Raphaelle Goethals and John Henry exhibit in their second feature shows at Cumberland
Gallery signature work, respectively large scale encaustic paintings and metal sculpture.
Not exact matches
Not exhibited since Donegan's first solo exhibition at Elizabeth Koury
Gallery in New York in 1993, High Line Art presents Guide (1993) and Sunflower (1993), two short
works that showcase Donegan's
signature quick, gestural style.
Visitors will enter the new space through Building 5, the
signature gallery for MASS MoCA's large - scale installations, which will feature Nick Cave's Until through Labor Day 2017, or through Building 8, where a light - based
work by Spencer Finch has been on view since February 4.
Yunhee Min is a master colorist whose
signature works — often featuring geometric color blocks in rainbow hues — have graced museums and
galleries across the country.
The exhibition, curated by
gallery director Indira Cesarine, will feature over fifty watercolors by the artist, who will be presenting a new series of large - scale watercolor paintings along with many of her
signature works.
The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art
Gallery at Skidmore present an exhibition featuring
works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her
signature canvases drawn from a variety of private and public collections.
One of the National
Gallery's most famous paintings, The Fighting Temeraire tugged to her last Berth to be broken up (1839), will be depicted along with a self - portrait from Tate Britain, Turner's
signature, and a quote — «Light is therefore colour» — that sums up one of the most celebrated aspects of his
work.
Exhibited across two floors of the
gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the artist's earlier years selling his
work in Venice, California, to one of his
signature, immersive flower - like explosions, which can be read as either the conceptual origin or the end point of all other
work.
The exhibition at the New Museum will include a selection of
works ranging from the»60s through the present, including a new site - specific rendition of Bernstein's
SIGNATURE PIECE (1986/2012), painted in explosive gestural strokes directly onto the Lobby
Gallery windows.
I wrote him a note in the
gallery's
signature book: «Look, I love your
work.
The
gallery will show
signature highlights from Kogelnik's oeuvre including
works from the 1960s.
Curated by
gallery director Indira Cesarine, the show will consist of over 50 watercolor paintings by Fahren, including a brand new series of large - scale pieces along with many of her
signature works.
The inclusion of a few classic Bearden collages, installed in the same
gallery space as the undated Untitled (multicolor stripes), complete the story of a painter who arrives at his
signature work through the slow meandering that defines most artist's lives.
In this, the artist's first solo exhibition at Marlborough
Gallery since 2013, Güneştekin lends his
signature detailed, combed brushwork, rich symbolism, graphic lines and intense color schemes to artwork in textiles, ceramics, and metal, in addition to oil on canvas
works.
The uniformity of the placement of the artist's
signature and inscriptions across all five White Paintings suggests that Rauschenberg added these marks at the same time, perhaps as he was preparing to show the
works at Larry Gagosian
Gallery, New York, in 1986, or in the traveling retrospective organized by the Solomon R. Guggenheim Museum, New York (September 19, 1997 — March 7, 1999).
In fact, the
signature performance documentation seemed an afterthought (as virtually anything relegated to the space's misbegotten
working corridor «
gallery» inevitably does), here represented simply by a trio of photographs, all 2010, depicting actions in which different chairs are «worn» in ways that torque and distort the subjects» bodies.
The smaller - scale
work at Half
Gallery has the
signature aspects of those earlier paintings, but raises questions about her larger intent.
This association with nature is
signature for Merris, as suggested by many of the exhibitions in which his
work is featured or included, such as The Secret Life in summer 2015 at Murray Guy
Gallery in New York, which brought together cross-generational artists who «approach the natural world with an intuitive sense of curiosity and profound inventiveness.»
Debuting two weeks ahead of her new show at Jack Hanley
Gallery, the
work is comprised of dozens of pieces, spanning Etruscan - inspired vessels, long - stemmed flowers, pinch pots, and a turtle that's been sliced in half, all done in her
signature matte black glaze.
On view from May 1 to June 14, 2014, at Art Projects International's expanded ground floor
gallery space, the exhibition will be the largest showing of Il Lee's
signature ballpoint
works in New York in recent years.
New York - based artist Miya Ando is currently having her first solo exhibition at Sundaram Tagore
Gallery in New York, showcasing her
signature burnished steel and anodized aluminum
works that deftly tie together abstraction, industrial fabrication, spiritual subject matter, and the lessons of American minimalism.
At Michael Werner
Gallery, Peter Doig presented
works in his
signature ethereal style.
Lydia was the 2017 recipient of the Individual Artist Fellowship from the Tennessee Arts Commission and will have
work featured in upcoming exhibitions at
Signature Shop &
Gallery, Lillstreet
Gallery, and the Artstream Nomadic
Gallery.
In addition to making
work for exhibition (her show of 3D - printed sculptures in her
signature pearlescent white at Sean Kelly
Gallery received positive reviews earlier this year), Mori has lately been occupied with running the Faou Foundation — an organization dedicated to promoting her idea of oneness through site - specific installations.
Five
works from Campbell's signature Low Resolution Works series occupy the first gallery and a singular work of monumental scale titled Collision of Harmonies by ZHANG Peili will be mounted in the second gal
works from Campbell's
signature Low Resolution
Works series occupy the first gallery and a singular work of monumental scale titled Collision of Harmonies by ZHANG Peili will be mounted in the second gal
Works series occupy the first
gallery and a singular
work of monumental scale titled Collision of Harmonies by ZHANG Peili will be mounted in the second
gallery.
These two
works and its compatriots, which are central in the main
gallery, are guarded by Chloe Seibert's giant cement bloodhound, which was created on - site within the
gallery space with the intention of being large enough not to fit through any of the Contemporary's doors (Seibert's
signature hat trick).
The adjacent
gallery presents an installation of new
works in the artist's
signature azure blue.
I first saw Stockwell's
work at the Genovese Sullivan
Gallery in Boston — two solo shows, I think — and though his imagery has evolved, those circles and their undulating patterns remain a
signature of his
work.
The film is presented as part of an immersive installation on MoMA's 3rd floor Elaine Dannheiser Project space, an expansive
gallery painted to match Syms»
signature [The Color] purple (see martinesyms.com), and equipped with a series of movie poster - sized photographs that transform into moving image
works with the addition of a site - specific augmented reality app called WYDRN (ie.
One day, while Gordon was
working the front desk at Gagosian, a young artist named Richard Prince walked into the
gallery carrying a portfolio of «rephotographed watch ads,» which, as if to appear in the know, he had packaged in the «signature awful frames» of Gagosian G
gallery carrying a portfolio of «rephotographed watch ads,» which, as if to appear in the know, he had packaged in the «
signature awful frames» of Gagosian
GalleryGallery.
Along with these new
works, Olek will cover the
gallery from floor to ceiling in her
signature crochet.
Chuck Close's
signature portraits writ large occupy the elegant space like old friends, one
gallery devoted to recent
work, the other to earlier
work, like a graphic self - portrait on a simple grid from 1974, bespectacled with flowing hair.
The
work on show at Plus One
Gallery juxtaposes his
signature massive painted portraits, with small pencil drawings which mirror in miniature the painted images.
Separated into distinct body of
works from his versatile arsenal, the first of seven exhibitions started at Michael Kohn
Gallery with some of his
signature iconographic
work bursting with color and detail entitled simply Recent Paintings.
His
signature paintings of ethereal clouds of color are featured in a handsome retrospective at Edison Place
Gallery (organized by the Washington Arts Museum), along with his harder - edged but no less spiritual early
work.
Multidisciplinary artist Siwa Mgoboza, known for his
signature bold textile and photographic
works, joins us from South Africa to talk about his solo exhibition at the Matter
Gallery, «Once Upon A Time In Africadia,» which runs November 8 - January 7th at Matter
Gallery 344 Westmoreland Ave N, Toronto.
A 1958 exhibition of Jackson Pollock's
work at Whitechapel
Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley began to develop her
signature Op Art style consisting of black and white illusionistic patterns.
From the vast body of Group of Seven and
signature Canadian
works to the African art
gallery, from the cutting - edge contemporary art to Peter Paul Rubens» masterpiece The Massacre of The Innocents, the AGO offers an incredible art experience with each visit.
The first landscape invitational hosted by Arcadia, the
gallery sought painters whose
works displayed two specific qualities: a very high level of skill and a unique,
signature style.
Long time artist of the
gallery, Greg Noblin returns with a fresh series of his
signature Panelist
works.
Long time artist of the
gallery Lela Brunet showcases a new group of her
signature mixed media
works blending detailed figures, colorful patterning, gradients with silver and gold leaf.
This homecoming exhibition is the largest showing of Lee's
work in Korea and will feature his
signature works — large - scale ballpoint
works on canvas and on paper — along with his new oil on canvas
works, and will be presented at
Gallery Hyundai located at 80 Sagan - dong, Jongno - gu, Seoul.
Synecdoche is Kim's
signature work, which was started in 1991 and exhibited in the Whitney Biennial in 1993, is in the permanent collection of the National
Gallery in Washington, DC.
The regained breath of space allows taking in with one glance each of the
gallery walls, where
works are knowingly grouped so to highlight, respectively, the heterogeneous material supports Ryman used, the attention he gave to the joints between the painting and its backdrop, the manifold modes of paint application, and the muted nuances coming across layers of his
signature white paint.
2013 Sasol new
signatures award exhibition, Pretoria Art Museum, Pretoria, South Africa 2013 [
Working Title], curated by Emma Laurence, Goodman
Gallery, Johannesburg, South Africa 2013 In the night I remember, curated by Kabelo Malatsie, Stevenson
Gallery, Johannesburg, South Africa 2013 Greatest Hits 2012: If The Halls Could Talk, curated by Kirsty Cockerill, Association for Visual Arts
Gallery, Cape Town, South Africa
Mingle in the
galleries with artists, enjoy
signature cocktails and specialty hors d'oeuvres, and experience a fresh look at
works from the Parrish's collection amid the company of friends.
But it is likely that Kline was aware of these
works, given the two artists» longstanding friendship; given these
works» proximity in style to Kline's
signature style; given that de Kooning and Kline both found themselves in New York after de Kooning's return from Italy in January of 1960 and before Kline's departure for France and Italy in June of 1960; and given that during this period de Kooning and Kline met at least once: at the opening of Kline's exhibition of new paintings at the Sidney Janis
Gallery, which represented de Kooning.26
Alongside the
work that Dwan showed in her East and West Coast
galleries, there are also maquettes for
gallery invitations, old - fashioned - looking ledger books with installation plans, and various guest books — one of which was open to a page with
signatures by, for example, Marcel Duchamp, Lucy Lippard, and Clement Greenberg.
Entering the
gallery, one finds an interactive screen offering an introduction of Szpakowski to Lower East Side
gallery hoppers who are mostly novice to his
work, including some of his early drawings to track the transformation of his
signature fashion.
At its annual meeting in March, the Collectors Committee of the National
Gallery of Art made possible the acquisition of Piano / Piano (1963 — 1965/2011) by Richard Artschwager, a major example of the wooden sculptures that employ Formica as a laminate, for which he is known; Plaster Surrogates (1982/1989) by Allan McCollum, the last large grouping available of the artist's
signature works in this series; and Condensation Wall (1963 — 1966/2013) by Hans Haacke, a breakthrough kinetic
work from the artist's early career.