Sentences with phrase «gallery installation image»

Not exact matches

Visual artist Sophie Clements joins her longtime sound design / music collaborator Jo Wills to discuss their site - specific piece Attempting to Delay the Inevitable, an installation at the Dolby Gallery; the role of sound in her visual art pieces; why computer - graphics images would never work in her art; and how sound and image collaborate to create wonder, awe, and seduction in the audience.

Images: John Akomfrah, Precarity, 2017, Three channel HD colour video installation, 7.1 sound, Dimensions variable, © Smoking Dogs Films; Courtesy Lisson Gallery

His installation at MASS MoCA will include a selection of photographic works and a sculpture built for the gallery which will play off those images and the materials involved in their production, storage, and presentation.

Image credit: Installation view of Ex-Voto at Labor Gallery, Mexico City.

Pascale Marthine Tayou: BOOMERANG Installation view, Serpentine Sackler Gallery (4 March — 17 May 2015) Image © READS 2015

Upon entering the exhibition, the viewer passes through a threshold of a floor to ceiling installation of paint, images and process and into a gallery of walls painted bands of the color spectrum that dissolves to white.

TOP IMAGE: Installation view of «Barbara Chase - Riboud: One Million Kilometers of Silk» via Michael Rosenfeld Gallery

With moving images, expanding architecture, and surrounding sound, the installation creates what the gallery calls «a liquid environment.»

Installation images showing the collection and artwork of Damien Hirst Photo Justin Piperger, Barbican Art Gallery 2015 Artwork: Damien Hirst Last Kingdom, 2012 © Damien Hirst and Science Ltd..

Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinshi

Featured images: 10 Chancery Lane Gallery, Installation view of Frog King Recent Works, via en.cafa.com.cn; 10 Chancery Lane Gallery, via en.cafa.com.cn

Image: Installation view of Isaac Julien's Encore II: Radioactive, exhibited in 3», Central Gallery of Contemporary Art, La Coruña, Spain, 2005.

Featured images: Simon Lee Gallery Hong Kong, via myartguides.com; Simon Lee Gallery, Hans - Peter Feldmann Installation View, via artaddict.net

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

Amie Siegel, analysis, archaeology, art, artefact, cinematic, collection, cultural ownership, culture, desire, excavation, exhibition, fetish, film, history, installation, labour, luxury, material, meaning, Moving Image, narrative, object, objecthood, ownership, performance, photography, projection, property, representation, ritual, simulation, South London Gallery, speculative, value, value system, video

In this exhibition, originally conceived for the Serpentine Gallery in London, the artist explores the complexities of contemporary image creation and installation in the exhibition with a unique pictographic language.

The collection includes portraits, photos of family life, farm life, the city, landscape, gallery installations and images of artwork.

The installation images will give you a sense of scale, and if you want to know more you can go onto the gallery website, which is live - linked if you see the name in red.

Etel Adnan: The Weight of the World; Installation view; Serpentine Sackler Gallery, London (2 June — 11 September 2016); Image © Tristan Fewings / Getty

All images: Tomoo Gokita «PEEKABOO,» installation view at Tokyo Opera City Art Gallery, through June 24, 2018.

Yael Bartana Wild Seeds 2005 6 min 40 sec, mini DV & DVD, PAL, color, sound Two channel video and sound installation (projection 1: Image, projection 2: subtitles) Courtesy Annet Gelink Gallery, Amsterdam and Sommer Contemporary Art Gallery, Tel Aviv Photo: Matthew Septimus.

Images: Installation view of Hilary Lloyd at Blaffer Art Museum by Pete Molick, © Hilary Lloyd, courtesy Sadie Coles HQ, London; Galerie Neu, Berlin; Greene Naftali Gallery, New York

In the gallery installation, figures walking in the garden approach and mirror viewers watching the projected image.

Installation view, Eiffel Tower, Paris Texas, 2009 Teresa Hubbard / Alexander Birchler Digital archival print Image: 24 x 30 inches Courtesy of Lora Reynolds Gallery, Austin Photography © Fredrik Nilsen

Raked, 2014 Site Specific Installation at Spencer Brownstone Gallery, New York Hand - cut paper, ink, acrylic; structure of wood, MDF, cable; electrical cords, bulbs, hardware, 9.5 ′ x 12.5 ′ x 16.5» Image courtesy of the artist and Spencer Brownstone Gallery, NYC

1995 Images, Masks, and Models, 11, rue Larrey at Sidney Janis Gallery, New York (booklet) Mario Diacono Gallery, Boston, MA (booklet) Galerie Bruno Bischofberger, Zurich Wall Installation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiInstallation, TZ Art, New York (installation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiinstallation) Exploding Cell, Edition Schellmann and Pace Prints, New York Galerie Thaddaeus Ropac, Paris (installation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installatiinstallation) Drawings 1977 — 1978, Schmidt Contemporary Art, St. Louis Drawings 1991 — 1995, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (catalogue); travelled to Greenberg Van Doren Gallery, St. Louis; Rhona Hoffman Gallery, Chicago; Kohn Turner Gallery, Los Angeles Paintings: 1980 — 1981, Turner, Byrne & Runyon, Dallas (catalogue) Encounters 6, Dallas Museum of Art, Dallas (installationinstallation, booklet)

Etel Adnan: The Weight of the World; Installation view; Serpentine Sackler Gallery, London (2 June — 11 September 2016); Image © Jerry Hardman - Jones

Featured images: ONE YEAR OF RESISTANCE Exhibit Installation — The Untitled Space, courtesy the gallery.

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art fair, ArtInternational, Azra Tüzünoglu, Borusan Contemporary Istanbul, collectors, conversation, Curator's Office, curators, Dan Cameron, Edward Winkleman, experimental, installation, Istanbul, Jonathan Monaghan, Kathleen Forde, Kenichi Kondo, Mori Art Museum, Moving Image, Orange County Museum of Art, Paula Alzugaray, PILOT Gallery, Sabine Brunckhorst, screening, video, Winkleman Gallery, world premiere

His gallery installations are cabinets of curiosities featuring intricate wall paintings of beautiful women, indigenous statues and deities, collages crafted from vintage magazines penned and inked by the artist, human - like insect heads encased in vitrines, dolls that have been transformed into gang members, and images of pin - up girls with full tattoo sleeves.

On March 5, 2015, Moving Image art fair will open again in New York to offer its visitors a unique viewing experience and the vitality of a fair by featuring a selection of international commercial galleries and non-profit institutions presenting single - channel videos, single - channel projections, video sculptures, and other large video installations.

Check out the gallery's website to read the press release, see more installation shots and images of all the individual works in the show.

Doubling as installations, his sculptures incorporate images of nature and found objects including rocks and house plants to create literal portals into nature against the gallery walls.

Image: Ben Woodeson, «A Little Slice Of Loneliness» (far left), installation shot, 2015 photo courtesy of Berloni Gallery © 2015.

IMAGE: Installation view, Lionel Maunz: Discovery of Honey / Work of the Family, The Contemporary Austin — Gatehouse Gallery at the Betty and Edward Marcus Sculpture Park at Laguna Gloria, 2017.

She was Director of the inaugural Pandæmonium Festival of Moving Images, a major European exhibition presented at the Institute for Contemporary Arts in London showcasing film, video, gallery installations, and multi-media works.

Doug Aitken «New Era» 303 Gallery 555 West 21st Street OPENS: April 13 Aitken presents a timely interrogation of technology's impact on humanity with a new immersive installation integrating sound, image, space.

Introduced by vividly colored paintings of tarred - over pavement cracks, the centerpiece of Ingrid Calame's inventive and absorbing show «Tracks» at James Cohan Gallery is a four - wall multicolored wrap - around drawing of tire tracks from the Indianapolis Motor Speedway — the legendary «Brickyard» where the Indy 500 is run every Memorial Day (installation image above).

In this film installation, images of well - known paintings are projected, actual size, onto the gallery walls.

Image: Mary Valverde, «Quipu» (Detail), Fabric, aluminum tape, pennies, Site - Specific Installation at Jersey City Museum, NJ (2006) and Corridor Gallery, NY (2009)

New York artist Devorah Sperber uses sophisticated computer software to scan, digitize, and enlarge images, which she then uses as a template to create gallery - sized installations of common fabricated materials.

And yet the «real» objects — and not just their image — are included within installations elsewhere in the gallery.

As if to drive home the point of Marshall's voracious interest in visual art and culture, one gallery of Mastry contains an installation of hundreds of images culled from magazines, postcards, and other printed materials, all spread across the floor in wild disarray.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

A catalogue containing images of works in the show, installation views and three original essays on the artist is being published by the gallery to coincide with the exhibition.

«aewan # 1019», 2004 c - print of installation made of polymer clay, instant noodle and mixed media h: 125.5 x w: 169 cm (size of each sculpture is 0.7 x 1.5 x 1 cm) image © the artist courtesy PKM gallery, seoul

installation view of «passage / s» at victoria miro gallery image by thierry bal © do ho suh courtesy the artist, lehmann maupin, new york and hong kong, and victoria miro, london

Images from top to bottom: Installation view of Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Poster for Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Donald Judd, untitled, 1963, cadmium red light and black oil on wood with galvanized iron and aluminum; Donald Judd, untitled, 1963, cadmium red light oil on wood and purple enamel on aluminum.

Installation image: «OPEN (C) ALL: Up for Debate» on view through at the main gallery at BRIC through February 28.