Sentences with phrase «general group exhibition»

The Survival Guides for Ballroom Dancers, Renovators, Softball Moms, Working Parents and Troubled Folk in General group exhibition is on at Middelberg's Vleeshaal, opening July 2 and running to September 11.

Not exact matches

Her work has been featured in solo exhibitions at NICC, Brussels (2017), the Palais de Tokyo, Paris (2016), Yerba Buena Center for the Arts, San Francisco (2015), The Wexner Center for the Arts, Columbus (2010), and Art in General, New York (2009), and in group exhibitions at Göteborg Konsthall, Sweden (2017), White Cube Bermondsey, London (2017), The Hammer Museum, Los Angeles (2014), ICA London (2012), Guangdong Times Museum, Guangzhou, China (2011), P.S. 1, New York (2010), and Oakville Galleries, Toronto (2010), among many others.

Its seasonal New Prints exhibition, curated by Nicola López and titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).

In 1969 he formed the artists» group General Idea with Felix Partz and Jorge Zontal; for the next 25 years they lived and worked together to produce the living artwork of their being together, undertaking over 100 solo exhibitions, and countless group shows and temporary public art projects.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

Solo, group exhibitions and installations include: Parrish Museum, Southampton, NY; Guild Hall Museum, East Hampton, NY (solo); Pamela Williams Gallery, Amagansett, NY; Flinn Gallery, Greenwich, CT; Alex Ferrone Gallery, Cutchogue, NY; Art in General, New York, NY; Atlantic Gallery, New York, NY; Cape Cod Museum of Art, Dennis MA; Islip Museum, Islip, NY; Katonah Museum of Art, Katonah, NY; Institute of Contemporary Art, Boston, MA; De Cordova Museum, Lincoln, MA; New England School of Photography, Boston, MA (solo); Fuller Museum of Art, Brockton, MA; and Cloitre des Billettes, Paris, France.

Her work has been featured in solo exhibitions at the Palais de Tokyo, Paris (2016), Yerba Buena Center for the Arts, San Francisco (2015), The Wexner Center for the Arts, Columbus (2010), and Art in General, New York (2009), and in group exhibitions at The Hammer Museum, Los Angeles (2014), ICA London (2012), Guangdong Times Museum, Guangzhou, China (2011), P.S. 1, New York (2010), and Oakville Galleries, Toronto (2010), among many others.

Flux commissions new works from the general public through quarterly open calls in thematic group exhibitions.

He has had solo shows at the Institute of Contemporary Art (ICA), Philadelphia (2008); Konsthall C, Stockholm (2009); Fundación Alzate Avendaño, Bogotá (2009); Smack Mellon, Brooklyn (2009) and Art in General, New York (2008); and has been included in group exhibitions such as the upcoming X Biennale de Lyon (2009); The Greenroom, CCS Bard Hessel Museum of Art, Annandale - on - Hudson, New York (2008); Soft Manipulation, Casino Luxembourg (2008); 5x5 Castelló, Espai d'Art Contemporani de Castelló, Spain (2009) and Democracy in America, Creative Time, New York (2008).

The residency program culminates in a group exhibition at the NARS Foundation Gallery and / or an Open Studio event that is open to the general public.

The day after our exhibition opening for both «Between Here and There» and «Your General Store», groups of students from Sierra Middle School visited the UAG to take a look at these exhibitions.

His exhibition highlights include: Solo Exhibitions: Keep Record, Chicago Artist Coalition, Chicago, IL, The Sand is Ours at Lesley University's Vandernoot Gallery & Rhode Island University's Chazan Family Gallery (Solo exhibitions); Selected Group Exhibitions: Love The Giver, The Franklin, Chicago, IL, Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute oexhibition highlights include: Solo Exhibitions: Keep Record, Chicago Artist Coalition, Chicago, IL, The Sand is Ours at Lesley University's Vandernoot Gallery & Rhode Island University's Chazan Family Gallery (Solo exhibitions); Selected Group Exhibitions: Love The Giver, The Franklin, Chicago, IL, Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute Exhibitions: Keep Record, Chicago Artist Coalition, Chicago, IL, The Sand is Ours at Lesley University's Vandernoot Gallery & Rhode Island University's Chazan Family Gallery (Solo exhibitions); Selected Group Exhibitions: Love The Giver, The Franklin, Chicago, IL, Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute exhibitions); Selected Group Exhibitions: Love The Giver, The Franklin, Chicago, IL, Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute Exhibitions: Love The Giver, The Franklin, Chicago, IL, Ground Floor: A Biennial Exhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute oExhibition of New Art from Chicago, Hyde Park Art Center; STEADY MESS, Bureau of General Services — Queer Division in Manhattan (in collaboration with the Fire Island Artist Residency); Blindspots, Xpace Cultural Centre in Toronto [in collaboration with Toronto Pride]; 50 x 50 Invitational, Chicago Cultural Center; and New Work: New Art at SAIC, Sullivan Galleries, School of the Art Institute of Chicago.

Exploring the light and dark through art, the group exhibition at Gladstone Gallery raises questions regarding the dichotomy as a concept in general.

AA Bronson + General Idea, 1968 — 2018 is the first exhibition to juxtapose in one space a selection of works by both the group and its surviving member, AA Bronson.

He has also participated in select group exhibitions at JOAN, Los Angeles; Art in General, New York; Derek Eller, New York; Spiral Gallery, Los Angeles; and Arthouse, McAllen, TX.

Recent solo and group exhibition include Art in General, BRIC Rotunda Gallery, Momenta (all NYC); Samson Projects (Boston, MA); Illinois State Museum (Lockport, IL); Western Exhibitions, University of Illinois (both Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among many others.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thexhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Galveston Arts Center and Ken General of Duende Art Project, in cooperation with Fresco Books and Wade Wilson Art, are pleased to present TEXAS ABSTRACT, a large group exhibition showcasing 30 of the most significant contemporary Texas abstract artists working in painting and sculpture.

Solo and two - person exhibitions include Alex Ito & Erika Ceruzzi at Springsteen Gallery in Baltimore, Water McBeer Gallery in San Francisco, Art in General in New York, Steve Turner Contemporary in Los Angeles, and The Still House Group in New York.

Her work has been included in group exhibitions at the Young Art Center, The Consulate General of Mexico, SFMOMA Artist Gallery, all in San Francisco; the MACLA / Movimiento de Arte y Cultura Latino Americana, San Jose; Harvey / Meadows Gallery, Aspen; Instituto Cervantes, New York; Transmitter, Brooklyn; Bruce High Quality Foundation, New York; Oakland Museum of California, Oakland, among others.

Playing on a monitor at the entrance to the retrospective exhibition «General Idea: Broken Time» at the Museo Jumex, Pilot (1977), which the group made for Ontario public television, is a thirty - minute deadpan documentary on the pageant that provides an introduction to the collective's interests and sensibilities.

His sculptures have been included in group exhibitions at Art In General, The Bronx Museum of Art, Exit Art, Lehmann Maupin Gallery, and the Queens Museum of Art.

Group exhibitions come in two general types: those that try to make a point about some issue and those that are the visual equivalent of throwing spaghetti against the kitchen wall to see what sticks.

Her work has been included in numerous group exhibitions in the United States and abroad, including Galeria Anita Schwartz, Rio de Janeiro, Brazil (2018); The Luminary, St. Louis, Missouri (2017); Art in General, New York, NY (2016); The Drawing Center, New York, NY (2015); Queens Museum, Queens, NY (2015); The Noyes Museum of Art of Stockton College, Oceanville, NJ (2015); and Anahita Art Gallery, Tehran, Iran (2015).

As part of an outdoor audio program, we will feature sound works from a 2004 group exhibition at Art in General, Rock's Role (After Ryoanji), and music by 1980s post-punk band Bush Tetras.

Group exhibitions include Whatever Moves Between Us Also Moves the World in General, at Murray Guy, New Yorl; the Whitney Biennial 2014; Painter, Painter at the Walker Art Center, Minneapolis; and The Program at ReMap4 Athens.

While its central members leaned toward geometric abstraction, as a group Abstraction - Création advocated the general cause of abstraction and actively promoted it through its journal and regular exhibitions of its members» work.

Art in General presents Lily's Pool, a group exhibition organized in partnership with kim?

Her projects — often inspired by interest in cultural anthropology, cultural clashes, and music — have been exhibited in both solo and group exhibitions in the United States and Europe, at venues including the Sculpture Center, Art in General, Postmasters, and CANADA in New York; Espace Culturel Louis Vuitton in Paris; Saatchi Gallery and Nottingham Contemporary in Great Britain; Centre for Contemporary Art Ujazdowski Castle and Zachęta National Gallery of Art in Warsaw.

2015 in general, MINT Satellite, Atlanta, GA 2014 unfictional, Ernest G. Welch Gallery, Georgia State University, Atlanta, GA 2006 Systems of Control, Roswell Visual Arts Center, Roswell, GA Selected Group Exhibitions 2017 WORK, Formations Studio, Atlanta, GA

He has been in group exhibitions at P.S. 1 Contemporary Art Center, NY, The Studio Museum of Harlem, NY, Bronx Museum of Art, NY, Institute of Contemporary Art, Boston, Art in General, NY, Triple Candie, NY, Socrates Sculpture Park, NY, Cheekwood Museum of Art, TN, Contemporary Museum, Baltimore, MD, Aldrich Museum of Contemporary Art, CT, Southeastern Center of Contemporary Art, NC, Museum of Science and Industry, Chicago, IL, Tart Gallery, San Francisco, CA, Analix Forever Gallery, Geneva, Switzerland and solo exhibitions at Mixed Greens Gallery, NY, Regina Miller Gallery, Carnegie Mellon University, Pittsburgh, PA..

In response to a general lack of support for and engagement with people with Asperger syndrome and high - functioning autism in museums, the 2016 Mediators Program comprised a two — month training program devised by one of the co — thinkers, Elizaveta Morozova, to enable Garage volunteers to interact more closely with groups visiting the exhibition.

She has been featured in numerous group exhibitions including shows at PS1 / MoMA, Long Island City, New York; Art in General, New York; White Columns, New York; the Cincinnati Contemporary Arts Center, Cincinnati, Ohio; and in 2008 her work was featured in the Whitney Biennial.

【 Exhibition Details 】 Exhibition title: Art Scope 2012 - 2014 - Remains of Their Journeys Dates: July 12 (Saturday)- October 13 (Monday, national holiday), 2014 Place: Hara Museum of Contemporary Art, 4-7-25 Kitashinagawa, Shinagawa - ku, Tokyo 140 - 0001 Organized by: Hara Museum of Contemporary Art and Daimler Foundation Japan Under the auspices of: Embassy of the Federal Republic of Germany in Japan Supported by: Mercedes - Benz Japan Co., Ltd., Mercedes - Benz Finance Co., Ltd. and Mitsubishi Fuso Truck and Bus Corporation Cooperation provided by: Arts Initiative Tokyo [AIT] Participating artists: Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer Hours: 11:00 am - 5:00 pm, Wednesday until 8:00 pm (last entry 30 minutes before closing) Closed: Mondays (except July 21, September 15 and October 13), July 22 and September 16 Admission: General 1,100 yen; Students 700 yen (high school and university) or 500 yen (elementary and junior high); Free for Hara Museum members, students through high school every Saturday during the school term; 100 yen discount per person for groups of 20 or more 【 Related Event 】 Artist Talk July 12 (Saturday), 2014, 2:30 - 4:30 pm Place: The Hall at the Hara Museum of Contemporary Art Speakers (scheduled): Ryosuke Imamura, Satoshi Ohno, Rita Hensen, Benedikt Partenheimer, Atsuo Yasuda (Hara Museum of Contemporary Art) Fee: Regular 2,000 yen (includes museum admission), Museum members and up to 2 guests 1,000 yen Reservations are required (requests accepted from June 24).

Select group exhibitions include From concrete to liquid to spoken worlds to the word at the Centre D'Art Contemporain Geneve in Geneva, Switzerland; In Practice: Material Deviance, at the Sculpture Center in New York; Lagos Live at the Goethe Institut Nigeria in Lagos, Nigeria; Experimental People at The Highline in New York City; Shifters at Art in General in New York; It Can Howl at the Atlanta Contemporary Art Center in Atlanta, Georgia; What Shall We Do Next?

The gallery's first exhibition with the Estate of General Idea will be in November 2017 and will feature the group's Ziggurat Paintings (1968 - 86), marking General Idea's first solo exhibition in New York since The Museum of Modern Art presented One Day of AZT / One Year of AZT in 1996.

She has exhibited in over 20 solo exhibitions and participated in numerous group exhibitions worldwide, among them: Arte Laguna, Arsenal of Venice; Israel Museum, Jerusalem; Helena Rubinstein Pavilion, Tel Aviv Museum of Art; Herzliya Museum of Contemporary Art; Martin - Gropius - Bau, Berlin; Kunstlerhaus Bethanien, Berlin; Middle East Center for the Arts (MECA), Jersey City; Art in General, New York; and Goethe - Institut, St. Petersburg.

Other recent solo and group exhibitions include Art in General, BRIC Rotunda Gallery, Momenta, and Secret Project Robot (all NYC); Proof Gallery and Samson Projects (both Boston, MA); Illinois State Museum (Lockport, IL); Western Exhibitions, University of Illinois, and VONZWECK (all Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among mexhibitions include Art in General, BRIC Rotunda Gallery, Momenta, and Secret Project Robot (all NYC); Proof Gallery and Samson Projects (both Boston, MA); Illinois State Museum (Lockport, IL); Western Exhibitions, University of Illinois, and VONZWECK (all Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among mExhibitions, University of Illinois, and VONZWECK (all Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among many others.

If different in its approach, this exhibit nonetheless echoes the group exhibition of women artists organized at La Monnaie de Paris starting on October 20, 2017, which draws its inspiration from Virginia Woolf's essay «A Room of One's Own», evoking the place that women occupy in the novel and in art in general.

Selected group exhibitions: Dedication, Exploitation & Haute Collaboration, Silberkuppe, Berlin (2017), Stoneroses # 5, Riverside, Berne (2016), Le Fragole del Baltico, Careof, Milan (2015), Something eerie, Signal Center for Contemporary Art, Malmo, Lily's Pool, Art in General, New York (2015), Literacy - Illiteracy, 16.

Of all the FIAR residents, Brendan Fernandes has exhibited the most in New York, with a group show at the Guggenheim and a solo exhibition at Art In General already under his belt.

BIO Leslie Roberts (b. 1957, Goldsboro, North Carolina; lives Brooklyn, New York) has exhibited her work in solo and group exhibitions throughout the United States for the past 25 years, including at Art in General, Brooklyn Museum, Bruce High Quality Foundation, Dam Stuhltrager Gallery, Davidson Contemporary, Eyewash Gallery, Hallwalls, Holiday Gallery, Janet Kurnatowski Gallery, Lyons Wier Gallery, Pierogi Gallery, PPOW Gallery, Rotunda Gallery, Sideshow Gallery, Swiss Institute, Weatherspoon Art Gallery, and Yerba Buena Center for the Arts, among many others.

Now recognized as a landmark event in the history of modernism in general and abstraction in particular, the exhibition included 130 works by 46 members of the group, diverse in nationality, style and medium.

Alongside his career in academia since the 1970s, he has shown in over 60 group exhibitions here and abroad, working in the general sphere of descriptive painting with a bent for realism.

, a group show or rather a mini series of exhibitions curated in collaboration with budding curators and members of the general public.

Selected group exhibitions include; Cheap Seats, It's Kind of Hard to Explain, London (2017); Last Chance to Paradise, Collar, Manchester (2017); Worried Mother, Workplace, Newcastle, curated by Milk Collective (2016); Exchange Rates, Sluice art Fair, Brooklyn, New York, showing with 12o (2016); General Studies, Outpost, Norwich, curated by Ryan Gander and Jonathan P. Watts (2016); Blind Date, Royal Standard, Liverpool (2016); Rabble MC, Hutt Collective, Nottingham (2015); Tokyo Drift, Millington and Marriott, Art Licks Weekender, London (2015); Manchester Contemporary, Manchester, showing with Set the Controls for the Heart of the Sun (2015); The Octopus was Naked but the Crab was Dressed, Plymouth Arts Centre, Plymouth (2015).

They have participated in group exhibitions at the Albertina, Vienna; New Museum, New York; MoMA PS1, New York; the Solomon R. Guggenheim Museum, New York; Art in General, New York; Artists Space, New York; Arizona State University, Pheonix, Arizona; Hayward Gallery, UK; and the Helsinki Art Museum, Finland.

This group exhibition, featuring the work of seventy - two American artists, will illustrate the various movements in American art from 1910 through 1975, offering a general overview of the gallery's exhibition programming and mission.

In this exhibition Smith presents a group of primarily colorful paintings that follow three general manifestations.