Sentences with phrase «gelatin silver process»

Introduced in the 1870s, the gelatin silver process became one of the most important methods of printing black and white photography in the twentieth century.

With carefully crafted compositions reminiscent of the symbolist photographers, and swathes of meticulously printed deep black tones characteristic of the gelatin silver process, Langer's images nonetheless resist the bounds of medium, as much Hopper and Raymond Chandler as Steichen.

Meanwhile, black - and - white images such as People on the Street (ca. 1980), captured using a 35 mm camera and printed using the traditional gelatin silver process, convey both an of - the - moment immediacy and a subtle aesthetic awareness.

Not exact matches

Alison Rossiter, «Haloid Platina,» exact expiration date unknown, ca. 1915, processed in 2010, 2010 Gelatin silver print; 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.)

Alison Rossiter From the series Landscapes Defender Argo, (# 5) expired September 1911, processed 2014 Gelatin Silver Print Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

Alison Rossiter Nepera Chemical Company Carbon Velox, (# 1) shipped from works November 8, 1897, processed 2014 Gelatin Silver Print 8 ″ × 5 ″ each element Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

Alison Rossiter From the series Fours Haloid Military, (# 11) expired October 1957, processed 2015 Four Gelatin Silver Prints Unique © Alison Rossiter, Courtesy Yossi Milo Gallery, New York

A 45» wide processing sink is available for making large - scale gelatin silver prints.

The Denis Roussel Award is for photographers whose work is based on the historical / alternative photographic processes, including silver gelatin.

Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gsilver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery

The collection spans much of the twentieth century and encompasses many different processes, including gelatin silver, cyanotype, collodion, hand - tinted, chromogenic color, and Polaroids.

Latif Al - Ani 1961 Photographic process gelatin silver negative on film, 6 x 6 cm.

Denis Roussel Award The Denis Roussel Award is for photographers whose work is based on the historical / alternative photographic processes, including silver gelatin.

Her personal work includes gelatin silver prints, hand - colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes).

Articulated by or within a field of deep Persian blue, images produced by this rudimentary two - chemical photographic process can be more graphically beguiling than even the most richly toned silver gelatin print.

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

I've always been attracted to the luscious surface and tonal depth of the silver gelatin print, and it is my favorite process and material to teach to young photographers for its ability to elevate consciousness, consideration, and deliberateness.

Crane allows just one contact print to a gelatin silver sheet, its broad edges blackened in the process.

The documentation of her process through physical objects continues upstairs in the vault gallery with silver gelatin prints of various worked fabrics, each a testament and witness to the invisible but powerful reality of creative energy.

Like a gelatin silver print, an older photographic process, the chromogenic color print uses paper coated in several layers of gelatin mixed with silver.

Alison Rossiter has worked with the materials and processes of light sensitive gelatin silver based photography since 1970.

Each appropriated piece offers it's own course in which to channel history, precipitating new stories through a range of alternative processes including wet plate collodion, silver gelatin prints, image transfers on film, collage, and 3 - D mixed media objects.

The exhibition is comprised of gelatin silver prints of Busse's photographs taken in his native rural northern Germany which are then altered via darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.

The meditative process of photographing the landscape continues in the darkroom, where van der Molen prints her gelatin silver prints by hand.

Since 2007, she has processed sheets of expired gelatin silver paper in photographic chemicals in the darkroom.

The pictures of children are gelatin silver prints, a standard twentieth - century darkroom method; and the chrysalises are pigment prints, a present - day process.

Made within the past year, the roughly fifteen photographs exhibited in The Outside World are large - format, black - and - white gelatin silver contact prints, made using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot.

we like small things curated by Jennifer Keats, presents photographic work in progress, one - offs, inkjet prints, silver gelatin, alternative processes and more.

Photographer Alison Rossiter describes her unique process of creating fluid photo abstractions on expired silver gelatin photographic paper manufactured in the 20th century.

Salt on Silver is a new body of work inspired by site visit to the Dead Sea as well as a personal re-discovery of older photographic processes: gelatin silver printing and salt priSilver is a new body of work inspired by site visit to the Dead Sea as well as a personal re-discovery of older photographic processes: gelatin silver printing and salt prisilver printing and salt printing.

In the first years of the 1900s, several of these artists seceded, or broke away, from the mainstream use of the camera as a tool for mechanical reproduction and embraced a new style that emphasized the role of craftsmanship.Through such labor - intensive processes as platinum, gum - bichromate, bromoil, and silver gelatin printing, they created rich, tonally subtle images.

Clearly Stieglitz also obsessed over the printing process for this image, as a photogravure, carbon print, and gelatin silver print are all on view, in which he tweaked the texture of the snow and the scale of the shadowy coachman within the image.

Although her project has a far less clear relationship with digital technology (the photographs are mostly gelatin silver prints and the wood carvings are physical objects), it mimics the mediating process of memory, examining the way in which sites and the events that they symbolise become distorted and gain and relinquish meaning through the act of representation and re-representation.

Haloid Platina, exact expiration date unknown, about 1915, processed 2010, 2010, Alison Rossiter, gelatin silver print.

Kilbourn Acme Kruxo, exact expiration date unknown, about 1940s, processed 2013, 2013, Alison Rossiter, gelatin silver print.

His use of materials is, to use the same word with a different meaning, impressively appropriate: the silver gelatin process gives the images, though contemporary, a faded archival aura, like old 19th century ethnographic photography, while evoking the shiny metallic surfaces of modern cars.

If you've ever taken a darkroom course, you likely began by learning silver gelatin printing, a process that's associated with the black - and - white work of early - 20th century photographers of all movements — Bauhaus, street, photojournalism, you name it.

Though obliquely referential, the images are more about the material and process than anything concretely object - like to be found in the gelatin silver, Mordançage, and tintype formations.

Edward switched to the glossier, sharper, and higher - contrast gelatin silver papers that would become characteristic of modernist photography after seeing Brett's work with the process.

The photographic images published in her first book are processed from gelatin silver prints, in a square format, which without a surprise is ideal for fine art photography because elements in this space frame become stronger.

Alison Rossiter, American, born 1953, Eastman Kodak Azo Hard C Grade, expired November 1917, processed 2010 (# 2), 2010, gelatin silver print, 35.5 × 43 cm (14 × 16 15/16 in.)

Nearly every photographic process from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver, cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.

Bridging nineteenth and twenty - first century photographic technologies, Gerry Giliberti has created a series of landscapes and contemporary views using a photographic technique that was popular in the past - the gelatin silver chloride contact printing process.

He crafts each one of his prints by utilizing two traditional darkroom methods, gelatin silver and platinum / palladium printing processes.