Sentences with phrase «gallery projects closed»
While Goodman Gallery Projects closed at Arts on Main in 2012, the [Working Title] exhibition series exists as a resolution to the Goodman Gallery's continued interest in independent and collaborative projects and allows for the continuation of previous projects and relationships, as well as the introduction of new artists, theorists and creatives into the Goodman Gallery.
http://www.goodman-gallery.com/ Not exact matches
To close, yes, TAA is taking a small financial percentage of sales, but only if we raise enough to make the project work — we don't get paid unless the artists get paid — and it will be a smaller percentage than most galleries take.
Open Plan is a long term public art and education project which invites international and British artists to create artworks with and for the SLG's close neighbours on Elmington, Pelican and Sceaux Gardens housing estates, along with a programme of events at the gallery.
2.2 Timeline: Identify major milestones through completion.: Exhibition Project January 1 - venue confirmation January 23 - submit four images, bio, artist statement for gallery pr February 12 - ship artwork and label information February 28 - opening reception March 29 - closing reception
IMPORTANT DATES May 21: Entries due June 8: Notification of accepted artwork June 28, 29: Delivery of accepted artwork to The Gallery between noon — 6 p.m. July 9: Exhibition opens July 12: Opening reception and awards presentation August 30: Exhibition closes August 31 to September 3: Pick up of artwork between noon — 6 p.m. Juror: Asia Tail Asia curates special projects and art exhibitions, with an emphasis on empowering Indigenous artists.
When Jeffrey Deitch decided to close his namesake Deitch Projects gallery in NYC in 2010 to take over as the director of the Museum of Contemporary Art (MOCA) in Los Angeles, there were grumblings,
«Proof» was the gallery's first project to include the work of eminent artists such as Chuck Close, Joel Shapiro and Vija Celmins.
7 - 10 pm Opening: Closer at Spinello Gallery A visual study of the interaction between two people, multidisciplinary artists Antonia Wright and Ruben Millares present Drinks On Me, part of group exhibition, CLOSER — curated by Anthony Spinello at Spinello ProCloser at Spinello Gallery A visual study of the interaction between two people, multidisciplinary artists Antonia Wright and Ruben Millares present Drinks On Me, part of group exhibition, CLOSER — curated by Anthony Spinello at Spinello ProCLOSER — curated by Anthony Spinello at Spinello Projects.
Currently closed for a major renovation project, Kettle's Yard is loaning works from its collection to a variety of regional galleries; earlier this year a selection was displayed at the Hepworth and it is from this that Hamilton has created her additional «reimagining».
Closer to home, a 50 - page catalogue detailing last summer's PLATFORM PROJECTS / WALKS 2016 (funded by SPACE Gallery through the Kindling Fund) was released in April with an accompanying public walk through the Portland peninsula.
The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).
SENIOR PROJECTS FASHION & TEXTILE, GRAPHIC DESIGN / VISUAL COMMUNICATION & STUDIO ARTS June 6 - June 11 Fine Arts Gallery, Fine Art Building Opening Reception: Monday, June 6, 4 - 7 p.m. Closing Reception: (Family & Friends): Saturday, June 11, 12 - 5 p.m.
Gallery guides and gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit Gallery guides and gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit gallery hunts for families with children Teacher - directed gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit gallery tours, pre - and post-visit activities, and lesson plans Special exhibition resources such as audio guide content, didactic panels, lectures, and digital interactives like the award - winning Beyond the Walls mobile app Audio clips and artist videos featuring Chuck Close, Esther Mahlangu, Ryan McGinnis, Julie Mehretu, Robert Pruitt, Hank Willis Thomas, among others Art in Depth Modules on ten conservation projects created by student participants in M.Lit program
The project took place at A plus A Gallery, an exhibition venue in the heart of Venice (close to the Palazzo Grassi).
In the final gallery, projected on a long wall, we find a slide show of photographs by him, nature shots mostly, close - ups, taken near Captiva Island in Florida, where he had his studio and home.
During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project (2011); Sally Mann: The Flesh and The Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award; and Vanitas: Meditations on Life and Death in Contemporary Art (2000).
Rachel Higgins and Josh Slater in 2015 BAM Art Auction to benefit the Brooklyn Academy of Music, closing party at Cheim & Read, May 11, http://www.bam.org/visualart/2015/bam-art-auction Goldschmied & Chiari in «Prophetia,» at the Joan Miro Foundation, Barcelona, Spain, March 13 - June 7, 2015, http://www.fundaciomiro-bcn.org/exposicio.php?idioma=2&exposicio=5764&titulo=Prophetia Gallery to exhibit in Projects section of NADA New York art fair with Rachel Higgins and Giacinto Occhionero May 14 - 17, 2015, http://www.newartdealers.org/Fairs/2015/NewYork/Exhibitors Giacinto Occhionero in benefit auction for the Henry Street Settlement at The Art Show, Mar 3 - 8, http://paddle8.com/auction/artshowhss/ Goldschmied & Chiari in «La scrittura degli echi,» a project by NERO, at the MAXXI, Febryary 27 - June 7, http://www.fondazionemaxxi.it/2015/02/18/nero-la-scrittura-degli-echi/?lang=en
The videos of the performances and the close - ups of the musicians as they played are projected onto the floor of the gallery in different sizes, carpeting the space with a mixture of sounds.
Josh Slater in 2016 BAM Art Auction, auction exhibition at Bridget Donahue Gallery, March 29 - 31, closing reception Thurs, March 31, 7 - 9 pm, https://paddle8.com/auction/bam/ Josh Slater in BYOB (Bring Your Own Beamer), Organized by GInger Shulick Porcella, San Diego Art Institute Project Space, Westfield Horton Plaza, San Diego, CA, Friday, March 25th, http://www.sandiego-art.org/upcoming/byob Rachel Higgins in «MDF Blog,» at Planthouse, NY, Feb 26 - Mar 30, http://planthouse.net/exhibitions/ «Geometric Cabinet» exhibition reviewed by Susan Happersett in Fibonaccisusan.com, http://fibonaccisusan.com/2016/02/23/geometric-cabinet-at-kristen-lorello-gallery/ Bayne Peterson in «Future, Past, Perfect,» curated by Lauren Comito, Ms Barbers, Los Angeles, CA, Feb 13 - Mar 5, msbarbers.com Goldschmied & Chiari in «Constellaciones Gaur,» curated by Fernando Golvano,» Fundacíon Donostia, San Sebastían, Spain, Jan 22 - May 15, http://dss2016.eu/en/voices/1966-gaur-constellations-2016 Scott Alario in «Love 2016,» curated by Rachel Stern, LeRoy Neiman Center for Print Studies, Columbia University, NY, Jan 19 - Feb 19, http://arts.columbia.edu/leroy-neiman-gallery Rachel Higgins in «Drawing for Sculpture,» curated by Courtney Puckett, at TSA, NY, Jan. 8 - Feb. 14, http://newyork.tigerstrikesasteroid.com/tagged/drawing-for-sculpture Giacinto Occhionero at BoCs Artist Residency, Cosenza, Italy, through Jan. 7, https://www.facebook.com/The-BoCs-Live-911458075596750
Visit us: Cuchifritos Gallery + Project Space 120 Essex Street (located inside Essex Street Market) New York, NY 10002 Hours: Tuesday — Sunday from 12 - 6 pm (closed: DEC 24, DEC 25 and JAN 1) E: gallery@artistsallianceinc.org Cuchifritos is free to the public and handicap accessible.
Additionally, the close relationships built with artists, curators, and dealers around the country allow the gallery to notify collectors in advance of upcoming museum exhibitions and gallery projects, often giving collectors the opportunity to have advance notice of available works and preview artworks prior to exhibition openings.
The closing reception on June 2nd was an exciting event where Saturday Studio students, their friends and families, as well as, JMF & CUE staff came together to honor all of the incredible art projects on display in a gallery setting.
MAKING PLAY 2008 — 2011 Making Play was the first project that enabled the gallery to develop a long - term relationship with our closest neighbours on Sceaux Gardens, Southampton Way, Pelican and Elmington Estates.
Featuring a brick façade, vaulted wood ceilings and an enclosed courtyard, the 3,200 square - foot gallery is located in close proximity to Roberts & Tilton, Carmichael Gallery and Blythe Projects on Washington Boulevard two blocks from La Cienega Bougallery is located in close proximity to Roberts & Tilton, Carmichael Gallery and Blythe Projects on Washington Boulevard two blocks from La Cienega BouGallery and Blythe Projects on Washington Boulevard two blocks from La Cienega Boulevard.
Other shows include Behind Closed Doors (2011), a curated solo project by Manuela Viera - Gallo at Y Gallery and The Doubtful Guest (2010) at Kill Devil Hill in Greenpoint, NY.
Deitch recently closed his innovative New York gallery, Deitch Projects, and moved to Los Angeles, where he's been appointed the director of MOCA, the Museum of Contemporary Art.
However, while Gagosian Gallery continued to grow, Deitch closed his Deitch Projects in 2010 to work a three year stint as director of the Los Angeles Museum of Contemporary Art.
For example, Ancient & Modern, run by Rob Tufnell and Bruce Haines, is situated in no more than a corridor off Old Street; Associates, the yearlong project run by artist Ryan Gander that closed in 2007, took place in a boxlike storefront on Hoxton Street; and the Bethnal Green gallery Between Bridges is located in what can only be described as a stairwell leading to artist Wolfgang Tillmans's studio.
This spring saw a spate of smaller, younger London commercial galleries closing their doors — from Ibid (established in 2004), to Limoncello (set up, after a year long programme as the project space Associates, in 2007), and Vilma Gold (est. 2000).
PROJECTED CLOSE AGAINST A WALL in a large, dark gallery, the saturated red of Steve McQueen's 16 - mm film Charlotte, 2004, produced an intimacy with the viewer every bit as charged as the contact that occurs between the artist's finger and Charlotte Rampling's eyeball.
In gallery terms, it felt soon after MOT's closure last July (est. 2002), as well as Supplement (est. 2010) closing its London space last December (moving, with Arcadia Missa [est. 2011], to a temporary project space in New York's Lower East Side).
In 2003 Hart relocated to Miami, to establish lemon sky: projects + editions there, closing the Los Angeles gallery.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
2017 continued the unfortunate economic and social impact of gallery spaces closing, including the universally beloved Murray Guy in Chelsea and On Stellar Rays — downsizing to Stellar Projects — on the Lower East Side (as one artist said to me, upon hearing news of both closures, «Can't thirty other galleries shut down so that we can keep those two open?!»).
In recent years, two Upper East Side galleries, Steven Harvey Fine Art Projects and Betty Cunningham, moved to the Lower East Side, and Marianne Boesky closed her 64th Street townhouse space in January.
Fulton Ryder, a pseudonym of Prince's, was run by Fabiola Alondra and staged gallery - like shows — even participating (in its own way) in art fairs — so its quite possible that the closing of the physical space won't hinder future projects.
Gallery 72 and The Creatives Project will host an artist talk / closing reception on Friday, January 29th from 6:30 p.m. — 8:30 p.m..
BRUCE M. SHERMAN (b. New York, NY) Lives and works in New York City SOLO AND TWO - PERSON EXHIBITIONS 2017 Sorry We're Closed, Brussels, Belgium The Journal Gallery, Brooklyn, NY Harper's Books, East Hampton, NY IS, Nicelle Beauchene, New York, NY Kaufmann Repetto, Milan, Italy 2016 Bruce M. Sherman, White Columns, New York, NY Equi - lib - ree - um, South Willard, LA SELECTED GROUP EXHIBITIONS 2018 Aldrich Contemporary Art Museum, Ridgefield, CT (forthcoming) 2017 Symbolisms, Cooper Cole, Toronto, Canada Hill People, Performance Ski, Aspen, CO Lucie Fontaine, New York, NY 9999, The Fireplace Project, East Hampton, NY I Go, You Go, Good To Go, Unclebrother, Hancock, NY The Paperweight Show, Fisher Parrish Gallery, Brooklyn, NY A Forest on the Edge of Time, The Pit, Los Angeles, CA Alicia Gibson, Jennifer Levonian and Bruce Sherman, Adams and Ollman, Portland, OR 2016 Friends: Passed and Present, Haven SBX, Bronx, NY Re-Planetizer, curated by the Pit, Regina Rex, New York, NY The Faraway Inside, Nicelle Beauchene Gallery, New York, NY 9999, The Fireplace Project, East Hampton, NY 2015 11th Annual Thanksgiving Collective, Southampton Arts Center, NY A Walk... curated by Rob Teeters, Tripoli Gallery, East Hampton, NY Calisthenics, curated by Matt Paweski, Thomas Duncan Gallery, LA What's Wrong With We?
Independent's development of a close circle of regular galleries since its inception in New York in 2010 is highlighted in the collaborative nature of the gallery projects too, with numerous spaces pairing up and cross pollinating.
Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.
In London, Markopoulos was exhibition organizer at the Serpentine Gallery and at the Hayward Gallery, where she worked on numerous projects by artists including Richard Artschwager, Dan Flavin, Brice Marden, Hans Haacke and Bridget Riley, with whom she continued to maintain a close relationship.
Anders Edström Untitled, 2002 Jue and Anoa, Yuki Kimura, Anders Edström, Yukinori Maeda, Stephen Sprott, J.Parker Valentine, Jay Chung & Q Takeki Maeda September 23rd — October 15th, 2011 KYOTO SEIKA UNIVERSITY GALLERY FLEUR 137 Kino - cho, Iwakura, Sakyo - ku, Kyoto Open 10:30 — 18:30 (Closed on Sunday) «Echoing repeated the next generation ORGANIC RELATIONSHIPS ~» exhibition, art projects as part of the COSMIC WONDER, is a group exhibition by artists of the seven sets.
, Serralves Museum of Contemporary Art, Porto; tanzimat, Augarten Contemporary, Vienna; 11th Istanbul Biennial; After Architecture, Centre d'Art Santa Monica, Barcelona; ISLANDS+GHETTOS, NGBK & Kunstraum Kreuzberg / Bethanien, Berlin; Monument to transformation, City Gallery Prague, Prague; «A Number of Worlds Resembling Our Own», SMART Project Space, Amsterdam; 27th São Paulo Biennale; Behind Closed Doors, Dundee Centre for Contemporary Arts, Dundee; Manifesta 5, San Sebastian, and the 3rd Berlin Biennial.
«In solidarity with the brave demonstrators who are marching on Washington and peacefully protesting in their own cities,» said an email from Altman Siegel Gallery at the Minnesota Street Project, the gallery will be closed on Saturday, JGallery at the Minnesota Street Project, the gallery will be closed on Saturday, Jgallery will be closed on Saturday, Jan. 21.
Almost at our two year mark, we decided to move the gallery into a storefront, mainly to increase our accessibility and also to be closer to several other galleries and project spaces.
An essay by Stefan Ripplinger places the project within Roth's œuvre, and an interview by Barbara Wien with the collector and gallery owner Erica Ebinger provides insight into her close friendship with Roth.
Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London
Around the corner from Threewalls on Washington Boulevard, three galleries plan to relocate: Western Exhibitions, Document, and Volume Gallery will move to West Town in September, while the project space Paris London Hong Kong will close.
2013 Rhythmic Lines, Project Space, Chelsea, London MA Fine Art Group Exhibition, Cookhouse Gallery, London Come Closer, Group Show, Hortensia Gallery, London For The Time Being, Project Space, Fulham, London Vision Within a Circle, Queen's Park, London Come, Group Show, Hortensia Gallery, London
Previous solo exhibitions are: With Half - Closed Eyes, Galerie ERD, Seoul, 2017; Liminal Moment, Project Gallery, Arundel, 2016.