Sentences with phrase «gallery exhibition forms»
MAHWAH, N.J. — Renowned Japanese American artist Tomokazu Matsuyama will speak in the Adler Theater, in the Berrie Center for Performing and Visual Arts at Ramapo College of New Jersey, on Thursday, April 13 at 3 p.m. Matsuyama's work is currently featured in the College's Kresge Gallery exhibition Forms and Effects: Ukiyo - e to Anime which continues on view through April 21.
https://www.ramapo.edu/ Not exact matches
This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.
For his current exhibition, «Fragmentations,» at BC Gallery in Berlin, Moneyless reduces this concept to its most simplified form.
In 1944 he held his first exhibition at the Lefevre Gallery and thereafter showed at various London galleries, including the London Gallery from 1948 - 51, Marlborough Fine Art form 1958 - 68, Anthony d'Offay from 1972, and in numerous group exhibitions.
Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
During the exhibition, public programs and workshops will be scheduled to take place outside of the gallery walls, allowing visitors to experience their own form of wanderlust.
1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.
Steel: Color, Form, Concept Main Gallery Nancy Frankel and Sam Noto Curated by Claudia Rousseau Two - person Exhibition On View: May 23 — June 16, 2012
by Stephanie Cristello Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.
Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.
2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
Elisabeth Condon and Carol Prusa did, enough to curate the exhibition in a slightly different form for the Schmidt Center Gallery of Florida Atlantic University.
With its exhibitions and events, the opening of a gallery in London's West End, together with the publication of the influential Signals Newsbulletin, Signals became a centre for experimental international artists, with links formed between the avant gardes of Latin America, Europe and London.
Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.
The result was an exhibition entitled Encounters — New Art from Old (14 June — 17 September 2000), which formed part of the gallery's millennium celebrations.
Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art...
Works of art intended to form part of a forthcoming exhibition at Whitechapel Gallery that may be covered by immunity from seizure are here and here.
Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988
Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art starting in Russia and Northern Europe in the early twentieth century.
Within a loft - like trussed gallery adjacent to the space containing the first American exhibition of Ross's new large - scale Hurricane prints, computer - generated renderings of complex fluid dynamics are projected onto large screens, which combine to form what the artist calls a Wave Cathedral.
Solo exhibitions of Letinsky's new series Ill Form & Void Full will be on display this fall at Yancey Richardson Gallery and Valerie Carberry Gallery in Chicago.
Exhibiting galleries are offered ca. 40 sq m (430 sq ft) of exhibition space at the fair, and START welcomes all forms of artistic production.
1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan
Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.
By speculating on worlds and life elsewhere, Maheke's new exhibition at Chisenhale Gallery becomes a public site to re-articulate and reinvent forms of relationality and representation, as much as a device for developing a new lexicon for thinking about identities outside of identity politics.
The exhibition includes around 29 photographs culled from the past 25 years and forms an «informal retrospect,» according to the gallery.
Formed from an 18th - century house and two new, purpose - built exhibition spaces, it offers an intriguing mix of intimate domestic rooms, stripped down but full of period detail, alongside contemporary galleries — a union of old and new that echoes the dynamic of its location on the border between the East End and the City of London.
On the lower level, Honfleur Gallery will open its art files to the public in the form of a curated exhibition while upstairs, The Gallery at Vivid Solutions will show photographs from Worn Magazine's archives.
SV: The form the Whitechapel Gallery exhibition Introduction to Nyau Cinema takes is evocative of a magazine spread.
The competition culminates in an exhibition held at the Walker Art Gallery every two years, forming a key strand of the Liverpool Biennial.
Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).
This exhibition at Almine Rech Gallery will represent an invaluable opportunity to experience the works of these five fundamental Southern California artists who, together and individually, formed an extraordinary alternative language to East Coast Minimalism.
Touchstone Gallery presents Figure 8 Plus 1, an exhibition focusing on human form through a variety of media.
In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.
The hulking, ceramic forms in John Mason's exhibition, «Crosses, Figures, Spears, Torques» at David Kordansky Gallery in Los Angeles call to mind many of the works of the Merce Cunningham Dance Company.
Joshua Liner Gallery is pleased to present Recollected Forms, a three - person exhibition featuring the work of contemporary artists Matthew King, Kevin Umaña, and David Ellis (cover artist, Juxtapoz, March 2007).
Alice Wang 18th Street Arts Center Atrium Gallery Exhibition: January 12 - March 1, 2015 Reception: Saturday, February 21, 6 - 9 pm Conversation with Michael Ned Holte: Friday, January 23, 6pm - 8 pm with light refreshments kinetic forms.
An exhibition at the Espacio Gallery in London invites an international group of artists to explore the forms that such a country might take and the forces that might shape it.
The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).
Design Observer's OBlog recently highlighted Pratt Manhattan Gallery exhibition Graphic Advocacy: International Posters for the Digital Age 2001 - 2012 (through 8/28), which demonstrates the potency of the art form as a catalyst for social and political change...
artDC Gallery hosts a group show of local talent in a multimedia exhibition titled Figure and Form Meet Abstraction.
The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).
In 1960, the Martha Jackson Gallery organized the exhibition New Forms — New Media, which was groundbreaking in its focus on the innovative new materials of the Read More»
In her first solo exhibition at Elizabeth Dee Gallery, Lisa Beck presents a new series of paintings that feature two humble geometric forms: the circle and the line.
This limited edition of yellow rubber mats forms part of a larger work, Matte Module, which was commissioned for the exhibition Early One Morning at the Whitechapel Gallery in 2002.
Past exhibitions include New Media - New Forms, Martha Jackson Gallery, New York (1960); Found Forms, Cross Talk Intermedia, Japan (1969); Multiple Interaction Team, MIT, Cambridge, MA (1972); Machine Art: An Exhibit of «InterGraphic» by Professor Stanley VanDerBeek, University of Maryland, Baltimore (1976); Steam Screens, Walker Art Center, Minneapolis (1981); Whitney Biennial, Whitney Museum of American Art, New York (1983); and New American Video Art: A Historical Survey, 1967 - 1980, Whitney Museum of American Art, New York (1984).
These will be installed, recreating Morris's exhibition of painted plywood polyhedron forms at New York's Green Gallery in 1964.
Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features 16 artists, and could easily be a visual essay on form and object - hood.
MAHWAH, N.J. — An unusual international exhibition combining 19th century Asian art with contemporary art forms opens on Wednesday, February 1, in the Kresge Foundation Gallery at Ramapo College of New Jersey.
The Kohn Gallery's latest exhibition, Engender, features 17 contemporary artists who are approaching a study of gender binaries through the classical form of painting.