Sentences with phrase «gallery label from»
Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...
https://www.1stdibs.com/ Not exact matches
Everything from the hand - made favours by a hotel chocolat chocolatier, to all table names and labels for the Polaroid picture gallery hand typed by dymo by Jon's sister, to the Persian tea room for Great Auntie Jean and co. to enjoy.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, AMLABEL Digital Gallery Display allows museums to manage and display gallery and exhibition object content in real - time, without the cost of printing paper Gallery Display allows museums to manage and display gallery and exhibition object content in real - time, without the cost of printing paper gallery and exhibition object content in real - time, without the cost of printing paper labels.
Through the use of existing Wi - Fi networks and a customized CMS platform designed from the ground up, the digital gallery display allows museums to manage and display gallery and exhibition object content in real - time, without the cost or delay of printing paper labels.
For retail therapy, there's everything from the casual Sunday markets to designer labels and art galleries.
Unsigned, identified on a label from the Carl Siembab Gallery of Photography, Boston, affixed to More...
As the wall label pointed out, many of the paintings, which were pulled entirely from MOMA's collection, were exhibited in art galleries that used to be right around the corner from the museum itself.
A group primarily active during the 1990s, although the label — which derives from a series of exhibitions mounted in the mid 1990s at London's Saatchi Gallery — is still applied to some of its major members, such as Damien Hirst, Tracey Emin, and Jake and Dinos Chapman.
I was instantly drawn to the way she uses textures like Nigerian portrait fabric and symbols like food labels or magazine clippings to weave together memories from her childhood in Africa and her adulthood in the United States, creating her own cultural touchstones in the process.Since receiving an MFA from Yale University five years ago, 33 - year - old Akunyili Crosby has worked almost nonstop, building an impressive CV of prestigious art prizes and gallery shows across the US and in Europe.
Lunn Gallery stamp on the verso, identified on a label from James Corcoran Gallery, Los More...
Signed and dated in pencil on the recto, signed, titled, dated, and numbered 4 out of 25 in ink on the verso, per a label from Robert Klein Gallery, Boston, affixed to the backing.
We may get a few copies in the gallery, but do well and buy from (another house favorite) North Philly label Tequila Sunrise Records.
As facilitator of emergent forms, the Goodman Gallery works with curators and artists who question the current status of the art world, specifically problems that emerge from restrictive labels and one dimensional readings of the process of making of art in African contexts.
After deciding on an exhibition theme, the class planned all the details of the exhibition, from the gallery's layout to writing the object labels.
The painting's labels sit far from each painting on the gallery's wall, as if reaching out to one another to exchange identities.
Alex Katz (American, b. 1927) Matthieu Signed and dated «Alex Katz 89» u.r., identified on labels from Pace Wildenstein, New York, and Barbara Krakow Gallery, Boston, and on an exhibition label More...
Oil on canvas Typical of the artist portrait of a woman removed from canvas places on panel early tack marks evident signed lower left gallery label on verso The dimensio...
Andy Warhol (American, 1928 - 1987) Still Life Unsigned, titled and dated»... 1975» on a label from Paul Kasmin Gallery, New York, stamped with the marks of the artist's estate and of the Andy More...
Childe Hassam (American, 1859 - 1935) At the Grand Prix, c. 1887 Signed «Childe / Hassam» l.r., inscribed «given to me by A.L.A for Victorian Room» on a label from Worth Avenue Gallery, Palm More...
Barred by her family from going to art school, Cianciolo became a designer instead, but her first runway show was at New York's Andrea Rosen Gallery in 1996, and she worked with Kim Gordon on Gordon's label X-Girl, intersected with the skater crowd, sometimes included spoken - word performances in her presentations of collections and showed Fluxus - related art at a Tokyo gGallery in 1996, and she worked with Kim Gordon on Gordon's label X-Girl, intersected with the skater crowd, sometimes included spoken - word performances in her presentations of collections and showed Fluxus - related art at a Tokyo gallerygallery.
Katherine Bradford (American, b. 1942) Horse Costume Initialed and dated «KB 97» l.r., titled, signed, and dated»... / K Bradford /...» on the reverse, with a label from Obelisk Gallery, Boston, More...
The exhibition is unabashedly ambitious and pedagogical: Three hundred works by more than seventy individuals and collectives spread across seventeen galleries, with extensive wall labels culled from primary sources and the leading scholarship.
Andy Warhol (American, 1928 - 1987) Still Life Unsigned, titled and dated»... 1975» on a label from Paul Kasmin Gallery, New York, stamped with the marks of the artist's estate and of the Andy Warhol Foundation for the Visual Arts on the reverse l.r., inscribed «VF / 61.010» on the reverse l.r. Pencil on ivory wove paper, 28 x 40 1/2 in.
Having personally labelled his creative practice as «Black Dada», the post-war influences can be seen spread throughout the gallery; photography and excerpts from public speeches are carefully layered to create an installation which both unifies and recontexualises individual elements, inviting a new discourse influenced by existing social structures and iconography.
The notion of a Northwest School, like most labels, was devised from outside Seattle during the late»30s and war years, when Tobey — eldest and most traveled of the Big Four — and Graves first drew notice in New York museums and galleries.
A set of toggle switches labeled «guns» and «bombs» tempt the spectator to convert the gallery into an apocalyptic control room from which to wage an invisible war.
In fact, this painting in LAMA's upcoming auction still retains a label verso from Ferus Gallery.
Signed and inscribed «Frankenthaler (Woodcut, mulberry juice, and crayon)» in pencil l.l., identified on labels from The Morris Museum, Morristown, New Jersey, and the André Emmerich Gallery, New York, on the backing.
Organized in collaboration with South Hampton High School, this group exhibition was framed by themes (Emerging, Assumed, Missing, Encoded, Local and Tribal Identity) and engaged students in the process of making studio and gallery visits, writing interpretive wall labels and catalogue entries, as well as selecting works from the museum's permanent collection.
(127 x 243.8 cm) Medium: Digital chromogenic print Credit Line: Purchased with funds from the Art Trust Fund Endowment Object Number: 2013.13 Culture: Irish Marks: Label at verso lower right in window adhered to support: JACK SHAINMAN GALLERY / 513 WEST 20TH STREET NEW YORK NY 10011 / TEL: 212-645-1701 / FAX: 212-645-8316 / RICHARD MOSSE / LOVE IS THE DRUG, 2012 / DIGITAL C - PRINT / 50 X 96 INCHES / 52 X 98 X 3 FRAMED / EDITION 3 OF 5 WITH 1 ARTIST PROOF / RIM12.015.
J. Jean Dubuffet (French, 1901 - 1985) Situation LXXXXI (a l'arbre) Signed and dated «J.D.» 79» l.l., titled on labels from Pace Gallery, New York, and Hokin Gallery, Palm Beach, affixed to the More...
Elizabeth Murray (American, 1940 - 2007) Untitled, Fall, 1987 Unsigned, identified on labels from Pace Wildenstein, Paula Cooper Gallery, and the Stedawill Foundation, all of New York, on the More...
Numbered, signed, and dated «58 - 175 Trova 1969» l.r., identified on a label from Pace Gallery, New York, on the frame backing.
82» in pencil l.r., identified on a label from Paula Cooper Gallery, New York, affixed to the backing.
Cibachrome, 16 x 20 inches (405 x 508 mm), signed, dated, and numbered 1 from the edition of five in pencil on verso, with the Marian Goodman Gallery label on back mat.
Hugh R. Townley (American, b. 1923) Re-Entry Signed, inscribed, and dated «HUGH TOWNLEY / Bristol R.I.... 1961» and identified on a label from The Pace Gallery, Boston, on the reverse.
Louise Nevelson (American, b. 1899) End of Days XXVI, 1972Unsigned, labels from Harcus Krakow Galleries, Boston, and The Pace Gallery, NewYork, on the reverse.Wooden construction in black, 32 x 16 More...
James Siena (American, b. 1958) Noiseless, 1998 Incised title, year, and signature»... 1998 James Siena» on the reverse, and identified on a label from Daniel Weinberg Gallery, Los Angeles, on the reverse.
82» in pencil l.r., identified on a label from Paula Cooper Gallery, New York, affixed to More...
Elizabeth Murray (American, 1940 - 2007) Untitled, Fall, 1987 Unsigned, identified on labels from Pace Wildenstein, Paula Cooper Gallery, and the Stedawill Foundation, all of New York, on the frame backing.
Signed and dated in pencil lower right corner: «Calcagno 56» Provenance: Martha Jackson Gallery (label) Gift from Martha Jackson to Mrs. David K. Anderson as a wedding gift, 1958...
Romare Bearden (American, 1911 - 1988) On Such a Night as This Signed «Romare / Bearden» l.r., titled u.c., with a label from Seventeen Wendell Street Gallery, Cambridge, affixed to the frame More...
The installations have been placed spaciously and without excess information or labels on the walls allowing you to move around the objects, reflect and come to your own conclusions without having your eyes bombarded with information from the gallery.
Philip P. Quayle (American, d. 1931) Lot of Seven Stills of a Bullet Shot from a Gun Barrel Each marked «SPARK PHOTOGRAPH / BY / PHILIP P. QUAYLE / THE PETERS CARTRIDGE CO.» within the image l.l., a label from the Gallery of Graphic Arts, Ltd. on the reverse.
Helen Frankenthaler Jade 1976 Acrylic on canvas Signed lower left; signed, titled, and dated verso; retains André Emmerich and Ameringer McEnery Yohe Gallery labels verso Canvas: 44.5» x 41.5»; Frame: 45.5» x 42.5» Together with copy of invoice from André Emmerich Gallery
Investigations (with labels from the Solomon R. Guggenheim Museum (lent by Sonnabend), Leo Castelli Gallery and David Nolan Gallery), 1990
Verso with label from Stein Gallery, St. Louis, Missouri and Ivey - Selkirk Auctioneers, St. Louis, Missouri label with handwritten 599 for lot number.
Bears labels from the David McKee Gallery on West 57th Street in Manhattan (McKee represented the Estate of Philip Guston for many years), and the Museum of Contemporary Art, Chicago (Annual Art Auction, 1973), Hand signed and dated verso, also artist has written his name and home address on the verso.
Bears labels from the David McKee Gallery on West 57th Street in Manhattan (McKee represented the Estate of Philip Guston, before they closed their gallery), and the Museum of Contemporary Art, Gallery on West 57th Street in Manhattan (McKee represented the Estate of Philip Guston, before they closed their gallery), and the Museum of Contemporary Art, gallery), and the Museum of Contemporary Art, Chicago
Signed and dated «Frankenthaler» 73» in pencil l.r., numbered «2/21» in pencil l.l., identified on a label from the Harcus Krakow Gallery, Boston, on the backing.