Sentences with phrase «gallery exhibition catalogue»

For a discussion of LeWitt's method of making these projections see the 1986 Tate Gallery exhibition catalogue p. 14.

Whitechapel Art Gallery exhibition catalogue, p. 69).

Patricia Watts, ecoartspace founder and west coast curator was recently invited to write a short essay for a gallery exhibition catalogue titled Monsantra published by TNG Gallery in Calgary featuring the work of Canadian artist Wendy DesChene and American artist Jeff Schmuki.

Contrary to what is stated in the Tate Gallery exhibition catalogue of 1986, P02834 is one of the edition of forty - eight.

Following are excerpts from an essay for a Sheldon Memorial Art Gallery exhibition catalogue, «Robert Henri and the Eight,» 1971, by noted Henri scholar William Innes Homer:

Additional published works by Mr. Neuman include a museum exhibition catalogue essay for Lance Richbourg, Butler Institute Of American Art, Youngstown, Ohio; gallery exhibition catalogue essays for Daze and Victor Rodriguez; articles in «powerHouse» Magazine; an essay for the newspaper of MiArt, the Milan art fair; and a pictorial report for «artnet.com Magazine.»

Menschel Gallery exhibition catalogues are numbered 1 - 50.

Rare and out - of - print publications, limited edition books with prints, and Howard Greenberg Gallery exhibition catalogues.

Photography books by artists including Frédéric Brenner, Bill Burke, Edward Burtynsky, Bruce Davidson, William Gedney, Frank Gohlke, Dave Heath, Kenro Izu, Arthur Leipzig, James Karales, William Klein, Jessica Lange, Jungjin Lee, Saul Leiter, Leon Levinstein, Vivian Maier, Mary Ellen Mark, Joel Meyerowitz, Arnold Newman, Gordon Parks, Gilles Peress, Ken Schles, and Howard Greenberg Gallery exhibition catalogues will be on sale.

(lot of 16) Collection of gallery exhibition catalogues and artist monographs, including several from Hackett - Freedman Gallery, San Francisco (Manuel Neri, David Park, Richard Diebenkorn, Hans Hoffman, Max Weber, Frank Lobdell, Robert DeNiro Jr., etc); Karl Momen, Sam Francis, Helen Frankenthaler, Robert Motherwell

Not exact matches

,» 303 Gallery, New York, NY, April 12 — June 14, 2003 2002 «Liz Larner: Untitled,» Museum of Contemporary Art, Chicago, Chicago IL, May 1 — September 8, 2002, on MCA plaza in conjunction with Art Chicago / Pier Walk, curated by Dave Hickey 2001 «Liz Larner,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, December 2, 2001 - April 7, 2002, catalogue 1999 «Liz Larner,» 303 Gallery, New York, NY, May 15 - June 12, 1999 1998 «Liz Larner,» Regen Projects, Los Angeles, CA, June 27 — August 1, 1998 «Liz Larner: I Thought I Saw a Pussycat,» MAK, Austrian Museum of Applied Arts, Vienna, Austria, June 3 — August 9, 1998; catalogue 1997 303 Gallery, New York, NY «Liz Larner,» Kunsthalle Basel, Basel, Switzerland, curated by Peter Pakesch, June 8 — August 24, 1997, catalogue 1994 303 Gallery, New York, NY 1993 Jennifer Flay Galerie, Paris, France 1992 Peter Pakesch, Vienna, Austria 1991 Stuart Regen Gallery, Los Angeles, CA 303 Gallery, New York, NY 1990 Galleri Nordanstad - Skarstedt, Stockholm, Sweden 303 Gallery, New York, NY 1989 Galerie Peter Pakesch, Vienna, Austria, December 12 — January 20, 1990 303 Gallery, New York, NY 1988 Margo Leavin Gallery, Los Angeles, CA Selected Group Exhibitions:

The exhibition will be accompanied by a fully illustrated catalogue and a programme of talks and events in the gallery.

When it's a Photograph, curated by Soo Kim, Otis College of Design's Bolsky Gallery, Los Angeles, CA Busan Biennial, curated by Nancy A Barton and Michael Cohen, Busan Museum of Modern Art, Busan, Korea Mel's Hole, curated by Doug Harvey, Grand Central Art Center, Santa Ana, CA (exhibition catalogue)

The New Painting, Impressionism 1874 - 1886, exhibition catalogue, San Francisco, Fine Arts Museum of San Francisco with the National Gallery, Washington DC.

To read more about Rauschenberg's involvement with the environmental movement, see Robert S. Mattison's essay, «Robert Rauschenberg's Environmental Activism,» in the exhibition catalogue Last Turn — Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, March 6 — April 12, 2008.

1987 Tricia Collins and Richard Milazzo, Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, exhibition catalogue (Naples: Lia Rumma Gallery, 1987).

To accompany the exhibition, a fully illustrated catalogue was published, including texts by writers John Banville and Richard Bradford, as well as Larkin poetry (Other Criteria / Gagosian Gallery, 2007).

Jock Reynolds, American Abstraction at the Addison, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1991).

The gallery continues, «In his essay for the exhibition catalogue, William Agee describes Hofmann as going against the grain of the artistic canon of the day; «His art was too big, too bold, to be encapsulated in a few years after 1945, the years we generally identify as the heyday of abstract expressionism.»

Louis Grachos and Claire Schneider, Extreme Abstraction, exhibition catalogue (Buffalo, NY: Albright - Knox Art Gallery, 2005).

Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's vision.

[3] In 1975 the National Gallery of Canada, Ottawa, organized a Judd exhibition and published a catalogue raisonné of Judd's work.

The impressive program of exhibitions at Gagosian Gallery often including loans and illustrated catalogues, as was done for this special event, are first and foremost concerned with supporting the artists they represent.

SO FAR SO CLOSE, Exhibition catalogue, Almine Rech Gallery, 2017 255 PLATES, Triangle Books, Brussels, 2015 STUDIES FOR SUNSETS, Karma, New York, 2014 FUGUE, Triangle Books, Brussels, 2014 SCENIC DRIVE AHEAD, Bunk Edition, 2014 ON KNOWING AND NOT, John d'Agata and Jean - Baptiste Bernadet, Karma, New York, 2013 IF THERE IS A CHANCE, Jean - Baptiste Bernadet & Benoit Platéus, Karma, New York, 2011 ANONYMOUS, Jean - Baptiste Bernadet & Xavier Noiret - Thomé, Art Paper Editions, Gent, 2011

Exhibition catalogue Essay by Karen Wilkin Preface by Phillip March Jones Published by Andrew Edlin Gallery 2012 77 pages 11.5 x 9.75 inches $ 35 Click here to purchase

Louis Grachos and Claire Schneider, Extreme Abstraction: Revisited, exhibition catalogue (Buffalo, NY: Albright - Knox Gallery, 2012), 69.

1991 Tricia Collins and Richard Milazzo, Who Framed Modern Art or the Quantitative Life of Roger Rabbit, exhibition catalogue (New York: Sidney Janis Gallery, 1991).

1998 Selections, Winter 1998, The Drawing Center, New York, NY catalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CACatalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino Ka?

In an illuminating interview with Barbara Takenaga, which is included in the catalogue accompanying her exhibition of New Paintings at DC Moore Gallery (September 5 — October 5, 2013), Robert Kushner makes an observation that goes to the heart of a question that I want to raise about the artist's recent work:

In conjunction with the exhibition program, Dominique Lévy gallery produced a series of catalogues and monographs, including original essays by renowned art historians and writers and previously unpublished archival material.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

* This review (September 2011) incorporates part of the review written by Janet McKenzie for Studio International at the time of the National Gallery, London exhibition, in 2001, for which an excellent catalogue was produced.

2012 Roberto Paradise Josh Lilley Gallery, London, United Kingdom Pasiones Contemporaneas, Museo de Arte de Ponce, Ponce, Puerto Rico, curated by Maria de la Serna The Way In Popular Center, San Juan, Puerto Rico Curated by Io Carrion Someone Else's Dream, Hyde Park Art Center, Chicago, IL, Curated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My Cones At?

The gallery will publish a scholarly catalogue to accompany the exhibition.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

David Moos, ed., The Shape of Colour: Excursions in Colour Field Art 1950 — 2005, exhibition catalogue (Toronto: Art Gallery of Toronto, 2005).

Marco Livingstone, ed., Post Pop: East Meets West, exhibition catalogue, Saatchi Gallery (London: CentreInvest UK Limited, 2014), 15, 60, 134 — 135.

«Introduction,» in Chris Martin, exhibition catalogue (New York: Pierogi Gallery, 1997).

Dan Cameron, NY Art Now: The Saatchi Collection, exhibition catalogue, Saatchi Gallery, London (Milan: Politi, 1987).

Lauri Thompson, Peter Halley: Drawings 1991 — 1995, exhibition catalogue, Greenberg Van Doren Gallery, New York.

T03458 ANTONY AND CLEOPATRA 1982 Oil on canvas 114 1/4 × 113 5/16 (2893 × 2872) Inscribed «Gillian Ayres» b.r. Purchased from Knoedler Gallery (Grant - in - Aid) 1982 Exh: Gillian Ayres, Knoedler Gallery, April — May 1982 (20, as «Anthony and Cleopatra»); Gillian Ayres, Serpentine Gallery, November 1983 — January 1984 (17, as «Anthony and Cleopatra») Lit: Tim Hilton, introduction to Gillian Ayres, exhibition catalogue, Serpentine Gallery, November 1983 — January 1984, p. 16 as «Anthony and Cleopatra» The following entry is based upon a conversation between the compiler and the artist held on 8 April 1986 and has been approved by the artist.

Exhibition catalogue Essay by Michael Bonesteel Published by Andrew Edlin Gallery 2014 81 pages 11.5 x 9.75 inches $ 35 Click here to purchase

Phong Bui, from the exhibition catalogue essay, 2014 The Tibor de Nagy Gallery is pleased to present an exhibition of new works by the much admired sculptor John Newman.

- Carroll Dunham, from the exhibition catalogue essay, 2012 The Tibor de Nagy Gallery is proud to present an exhibition of new works by the much admired sculptor John Newman.

Piri Halasz, From the Mayor's Doorstep http://www.pirihalasz.com/blog.htm?post=907117 Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, PrinceExhibition Catalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, PrincetCatalogue Limestone Art Gallery, 2010 Karen Wilkin «Extreme Possibilities: New Modernist Paradigms» The Painting Center 2009 Katherine Rushworth, «The Call of Canastota» Central New York Magazine, May / June 2009 Sonja Freidman, «Susan Roth» La Palabra Isrealita, Santiago, Chile 2009 Clement Greenberg, «Interview with Clement Greenberg, (reprinted from, Susan Roth, A Minotaur Production: video Reader's Digest Foundation, 1988)», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princetcatalogue to the exhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeexhibition, UMass / Amherst 2006 J. R. Hughto «The Mirror Eye» documentary video 2005 Allen M. Jones «The Prescience of a Cranky Critic» L.A. Times 2004 Donald Kuspit, «A Critic's Collection», ArtNet, 2001 Karen Wilkin, «Clement Greenberg: a critical eye», Clement Greenberg, a critic's collection, Princeton Univ..

Peter Halley: Metallic Paintings, exhibition catalogue, Jablonka Maruani Mercier Gallery, Knokke, Belgium.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

The Jerwood Gallery's exhibition includes photographs, exhibition catalogues and archive material generously loaned by the William Scott Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James Scott.

2005 «Barnett Newman,» in The Shape of Color, exhibition catalogue (Toronto: Art Gallery of Canada, 2005).

Tracy Gill and Simeon Lagodich organized, curated frames, and wrote exhibition catalogues for four frame shows that traveled to bicoastal galleries, colleges, university, and two museums.