson, Martha Jackson Gallery, New York (May 20 — June 22) L'Art Vivant, 1965 - 1968, Fondation Maeght, Saint - Paul - de-Vence, France (April 13 — June 30) Painting as Painting, University Art Museum, University of Texas at Austin (February 18 — April 1) 28th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago American Painting: The 1950s, Georgia Museum of Art, Athens, Georgia (November 3 — Decemberexhibition for the Southern Christian Leadership Foundation), Museum of Modern Art, New York (October 31 — November 3) Gallery Group Show including works by Appel, Domoto, Falkenstein, Hartigan, Hultberg, Jenkins, Jenson, Johnson, Mitchell, Pomodoro, Roth, Tàpies, and Thompson, Martha Jackson Gallery, New York (May 20 — June 22) L'Art Vivant, 1965 - 1968, Fondation Maeght, Saint - Paul - de-Vence, France (April 13 — June 30) Painting as Painting, University Art Museum, University of Texas at Austin (February 18 — April 1) 28th Annual Exhibition of the Society for Contemporary Art, Art Institute of Chicago American Painting: The 1950s, Georgia Museum of Art, Athens, Georgia (November 3 — DecemberExhibition of the Society for Contemporary Art, Art Institute of Chicago American Painting: The 1950s, Georgia Museum of Art, Athens, Georgia (November 3 — December 1, 1968).

2014 Transcendences (three - person exhibition with Wang Gongxin and Lin Tianmiao), Dowd Gallery, SUNY Cortland, NY The Fates, Secession, Vienna, Austria Diana Al - Hadid, Columbus College of Art and Design, Columbus, OH Diana Al - Hadid: Regarding Medardo Rosso (two - person exhibition with Medardo Rosso), Marianne Boesky Gallery, New York, NY

It occupies a large site alongside the Bosphorus Straits with permanent and temporary exhibition galleries, a dedicated photography gallery, library, cinema and design store.

Selected solo and group exhibitions for 2013 - 2014 include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.

The group exhibition «Radical Materiality,» situated in the Rem Koolhaas - designed gallery space of Lehmann Maupin in the historic Pedder Building in Hong Kong, features three international artists: Mary Corse, Liu Wei and Nari Ward.

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

Recent exhibitions focused on the work of Alan Shields have included Alan Shields: Protracted Simplicity, a survey accompanied by a chronological monograph by Heidi Zuckerman at the Aspen Art Museum; Alan Shields: A Different Kind of Painting at Beeler Gallery at Columbus College of Art & Design; Alan Shields: Common Threads at Parrish Art Museum; and Into the Maze at SITE Santa Fe, among others.

His group exhibitions include Empty Dress at the Weatherspoon Art Museum, The University of North Carolina, Greensboro, and Ringling College of Art and Design, Sarasota, FL; The Presence of Touch at the School of the Art Institute of Chicago; and Toward a New Vision, John Weber Gallery, New York.