Sentences with phrase «gallery artists since»

Jody has been working as an illustrator and gallery artist since 1988.

Not exact matches

Since 1988, Carson has been self - employed as an artist at his gallery on the Allegany Territory.
The second was when Frohawk Two Feathers (an artist we have been working with since day one at the gallery) opened a solo exhibition at the Museum of Contemporary Art in Denver this past summer.
Since the first piece was acquired, in 1895, the gallery has formed a collection of more than 17,000 works, including many from Indigenous artists.
Not long afterward, art dealer Andrea Rosen announced that she would close her eponymous Chelsea gallery after 27 years in the business, and share representation of the Felix Gonzalez - Torres estate — which she had overseen since the artist's death in 1996 — with the much larger David Zwirner gallery.
He has worked in broadcasting since 1987 and has specialized in video for artists and galleries since 2009.
Art Basel artbasel.com Since 2002, Art Basel Miami has provided a platform for the world's most cutting - edge artists and galleries.
Born in Salt Lake City and now living in Seattle, Marisa Cole is a transgender artist whose work has been exhibited in 15 different gallery and museum exhibitions since the 1990s.
You see, by examining how the blue - chip galleries of an arts metropolis utilize social media and social networking tools, I thought perhaps artists who are represented by smaller galleries (or themselves) could glean some wisdom - after all, the galleries I looked at do a very brisk business and many have been around since before Facebook was even a glimmer in a Harvard student's eye - on what should and shouldn't be a part of their online marketing strategy.
An evening sale outing, where the stakes are high, is not as risky for an estate as it is for a living artist, but New York dealer Wendy Olsoff, who has managed Wojnarowicz's work through her P.P.O.W. Gallery since before he died, will be watching the sale closely.
The exhibition will be on view from September 10 through October 17, 2015 and is the artist's first major gallery show in the United States since representing the U.S. in the 55th Venice Biennale (2013).
BRAMOWITZ: Since joining Jack Shainman Gallery, are there other artists whom you've had an opportunity to meet and whose work has informed what you're doing?
Since earning his MFA from Hunter College in 2000, the artist's work has been exhibited in various venues throughout New York City, including Artists Space, The Brooklyn Museum, PS1 Center for Contemporary Art, El Museo del Barrio, PS122 Gallery, Longwood Art Gallery, Queens Museum of Art, and Bronx Museum of the Arts.
Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries, alternative project spaces or residencies that have positioned the city as a cultural center rivaling Mexico City.
The cover of ARTIST WORK LISSON has been specially designed by Daniel Buren, who has been exhibiting at Lisson Gallery since the 1970s.
REPRESENTATION Chicago artist Theaster Gates joins Regen Projects in Los Angeles, his first U.S. gallery representation since 2012.
The section at Frieze London will be dedicated to women artists working at the extreme edges of feminist practice since the 1960s, and the galleries who supported them, including: Galerie Andrea Caratsch presenting Betty Tompkins; Blum and Poe presenting Penny Slinger; Richard Saltoun presenting Renate Bertlmann; Salon 94 presenting Marilyn Minter; and Hubert Winter presenting Birgit Jürgenssen.
It marks the artist's ninth solo exhibition with David Zwirner since joining the gallery in 1995.
Since the 1980's the gallery has continued to introduce new artists to its stable: John Davies, Catherine Goodman, Allen Jones, Ken Kiff, Nina Murdoch, Hughie O'Donoghue and Thérèse Oulton, as well as the Estate of Euan Uglow.
This will be the first exhibition of Taylor's work at Zwirner & Wirth since the gallery announced its representation of the artist's estate.
Gray Matters is the first exhibition organized by Michael Goodson since he assumed the role of Senior Curator of Exhibitions at the Wex, and the survey enriches a calendar year of programming in which every artist featured in our galleries is a woman.
It is the artist's first UK show since 2009 and runs throughout all six spaces at Newport Street Gallery.
Terry Winters participated in «Artists» Sketchbooks,» Matthew Marks Gallery's inaugural show, in 1991, and since then the gallery has presented numerous one - person exhibitions of hiGallery's inaugural show, in 1991, and since then the gallery has presented numerous one - person exhibitions of higallery has presented numerous one - person exhibitions of his work.
Since his representation at Pace, numerous public collections have acquired works by the artist including the American Embassy in Abuja, Nigeria; the High Museum of Art, Atlanta; the Birmingham Museum of Art; the Museum of Fine Arts, Boston; The Brooklyn Museum; the Cleveland Museum of Art; the Hood Museum of Art at Dartmouth College; the Des Moines Art Center; the Detroit Institute of Arts; the Nasher Museum of Art at Duke University; Fogg Museum at Harvard University, Cambridge; The Museum of Fine Arts, Houston; the Tate, London; the Memphis Brooks Museum of Art; the Pérez Art Museum Miami; the Montclair Art Museum; the Museum of Modern Art, New York; The Nelson - Atkins Museum of Art, Kansas City; the San Francisco Museum of Modern Art; The Toledo Museum of Art, and the National Gallery of Art, Washington.
Over 30 years later, the University of Greenwich will be showcasing the work of 20 of the studio's artists across three gallery spaces, many of which have not met the public's eye since they were first made or exhibited at Stockwell.
Newport Street Gallery will host the first major solo exhibition of work by British artist Gavin Turk since 2002.
The first major survey of the artist to be presented since 2006, «Power Stations» spans a pivotal period in Hoyland's career, punctuated by his first solo museum show, at the Whitechapel Gallery in 1967, and his defining retrospective at the Serpentine Gallery (1979 — 80).
Group exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).
The artist, represented by Pace Gallery since 1966, has also been developing a major new work for the Chinati Foundation's permanent collection, which will be unveiled later this year.
Marlene Dumas, in the artist's second with the gallery and her first solo presentation in New York since 2010, will show, in addition to a selection of new paintings, expansive works on paper originally created for a recent Dutch translation of William Shakespeare's poem, «Venus and Adonis.»
On view at the gallery's 525 West 19th Street space, this is the first solo exhibition by the artist since she joined the gallery in 2008.
Since the worldwide explosion of fairs began about 10 years ago, some artists have made their peace with them, and even deign to show up at their galleries» booths to chat up collectors, while others have remained ambivalent, or aloof.
In conjunction with México Inside Out: Themes in Art Since 1990, these special gallery talks feature artists included in the exhibition.
1986 Ringing in the Changes, Fabian Carlsson Gallery, London (November 5, 1986 — January 10, 1987) The 1950s: American Artists in Paris, Part III, Denise Cadé Gallery, New York (November 4 — December 15) Couleurs de l'Ombre: Peintures Modernes de Grands Formats, Chapelle de la Sorbonne, Paris (September 24 — October 26) Un Musée éphémère: Collections privées françaises, 1945 - 1985, Fondation Maeght, Saint - Paul - de-Vence, France (July 5 — October 5) Paintings, Sculpture, Collages, and Drawings, Janie C. Lee Gallery, Houston (March) An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale (January 12 — March 30) Drawings, Xavier Fourcade Gallery, New York (January 8 — February 8) The Inspiration Comes From Nature, Part 1, Jack Tilton Gallery, New York (January 7 — February 1)
This will be the gallery's inaugural exhibition of the artist's work since having announced its exclusive representation of Judd Foundation.
ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.
This exhibition is Fred Wilson's third at the gallery and marks ten years since the artist joined Pace.
Since 2009 a gallery - going adventure has occurred across the neighborhood, it's organizer, Jason Andrew, artist and director of the collaborative arts non-profit Norte Maar, leading the way
Since then, the gallery has continued to forge an academically rigorous, ambitious program of historic exhibitions, providing a natural home for a number of major 20th - century European and American artist estates, and encouraging a continued and engaging discourse around their oeuvres.
The artist / curators have been in extended dialogue with British post War Construction and Systems Artists since meeting through an «in conversation» Bick held with Jeffrey Steele at Hales Gallery in 2009.
David Zwirner is pleased to present Dan Flavin: Series and Progressions, the first exhibition of the artist's work at the gallery since having announced its representation of the Estate of Dan Flavin.
Taking place at both the Los Angeles and Palm Beach location, the exhibition reflects on Gavlak's ten years in business, and will include works by artists Gavlak has represented since 2005, alongside artists new to the gallery's roster, and those whose work reflects the gallery's sensibility.
Since November 2014, MK Gallery commissioned Associate Artists Teresa Paiva and Alicja Rogalska have been working with Key Stage 3 pupils from each school to explore how artists have used the visual arts to depict and interpret military coArtists Teresa Paiva and Alicja Rogalska have been working with Key Stage 3 pupils from each school to explore how artists have used the visual arts to depict and interpret military coartists have used the visual arts to depict and interpret military conflict.
Iranian born, Berlin - based artist Nairy Baghramian most recently presented a solo show at Marian Goodman Gallery in London, her first major exhibition since The Walker's Day Off (2010) at the Serpentine Gallery, where her work was shown alongside British artist Phyllida Barlow.
Hypergienics, Hadrian Pigott's first major London show since Young British Artists V at the Saatchi Gallery is a culmination of his investigation of the fetishism of domestic manias and the...
Since the very beginning of the gallery's existence, over 300 exhibitions have been produced, creating common ground for the established and emerging artists.
Ruais received her MFA from Columbia in 2011 and has since presented an impressive number of solo shows at some of the hippest galleries for up - and - coming artists, like Cooper Cole in Toronto, Feuer / Mesler formerly in New York, Halsey McKay Gallery in East Hampton, Romer Young Gallery in San Francisco, and September Gallery in Hudson.
Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.
Cowboy Town, American artist Eddie Martinez's second exhibition at the Timothy Taylor Gallery, London, is a show of paintings done since the start of last year.
Since then, the gallery has focused principally in seeking out important and historic works by 20th century artists, including Jean Arp, Josef Albers, Marcel Broodthaers, Salvador Dalí, Jean Dubuffet, James Ensor, Max Ernst, Lucio Fontana, Yves Klein, Fernand Khnopff, René Magritte, Joan Miró, Pablo Picasso.
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