Sentences with phrase «gambino organized crime family»

Imagine what would happen if a priest abused the son of a powerful family, perhaps an organized crime family?
The Mafia super-group, called the East Coast LCN Enterprise, included members of the Genovese, Gambino, Luchese, Bonanno and Philadelphia organized crime families, and Parrello is suspected of leading a crew based out of Rigoletto, located at 2311 Arthur Ave., at East 184th Street, according to the indictment and the Manhattan U.S. Attorney's Office.
Theatrical Distributor: Screen Gems Official Site: Release Date: January 12, 2018 DVD / Blu - ray Release Date: April 10, 2018 Synopsis: Mary (Taraji P. Henson) is a hit woman working for an organized crime family in Boston, whose life is completely turned around when she meets a young boy whose path she crosses when a professional hit goes bad.
A hit woman working for an organized crime family in Boston gets completely turned around when she meets a young boy whose path she crosses during a professional hit.
Proud Mary: A hit woman working for an organized crime family in Boston has her life completely turned around when she meets a young boy whose path she crosses during a professional hit.
Working for an organized crime family in Boston, Mary's...
Synopsis: Henson is Mary, a hit woman working for an organized crime family in Boston, whose life is completely turned around when she meets a young boy whose path she crosses when a professional hit goes bad..
Teachers being led away in handcuffs and facing sentences usually reserved for members of organized crime families is as clear an indicator as any that high - stakes testing in this country has truly run amok.
For the first time ever in the series players will define their own organized crime family, be immersed in New Bordeaux, a re-imagined 1968 New Orleans open world setting, and take down their enemies any way they choose.
You play as a vigilante who put himself a mission to take down the Romanos organize crime family.
But in his later career, before his death in 1995, he took on clients who didn't seem to fit with activist image — an Islamic fundamentalist charged with murdering a rabbi, a terrorist accused of bombing the World Trade Center, a teenager charged with participating in a near - fatal gang rape, and members of the Gambino organized crime family.

Not exact matches

The educational emergency in Mexico, broken families, corruption and inefficiency in the distribution of the nation's resources, injustices in international trade that mean fewer jobs, and those poor - paying, for Mexican youth — all these contribute to organized crime and to common crime, but it is still true that every boy born into poverty is a potential saint as well as a potential assassin.
People are afraid to give information on organized crime to authorities due to fear of retribution, both as witnesses and as arrestees (and low - income people also face the backwards carrot pressure - at least with Italian mafia in USA - that if you get caught and don't snitch, the mafia will take care of your family).
Giannoulias, whose family bank failed, I'm sure had nothing to do with the millions in loans he approved to people associated with organized crime.
Under the stewardship of a Mario Cuomo - appointee and close family friend, the center was dominated by organized crime interests.
The nickname is a humorous allusion to the Mafia families who dominated organized crime in New York City.
It isn't long before the Restrelli family patriarch reveals to Tony that his brother was a victim of a mob hit — and that his family has long been enveloped in the tentacles of organized crime.
Its themes of juggling family and work also relate to that celebrated contemporary, but the fact that the work involves organized crime seeping into a legitimate business recalls The Godfather, as do some of its boldest beats.
Looking to expand his empire, Diaz (guest star Kirk Acevedo) and Laurel (Katie Cassidy) meet with The Quadrant, a coalition of mafia families who run national organized crime.
In «Tokyo Knights» (1961), a college student takes over the family business in the field of organized crime, while «The Man with a Shotgun» (1961) marks Suzuki's first entry into the territory of the «borderless» Japanese Western.
«Capo» Nick Capelli emerges from prison into a world where his once strong mafia family — and the very fabric of Italian organized crime itself — has eroded, leaving him with no direction, but an uncontrollable need to try to recreate his past life.
James Norton stars as Alex Godman, a man trying to outrun the organized crime DNA running through so many of his family members.
Now, the streets of Liberty City are in turmoil, as warring families vie for control and the town begins to self - destruct under waves of political corruption, organized crime, drug trafficking and union strikes.
The work's staged depiction of assassination, punishment, and interment are based on actual events that involved Aragón's extended family and their brushes with what the artist describes as «organized crime, [the] abusive pursuit of land ownership, and involvement in social corruption.»
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
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