Sentences with phrase «gallery presents process»

Home» Gallery Openings and Events» Athenaeum Gallery Presents Process & Innovation: 20 years of Partnerships in Print at Hand Print Workshop International Group Exhibition

Not exact matches

Presenting an overview of the Los Angeles assemblage movement and David Hammons's innovative body print process, «L.A. Object & David Hammons Body Prints,» documents an exhibition at Roberts & Tilton gallery that coincided with the opening of «Now Dig This!»

Please join us on Saturday, May 19 at 2:00 p.m. to learn more about the creative inspiration, process, and techniques used by artist Lillian Bayley Hoover as she presents an Artist Talk focused on the series of oil paintings on display in her solo exhibit «In This World,» which is on view in the Kay Gallery through June 2.

It's also a compliment to the gallery that the space became part of the creative process, deemed by the artists to be the right environment to present their work.

Stephen Friedman Gallery presents a film depicting the research process behind «The World Stage: Jamaica».

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

On Saturday, 6 March, 2010 at 1:30 PM Lehmann Maupin Gallery will present a discussion and Q+A session with Nari Ward, providing the audience a special opportunity to experience the show first - hand with the artist as he explains his creative process and the themes of LIVESupport.

The work in the gallery, titled If only it were that easy... will be created as visual expressions of the new modes of thinking that emerge for Argote as a burgeoning motorcycle rider, a process that demands that the rider exist in the immediate present and in their body.

Panopticon Gallery is proud to present Processes and Dreams, a group exhibition that blends together photographs that are ethereal in nature.

Following up with his Musée des Futurs, presented during the summer of 2016 at Confort Moderne, Wesley Meuris continues to question the exhibition processes and techniques of display, turning the gallery into an agency.

Influences converged, passion and intellect were engaged, and seminal moments occurred to help shape the process: in 1962 when Irving Blum (who had taken over Kienholtz's position at the gallery) gave Andy Warhol his first solo gallery exhibition ever at Ferus (the Campbell's Soup Can Paintings); in 1963, when Hopps moved to the Pasadena Art Museum and presented the first retrospective of Marcel Duchamp in the US; in 1966 with Ed Kienholtz's epochal retrospective at the LA County Museum; and in the decade from the late fifties to the late sixties when Ed Moses, Billy Al Bengston, and Ed Ruscha among a handful of others were on center stage.

As part of the residency, Mautloa spent time at the school's Art Gallery, making work and presenting workshops that elucidated on his creative process.

Casey Kaplan Gallery is pleased to announce its participation at Frieze New York with a presentation that brings together a grouping of artists, diverse in media and process, whose work reflects ever - present themes of materiality and identity that permeate throughout the gallery's pGallery is pleased to announce its participation at Frieze New York with a presentation that brings together a grouping of artists, diverse in media and process, whose work reflects ever - present themes of materiality and identity that permeate throughout the gallery's pgallery's program.

This January, in his first exhibition with the Goodman Gallery, Gerhard Marx presents new works that are born out of his own self - designed processes, which involve skillful manipulation of materials collected as part of an engagement with the artist's physical urban context.

Pratt Manhattan Gallery will enliven and encourage participation in the fall 2010 election process by presenting a public art competition to design mobile voter registration centers that will tour New York City from September 15...

The installation at the Leubsdorf Gallery at Hunter College presents works that convey to what extent the European tradition of landscape painting underwent changes in the process of being applied to represent Latin American landscapes.

The convergence of a general mistrust of government in the wake of Watergate and the first sale of a contemporary artwork for more than $ 100,000 (at the 1973 auction of the Scull collection) saw artists seeking alternative modes of presenting and experimenting with the process of art's presentation outside the museum or the commercial gallery.

After the jurying process and acceptance, artists were allowed to self - select their best work in any medium or category to be presented salon style in the NAWA Gallery.

What enables this process to be rerun without exhausting the listener is the wealth of information presented, the convincing way it cleaves to the artworks chosen and the use of the building's own acoustic properties — the Turbine Hall's echo and ambient gallery chatter — to create a seamless sense of place.

Graham Wilson's third solo exhibition at Peninsula Gallery, Sometimes I Confuse Myself Too... presents a whimsical approach to his distinctive process of creation and destruction to address the inevitable contradictions of making art.

Alan Cristea Gallery is presenting a major new body of prints by Davenport, who is driven by the materiality and process of painting and printing.

Presenting 14 new pieces based on computer processing, which can lead to some amazing art pieces, the solo exhibition in the Mark Moore Gallery by Jason Salavon titled All The Ways opens in February.»

In his first solo exhibition at Candela Gallery, Harrison Walker presents his Portals project, highlighting a mix of photographic processes through a series of abstract works.

The gallery will also present a film depicting Wiley's process as the project unfolds.

Eloïse Bonneviot's «My Forensic Steps 2» (2014) print on silk presents written instructions on the process of crime - scene documentation within the gallery, then subverts the objective output of those rules through a first - person game hosted on the Slopes gallery website.

Megan Koza Young visits Meg Turner's current exhibition at Scott Edwards Gallery, which documents the present with historic photographic processes.

His most recent solo exhibitions include: «Song,» The Renaissance Society, Chicago (2017); «The Measure of Memory,» Galleria Raffaella Cortese, Milan (2017); Public Process, Sculpture Center, New York (2017); «Play,» Tanya Leighton Gallery, Berlin (2015), «Prescribe The Symptom,» Midway Contemporary Art, MN, (2015), «Loyalties and Betrayals,» Murray Guy, New York (2015), «Secondary Revision,» Frac Île - de - France / Le Plateau, Paris (2013), «A Portrait, A Story, And An Ending,» Kunsthalle Zürich, Switzerland (2013), «Alejandro Cesarco,» MuMOK, Vienna (2012), «Words Applied to Wounds,» Murray Guy (2012), «The Early Years,» Tanya Leighton (2012), «A Common Ground,» Uruguayan Pavilion, 54th Venice Biennial (2011), «One Without The Other,» Museo Rufino Tamayo, Mexico (2011), «Present Memory,» Tate Modern, London (2010).

The small gallery presents a curated selection of process samples, methodologies, and prototypes related to her papermaking practice and this project.

As part of the Stitch in Time project, Void will present both the drawings and the recordings in The Process Room gallery space.

Through processes of their creation, structure, size or relation to the surrounding gallery architecture, the works presented are imbued with a sense of physicality, tactility of surface, the remnant workings of human hands or impressions of the -LSB-...]

Several galleries are offering two - and three - person booths, with Luis De Jesus Los Angeles presenting expressive, figurative paintings and sculptures by Erik Olson and and process oriented abstractions by Andre Hemer; New York's Albertz Benda featuring dynamic abstract ceramics by Brie Ruais and John Mason; NYC's Magenta Plains displaying mythically minded canvases by Bill Saylor and Zach Bruder; and Nathalie Karg Gallery, another New York venue, presenting minimalist paintings by Nathlie Provosty and Nancy Haynes and classical realism with a twist by Jesse Mockrin.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

Miami Beach Convention Center Miami Beach, Florida Galleries Sector, Booth K3 Heidi Bucher Melvin Edwards Harmony Hammond Hassan Sharif Jack Whitten Alexander Gray Associates presented Processing Abstraction, 1960 — 2013, an exhibition of work focused on process - and material - based abstraction, pairing historic and recent work by Gallery artists Heidi Bucher, Melvin Edwards, Harmony Hammond, Hassan Sharif, and Jack Whitten.

Sarah Rose presents a new body of work in room 4, commissioned by the gallery for NOW, which reflects upon processes of material transformation and the impact that humans have on the environment.

On view in the West Building of the National Gallery of Art, Washington, from March 4 through May 28, 2018, the exhibition is accompanied by a fully illustrated catalog, presenting an in - depth exploration of the evolution of Mann's art, and a short film highlighting her technical process.

Video: Marcia Hafif talking about the creative process and inspiration of four major series that the gallery will present at Frieze New York 2015.

«Materiality and Process» is the fifth annual exhibition project that explores a theme developed in art from the Parrish's permanent collection and presented in the museum's permanent galleries.

Opening Reception and Performance: Saturday 18 June 2011 @ 7 pm In the Main Gallery, Modern Fuel presents condolence, an ongoing photo and video series by the artist Greg Staats that depicts the process of his reconnection with a traditional Haudenosaunee [Iroquois] restorative aesthetic.

The Bank Space Gallery presents Preparing the Site, a group exhibition exploring how material processes and methods of display are used to alter the physical and metaphorical function of a space or site.

Presented in the permanent collection galleries, each exhibition explores the process of art making, materials and the presence of the hand of the artist.

Painting, Paper, Process, an exhibition of some 50 works from the 1980s to the present, will inaugurate the temporary exhibition galleries of the new Parrish Art Museum when it opens to the public Saturday, November 10, 2012, in Water Mill, NY.

Art Plural Gallery presents an interview with Pascal Dombis, a French visual artist whose unpredictable and dynamic visual forms explore the complexities of visual paradoxes through the use of «excessive» technological process.

From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Expo Chicago Booth 327 For its inaugural presentation at Expo Chicago, Alexander Gray Associates presented an exhibition of the conceptually paralleled artistic processes of Gallery artists from diverse geographical and cultural contexts, featuring recent and historical works by Luis Camnitzer, Melvin Edwards, Harmony Hammond, Lorraine O'Grady, Hassan Sharif and Jack Tworkov.

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 1930

Not inscribed Plastic, 2 1/2 x 4 3/4 x 3 (6.3 x 12.7 x 7.6) Presented by the artist 1977 Exh: Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (21, repr.)

In addition, as a Creative Partner of the Main Line Art Center's «Panorama 2016: Image - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital media.

Inscribed «N. GABO» b.r. Plastic, cork and cardboard, 4 1/2 x 8 3/4 x 2 (11.4 x 22.2 x 5.1); dimensions including wood and plastic surround 11 x 14 1/8 x 2 3/8 (28.2 x 36 x 6) Presented by the artist 1977 Exh: Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (25, repr.)

She will present a new series of painting at The Bomb Factory gallery from February 9 until February 12: «Through materiality, process and form, Tess Williams» work explores what a painting can be beyond its surface.