Sentences with phrase «gallery collection use»

Not exact matches

A smartphone app uses image recognition to let users scan artworks in galleries for extra information and curate their own digital collection

The Collections Gallery mounts the specimens, then uses labels to discuss the museum's changing vision and collection practices.

It generates income using the Gallery's brand, collections and international exhibition programme.

Samuel Ross's third show used the material to highlight the contrast from the rest of his matte / reflective workwear - inspired collection, titled «The New Gallery.»

It generates income using the Gallery's brand, collections and international exhibition programme.

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

In the Exhibit Builder students use images from the collections and text they write themselves to create a gallery or a slide show.

Following the talk, student groups will have the opportunity to explore the galleries using self - guide activities specially designed to support students in linking themes and ideas presented by the books with art in the DIA's collection.

Museum educators or classroom teachers with experience using museum collections: There is space at the Carnegie Museum of Art on Saturday, May 13, for in - gallery Special Interest Sessions and Interactive Courses.

Children and adults alike will enjoy the «touch gallery» — a display of tiles, marble, textiles, and other materials used in the art and architecture of the Castle that allows guests to experience the collection in a tactile way not allowed on tour.

The city's breath - taking castle was intended for use as a Norman Royal Palace, but today this beautiful building serves as an excellent interactive museum and gallery whose treasures include important archaeological finds, fine artworks, costumes and textiles and collections and displays covering Norfolk's local, natural, social and regimental history.

It generates income using the Gallery's brand, collections and international exhibition programme.

A wide collection of songs and character themes from the Guilty Gear catalog can be purchased in the Gallery, for use in other gameplay modes; almost every game in the franchise is represented, including Guilty Gear Isuka, Overture, and even the original Guilty Gear.

Browse Contemporary Art collection highlights using the gallery below.

Jointly commissioned by the Whitechapel Gallery and Phillips, Fair Warning plays with expectations of popular online questionnaires or personality tests, to examine the use of data collection when attempting to represent user tastes.

Artists are back on site using the Glyndor Gallery as studios, exploring the grounds and studying Wave Hill's living collection.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

This includes exclusive use of both the Great Hall and Eleven, Walker Landing, and both the south and main lobbies, as well as access to all of the Museum's permanent collection galleries and the Temporary Exhibition Gallery for the first hour of your event.

As the wall label pointed out, many of the paintings, which were pulled entirely from MOMA's collection, were exhibited in art galleries that used to be right around the corner from the museum itself.

The class is using this installation in the Academic Focus Gallery as a study space for the works selected from the Nasher's permanent collection.

We have a paintings from the show here, plus a collection of paintings from the past few years in our picture gallery, all featuring Gokita's beautiful use of acrylic gouache, and charcoal.

«The luminosity and depth of his work stands up to any Old Master or 19th Century Master that we have ever seen, but with an added modernity — employing the use of innovative materials and collage to tie it all together,» said gallerist Laura Grenning, who arranged the show by selecting works from private collections as well as those on loan from Marlborough Gallery.

The storage facilities, print room, and galleries have all been designed with ease of use for study and presentation of collection objects in mind.

Staying relative steady from last year's 59 presenters, the 2017 edition includes a presentation of art by Greg Haberny with Catinca Tabacaru Gallery and a private collection of drawings dating between 1890 and 1900 with written passages making use of a colloquial dialect, exhibited with Tanner Hill Gallery.

In 2013 we aim to extend the two - tier approach into the newly refurbished galleries, intensifying our use of all the collections in ways which reflect a wider range of thinking and interest.

The exhibition will display a selection of key works from periods in the gallery's history, and will offer visitors a behind the scenes glimpse into the world of how the collection is used and cared for.

As part of the Biennial exhibition, A Needle Walks into a Haystack, the Wolfson Gallery has been transformed by avant - garde French architect Claude Parent, using ramps and slanted floors to allow audiences to experience works selected from Tate's collection in a whole new way.

Refreshing gallery spaces to evoke Freer and Platt's aesthetic vision, removing carpeting and restoring original terrazzo floors, installing marble baseboards, refinishing architectural details and preserving the use of natural light while incorporating state - of - the - art standards for the display and preservation of the collection.

He said gallery staff would make good use of the huge collection — the city has more than 5,000 works — refreshing and rehanging every year.

According to the agreed five - year plan, Simon took over an $ 850,000 loan on the building and other financial obligations, including a $ 1 million accumulated operating deficit, in return for using 75 % of the gallery space for his collection.

The museum has now three times the gallery space, and can finally accommodate the extraordinary collection of Donald and Doris Fisher, the founders of Gap, who used their millions in the 1970s to hoover up over 1,100 works including 21 unique Warhols, Alexander Calders and dozens of works by Gerhard Richter.

Adams / Central Mixed Use Development, Permanent Public Art Installation, Los Angeles, CA Baylor College of Medicine, Houston, TX Bibi Space Gallery, Daejon, South Korea Gibson, Dunn & Crutcher, Los Angeles, CA Harvey Universal Inc., Los Angeles, CA Jarrow Formulas Inc., Los Angeles, CA Luxe Hotel, Los Angeles, CA Museum of Art and History, Permanent collection, Lancaster, CA Tsuge Cafe, Tokyo, Japan United States Federal Courthouse, Los Angeles, CA Wallach Glass Studio, Santa Rosa, CA PRIVATE COLLECTIONS Estate of Betty Asher, donated, Los Angeles County Museum of Art Sam Alexander Carol April Phillip Bialeck Sheila Baird Gerald E. Buck Collection Tony and Cindy Canzoneri Robert and Maureen Carlson Rick Morris and Lisa Cliff Norm DuPont Jeff Ehrlich Merrill Francis Mark Frankel Arnold and Homeira Goldstien Joni Gordon Jonathan and Nancy Glaser David Grant Barbara Horwitz Dr. Todd Hutton Anne Hutton Ken Kaplan Doug Kennedy Marianne Kim, Daejon, Korea Neil and Pamela Kramer Shuji Kato and Kazumi Kua, Tokyo, Japan Jeffrey Kurland Marilyn Lasarow and Judge William Lasarow Dr. Richard Lasarow David Loomstein David Nash Gina Posalski Jarrow Rogovin John and Elsie Sadler Ralph Perl and Rhoda Shapiro Dr. Kumiko Saito, Hayama, Japan Junko Saito, Hayama, Japan Susan Sauvageau George and Kay Sherman Joannie Stern Steve Sztopek Brad and Cynthia Theil Sue Tsao DeWain Valentine

The location is used for special exhibitions and as a home for the gallery's permanent collection.

In addition to the exhibition in the Hessel Museum, the galleries of the adjacent Center for Curatorial Studies will be used to expand Wrestle to include a number of large - scale installations and significant works from the collection.

TRANSFER features a curated collection of artworks from the gallery's inventory using the Niio platform and its dedicated 4k / 60 fps ArtPlayer.

According to the catalogue, «this version is the most painterly version of the series» and one in the Hirschhorn Museum is highlighted with color, one in the Whitney Museum of American Art is highlighted with muted colors, one in the Tate Gallery is vibrantly colored and another in a private collection «highlights the use of color through painted versions of the color's names.»

The always - impressive collection of student art, exhibited in the Arvada Center's 6,000 square foot Main Gallery, includes works in traditional disciplines as well as pieces created using new technologies.

This University of Manchester gallery combines outstanding public engagement with innovative uses of the collection

Some of that buzz is of his own making: Kantor uses his Instagram to promote both artists from his gallery and advertise artworks in his collection or that he wants to acquire.

Currently on view in two large galleries, stark works in sand colors, geometrics, in brown felt material, in bright neon, the exhibition displays art from the collection of Bridgehampton resident Leonard Ruggio, whose passion is minimalism, a midcentury movement that challenges our notions of the types of materials can be used in art, and in fact our traditional notions of beauty.

For instance, in his 1983 - 1984 exhibition at the Paula Cooper Gallery in New York, titled Frame Paintings, the artist used canvases without centers — creating, as the name of the collection implies — paintings that were shaped like frames.

Instead of sticking to the plan of an advance schedule, senior curator Michael Darling and assistant curator Marisa Sanchez use the expanded gallery space from last year's remodel to alter exhibits from the permanent collections without notice and mount new ones without fanfare.

And try your hand at curating using miniature versions of 20 works from our collection on a magnetic gallery.

Ybarra likes to play with the idea of the museum, using galleries as spaces in which to assemble personal collections that stand in some ironic relation to the sorts of dioramas and vitrines ordinarily found in ethnographic or natural history exhibits.

I used to have to drag myself to the Museum of Fine Arts, viagra Houston's Long Sarofim Gallery, the room in the Beck Building presenting works from the MFAH's post-World War II American collection.

Named after the Wakefield - born sculptor Barbara Hepworth, whose works help comprise its collection, this art gallery on the banks of the River Calder is clad in pigmented concrete and uses the water's flow to control its interior temperature.

1979 Red Year, Bratislava, CZ Words Words, Museum Bochum, Bochum, DE; Palazzo Ducale, Genova, IT Manifesto Show, 5 Bleeker Street, New York, US Salon Presents, Museum Folkwang Essen, Essen, DE Film Works 78/79, The Kitchen, New York, US Louise Lawler, Peter Nadin, Dan Graham and Lawrence Weiner, Peter Nadin Gallery, New York, US Une Exposition d'Artistes Invités Par Ian Wilson, Centre Pompidou Beaubourg, Paris, FR 73rd American Exhibition, The Art Institute of Chicago, Chicago, Illinois, US The Level of Water (layout), Southern California Art Magazine, California, US Video Revue, Everson Museum of Art, Syracuse, New York, US; Museum of Contemporary Art, Chicago, Illinois, US; University Art Museum, Berkeley, California, US; Museum of Contemporary Art, La Jolla, California, US The New American Film - Makers Series, Whitney Museum of American Art, New York, US Artists» Books, Produzentengalerie, Munchen, DE Oeuvres Contemporaines des Collections Nationales: Accrochage 3, Centre Georges Pompidou / Museum Nationale d'Art Moderne, Paris, FR Video Tapes aus Museum Besitz, Kaiser Wilhelm Museum, Krefeld, DE Artists» Books, Lydia Megert, Bern, CH Lieu de Presentation, 11 Rue Clavel, Paris, FR The Literal Use of Time, Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas, US Gerry Schum, Stedelijk Museum, Amsterdam, NL; Museum Boymans - van Beuningen, Rotterdam, NL; Kolnischer Kunstverein, Koln, DE; Museum van Hedendaagse Kunst, Gent, BE; Vancouver Art Gallery, Vancouver, CA; A Space, Toronto, CA A Spoken Space, Galerie Gaetan, Geneva, CH International Print and Poster Biennale, Krakow, PL

Lawler emerged in the 1970s as part of the Pictures Generation — a loosely knit group of artists who used media tactics to critically examine the functions and codes of representation — when she began taking pictures of other artists» works displayed in private collections, museums, galleries, storage spaces, and auction houses, subtly commenting on the sociological use and value of art.

In the early years, the Kunsthalle's galleries and rooms were used primarily to house and present the art collection of the Basler Kunstverein.

1983 Presence Descrete, Musee des Beaux - Arts de Dijon, Dijon, FR Radio by Artists, Walter Phillips Gallery, The Banff Centre School of Fine Arts, Banff, CA In Other Words: Artists Use of Language - Part 2, Franklin Furnace, FR The Chinese Chance, an American Collection, The Butler Institute of American Art, Youngstown, Ohio, US Projects and Performances, Islip Art Museum, Islip, New York, US Live to Air, Franklin Furnace, New York, US Halle für Neue Kunst, Schaffhausen, CH The Rainer Speck Collection, Museum Haus Lange und Museum Haus Esters, Krefeld, DE Sculpture, Leo Castelli Gallery, New York, US Summer Show from the Collection, Van Abbemuseum, Eindhoven, NL Collection of the Museum Van Hedendaagse Kunst, Gent, Belgium, Musee d'Art Contemporain, Montreal, CA Projetto Genazzano, La Zattera di Babele, Genazzano, IT Conceptual, Rhonda Hoffman Gallery, Chicago, Illinois, US When Words Become Works, Minneapolis College of Art and Design, Minneapolis, Minnesota, US Masterworks of Conceptual Art, Paul Maenz, Cologne, DE Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, US ARS 83, The Art Museum of Ateneum, Helsinki, FI Word Works, Walker Art Center, Minneapolis, Minnesota, US Between Words and Things, Clare College, Cambridge, UK Festival d'Automne a Paris, Paris, FR The First Show: Painting and Sculpture from 8 Collections 1940 - 1980, The Museum of Contemporary Art, Los Angeles, California, US Hundreds of Drawings, Benefit Exhibition and Sale, Artists» Space, New York, US December Exhibition, Anthony d'Offay Gallery, London, UK American Video, Arts Council of Great Britain, London, UK There But For, screening Infermental II (video magazine), Hamburg, DE