Sentences with phrase «gallery artists producing»

Gallery artists producing themed work may draw on any aspect of «mathematics» for inspiration.

Gallery artists producing themed work may draw on any aspect of «renewal» for inspiration.

Not exact matches

Montréal / New York About Blog Anteism is a Canadian publisher working with galleries and artists to produce unique art books.

The Monday and Wednesday markets showcase Mexican specialties, such as leather goods, handwoven rugs, and line embroidery, while the Thursday affair is devoted to art, with over 15 art galleries opening its doors to display the local art produced by its artists.

CONTEXT ART MIAMI NOVEMBER 29 — DECEMBER 4 Midtown Wynwood Arts District 118 NE 34th Street FL 33127 Miami www.contextartmiami.com CONTEXT Art Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of art.

Shipping, decisions on framing, who pays for this — who pays for that... If you're becoming popular with a gallery and that gallery starts to host you as one of their featured artists, there's pressure to produce.

One of the ways in which art consultants add value to curators and galleries is in their understanding of artistic trends and which artists are currently producing work that captures the current zeitgeist.

Opera posters by leading artists including Sir Howard Hodgkin and Michael Craig Martin unveiled in support of Swarovski Whitechapel Gallery Art Plus Opera The Whitechapel Gallery has commissioned leading artists Philip Allen, Michael Craig Martin, Sir Howard Hodgkin, Robert Holyhead, Janice Kerbel and Lisa Millroy to produce opera posters for Swarovski Whitechapel Gallery Art Plus Opera, the Gallery's annual fundraising event on 15 March -LSB-...]

Some of the world's most significant artists have produced exclusive and affordable limited editions to run alongside their exhibition programmes and to benefit the gallery.

Produced in collaboration with The Vinyl Factory, the exhibition features a range of historical and recent works by a number of gallery artists in a variety of media.

King will produce an animated video during a two - week artist residency, when she will employ her gallery space as animation studio.

American artist Jenny Holzer's 2001 installation at the Neue Nationalgalerie in Berlin is the subject of a short film, one of forty produced to mark the fortieth anniversary of the Freunde der Nationalgalerie (Friends of the National Gallery).

That is not to say that painting is the only medium that these galleries show; indeed, most represent artists producing work in a range of media.

Ornithology For Birds was produced and generously donated by the artist to accompany his solo exhibition at Whitechapel Gallery, Mark Dion: Theatre of the Natural World, 14 February — 13 May 2018.

In September 2017, the artist will be showing the paintings and prints of cats she produced across her career, in a forthcoming exhibition entitled Judy Chicago's Pussies at Jessica Silverman Gallery in San Francisco.

Spanning the gallery's entire ground floor, Joo's exhibition encompasses a body of new «caloric tray paintings,» as described by the artist himself, influenced by an older series, The Saltiness of Greatness, produced back in 1992.

Since the very beginning of the gallery's existence, over 300 exhibitions have been produced, creating common ground for the established and emerging artists.

1 Baldessari is one of the artists included in the National Gallery's recent exhibition of series produced by the Los Angeles printshop Gemini G.E.L., and his comment is a reminder that, at its most basic, the creative process can be understood as a series of sequential choices and actions.

Rosenfeld, like many great artists, produced many artistic series and his work was shown throughout New York at many prominent galleries, such as his «rag paintings» at Ivan Karp's OK Harris gallery on West Broadway during the 1980s.

Almine Rech Gallery - Grosvenor Hill is pleased to present «Plastic Show», a selection of works by seminal California artists from the Light and Space movement: Mary Corse (b. 1945), Robert Irwin (b. 1928), Craig Kauffman (1932 — 2010), John McCracken (1934 — 2011), and DeWain Valentine (b. 1936)-- five artists who, through a series of individual explorations, went on to investigate the broad potential that plastics (i.e., synthetically produced resins) could yield.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenartist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The gallery's publication division produces books and catalogues focusing on exhibition surveys, contemporary artists and art historical monographs.

Over the course of a fortnight two groups of young people will collaborate with Artists Tug Rail and Paul Crook to produce an Internet TV show broadcast live from Whitechapel Gallery's creative studio.

Barnaby Barford, the artist who creates unique ceramic narrative pieces reflecting today's society, has been commissioned to produce a series of sculptures at the Laing Art Gallery.

A handmade publication produced by the artist will be available for collection from the gallery.

A comprehensive schedule of educational events throughout fall 2013 will be open to the public free of charge, including an international Symposium on September 28th; a screening of the film which documents the project, produced by The American History Workshop Brooklyn; along with lectures, panel discussions, and gallery talks with scholars and artists.

Sarah Lucas and Tracy Emin's 1993 Shop on London's Brick Lane allowed the artists to produce and sell their work outside of the gallery system, as if from a tourist's souvenir stand.

For her first solo exhibition in a UK institution, British artist Lydia Gifford (born Cheltenham, 1979) produced a new body of work for BALTIC's Ground Floor gallery space.

These textile works were produced by Amos in the 1980s and are the focus of «Emma Amos: True Colors,» the artist's solo exhibition on view at the gallery through April 9.

Bill is an artist — and man of tremendous integrity — that has produced, from decade to decade, an extraordinary body of abstraction,» Gallery Owner Michael Rosenfeld said in a statement to Culture Type.

In March / April 1961, the Knoedler gallery in New York produced Symbols, an exhibition of Callery works; it included Composition, The Letter S. Christian Zervos, writing in the catalogue and making an argument for Callery as an artist equally in thrall to «reality, sign and technique,» noted that «For Callery the sign has the same power as a living model of creating tension in the depths of the unconscious, of provoking unexpected stimulations, of containing a host of formal combinations.»

The limited edition print Damned Youth (2011) was produced by Wilhelm Sasnal exclusively for the Whitechapel Gallery and the title plays on the fleetingness of youth, alluding to the artist's experience of looking back at twenty years of working as a painter.

OVAC will produce a brochure about the award winning artists, which will be sent to 600 + galleries and curators across the nation.

The edition was produced to accompany The Edge of The Real, an exhibition to showcase of the work of a younger generation of artists working in Britain in 2004 and which was presented to complement Raoul De Keyser's parallel exhibition at the Gallery.

For their first presentations at the fair, A arte Invernizzi will mount a specially curated project devoted to the alternative and innovative forms of painting that emerged in Milan during the 1950s and 1960s, with works by Rodolfo Aricò (b. 1930, d. 2002), Dadamaino (b. 1930, d. 2004) and Mario Nigro (b. 1917, d. 1992), while Hales Gallery will examine the career of painter Frank Bowling (b. 1936) with a focused display of works produced during the artist's formative years (1968 — 1973).

Produced on the occasion of Passports: Great Early Buys from the British Council Collection at the Whitechapel Gallery, 2009, artist Sarah Lucas has created a special limited edition of her iconic wallpaper Tits in Space (2000).

Artists of earlier generations sought a signature style and produced exhibitions of very similar paintings, and old - school galleries and collectors no doubt still favour this kind of «branding.»

«[BETA Spaces] provides curators with an opportunity to develop their vision and collaborate with artists in order to produce a strong exhibit, which is what professional gallery and museum curators do for a living.»

VCCA will partner with three Virginia galleries to present exhibitions of the work the artists produce during their residencies.

In Neuenschwander's version a police sketch artist sits with visitors and listens as they describe the faces of their first loves; the sketch artist then produces portraits of these «first loves» to adorn the walls of the gallery for the duration of the exhibition.

Magali Reus's upcoming exhibition at the South London Gallery (23 March — 27 May) promises the perfect opportunity to assess the Dutch - born artist's development, with a new body of work commissioned and produced in partnership with the Bergen Kunsthall in Norway.

The Prize produced in collaboration with Whitechapel gallery supports UK - based female artists who have not previously had a solo survey exhibition, making it the only visual art prize of its kind the UK.

With support from the Paul Hamlyn Foundation, the gallery launched a regular group for 14 - 19 years old in 2014 which works closely with Platform artists to create their own artwork, to produce writing, film and photography about the residencies and to run public events.

The New York Times produced an excellent slideshow of Chamberlain overseeing the installation of his work at Gagosian and the gallery's website has a great video of the artist and his work as well.

However, these heirs identify on the back of each print when the images were produced and who did the actual printing, and the prices of these works are a few hundred dollars, not the five and six - figure amounts that the ones made by these artists (or under their supervision) sell for in high - end galleries and at auction.

The gallery works with emergent and established artists to realise their ideas and produce new work for solo and group exhibitions.

Artes Mundi 2 winner Eija - Liisa Ahtila is a visual artist and film maker who produces photographs and video or film installations that fill and subvert gallery spaces.

Moscow - born, German - based artist Olia Lialina has, for the past two decades, produced many influential works of network - based art: My Boyfriend Came Back from the War (1996), Agatha Appears (1997), First Real Net Art Gallery (1998), Last Real Net Art Museum (2000), Online Newspapers (2004 - 2017) and Summer (2013).

River produces solo shows and streamlines the artist - gallery working dynamic.

While Herrera's innovative and historic achievements as an artist are being honoured with a survey exhibition at the Whitney Museum of American Art in September 2016, Lisson Gallery is unveiling a new body of work produced over the last two years.