Sentences with phrase «generation artist alongside»

Another Pictures Generation artist alongside Sherrie Levine, Barbara Kruger famously began her professional career as a designer for Mademoiselle and other magazines before defecting from the mass - media overculture to join the conceptual - art resistance.

Not exact matches

He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head - on using fragments of its own visual culture.

It presents fresh works by a contemporary artist alongside a piece by a practitioner from a previous generation, conceived the year the younger one was born.

The exhibition considers works by famed Nouveau Réalisme artists such as Arman and Raymond Hains alongside the likes of American counterparts Robert Rauschenberg and Richard Artschwager, as well as a younger generation of contemporary artists who came of age in the wake of Pop Art.

These paintings will appear alongside work by Nate Lowman, Elizabeth Peyton, Raymond Pettibon and Mike Kelley, among others — not all the same generation but artists seen to share Cobain's renegade sensibility in one way or another.

They will be presented alongside artists of earlier generations including Ida Applebroog, Mary Beth Edelson, Robert Gober, Paul McCarthy, and Cindy Sherman who produced some of their most powerful works in 1993.

In presenting their work alongside other contemporaries and artists of later generations, we can trace a fascinating and ongoing dialogue that engages a variety of issues, including materiality, repetition, nature, and subjectivity.

Historic modernist figures including Sonia Delaunay, Louise Bourgeois, Anni Albers and Hannah Ryggen are included alongside a new generation of artist makers.

Canadian artist Kelly Richardson is one of the leading representatives of a new generation of artists working with digital technologies to create hyper - real, highly charged landscapes, alongside figures such as John Gerrard and Saskia Olde Wolbers.

The artists» shared exhibition history, with Peláez showing her work alongside the new abstract generation in the 1950s, challenges the art historical narrative of a rupture between the early

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

It centers on six large - scale murals created in the gallery, alongside works in diverse media by artists of various generations as well as archive photographs.

He is regarded, alongside Gerhard Richter, Sigmar Polke, and Georg Baselitz, as one of the leading German artists of his generation.

Alongside Gerhard Richter and Blinky Palermo, Polke was a key figure in the generation of German artists who first emerged in the 1960s.

This is the first exhibition to explore Calder's significance for an emerging generation of sculptors, reconsidering his influence and his innovation through a presentation of his own work alongside the work of contemporary artists.

Crisscrossing generations, nationalities, processes, and approaches, the exhibition features approximately 50 works by 34 artists — including works by the aforementioned artists alongside Olga de Amaral, Eva Hesse, Ernesto Neto, Rosemarie Trockel, Anne Wilson, and Haegue Yang — that range from small - scale weavings to immersive environments, all made in fiber.

Showcasing over 280 artists in alphabetical order, it place established figures like Jeff Wall, Marlene Dumas and Maurizio Cattelan alongside the rising stars of the next generation such as Camille Henrot and Haroon Mirza.

Alongside works by the first generation of great American Hyperrrealists, including Richard Estes, John Baeder, Tom Blackwell, Don Eddy, Ralph Goings and Chuck Close, are European paintings and works from contemporary artists influenced by the movement.

Shown alongside these paintings are the next generation of acclaimed contemporary artists whose works built on and opposed those formative attitudes, and reflect the cultural and societal influences of their time.

This sale brought together some of the most in - demand artists and provided us with the opportunity to display classic German painters such as Albert Oehlen, Martin Kippenberger and Gerhard Richter alongside the major contemporary figures such as Lynette Yiadom - Boakye, Jonas Wood, Amy Sillman and Charline von Heyl who are forming the next generation of painters.

An conceptualist who came up in the New York art scene alongside Jasper Johns, Warhol, Roy Lichtenstein, and the rest, Sturtevant moved to Paris around 1970 and took a decade - long sabbatical from making art; when she re-emerged, she found herself often lumped in with an entirely new generation of artists, giving her work a strange out - of - time quality.

Alongside these artists, the exhibition also showcases works by a younger generation, including Anne Collier, Roe Ethridge, Collier Schorr and Steven Shearer, whose interests reflect those of their predecessors, whilst also presenting their own unique take on appropriation.

I am excited to showcase Andre's work as well as that of other artists of his generation like Guy De Cointet, alongside a younger group.

Otto Freundlich — theoretician, political activist, painter, and sculptor — belonged to the first generation of abstract artists, working alongside Braque and Picasso; Len Lye, a multi-disciplinary artist from New Zealand, was a pioneer of animated film - making; Brazilian painter and installation artist Lygia Clark created innovative interactive works; and Blinky Palermo was known for his «fabric paintings.»

Having emerged onto the New York scene alongside the Pictures Generation, Wachtel has become a respected pioneer among a generation of artists interested in media's impact on the broader social and psychologicGeneration, Wachtel has become a respected pioneer among a generation of artists interested in media's impact on the broader social and psychologicgeneration of artists interested in media's impact on the broader social and psychological fabric.

Some of these are in the British Museum's new exhibition, Germany Divided: Baselitz and his Generation, which sets the artist alongside five contemporaries: Gerhard Richter, Blinky Palermo, Markus Lüpertz, A R Penck and Sigmar Polke.

Together works by these legendary painters are displayed alongside the next generation of female artists who continue the tradition of going against the «rules» of painting and sculpture.

Generations of Influence: 20th century movements and tribal art Building on Frieze's reputation for showcasing modern artists and encouraging the growth of art collections across eras, this year's fair features a growing presence of galleries exhibiting significant works from the 20th century alongside masters of contemporary art.

This exhibition will focus on the decade when our artists, very much alongside our photographers, film stars, musicians and fashion designers, captured the world's imagination, creating the idea of «Swinging London», the city that was the symbol of all that was new and exciting for a generation finally throwing off the trauma of the Second World War and facing the future with an optimism born from prosperity and political freedom, despite the shadow of nuclear proliferation and the continuation of the Cold War.

Robison emerged in the 1980s alongside the likes of Cindy Sherman, Julian Schnabel, and Richard Prince as a key figure in the Pictures Generation — a group of American artists who were known for appropriating images from the mass media as a way of critically analyzing media culture.

From a young age, Günther Förg, (1952 - 2013), was one of that new generation of German artists, alongside Baselitz, Lüpertz, Richter or Polke, who refused to consign painting to the ranks of outdated media.

Considered one of the foremost postwar abstract painters in the Southern California scene, working alongside a generation of artists known as the «cool school,» Ed Moses has been engaged in what he sees as a continual process of discovery for more than half a century.

This is a fantastic opportunity to exhibit their artwork alongside established artists in a touring exhibition called Generation ART: Young Artists oartists in a touring exhibition called Generation ART: Young Artists oArtists on Tour.

It introduced emerging international artists to Scandinavia, many of them now renowned figures, such as Wolfgang Tillmans, Jonathan Monk, Aernout Mik, Stan Douglas, Eija - Liisa Athila, Kara Walker, Pierre Huyghe, Elmgreen & Dragset, and Rodney Graham, alongside a young generation of promising Swedish artists like Annika von Hausswolf, Fia Backström, and Maria Lindberg.

This is the first exhibition to explore Calder's significance for an emerging generation of sculptors who are reconsidering his influence and innovation through a presentation that places his work alongside the work of contemporary artists.

Forty years ago, in 1977, Sherrie Levine exhibited her photographic appropriations alongside other artists of the so - called «Pictures Generation».

A major influence on a new generation of artists, including Sara VanDerBeek and Liz Deschenes, she taught at Princeton alongside James Welling.

It showcased a new generation of artists alongside practitioners from the worlds of literature, design, science, philosophy, music and film who were returning to the historical notion of the manifesto.

IN 1996 Nicolas Bourriaud included Lothar Hempel in «Traffic» at CAPC in Bordeaux, France, placing the German artist alongside numerous others of his generation such as Liam Gillick, Philippe Parreno, and Dominique Gonzalez - Foerster.

In the 1940s, Citron was part of the first generation of New York Abstract Expressionists, working alongside other well - known artists like Jackson Pollock and Mark Rothko.

Fostering «creative sustainability» for future generations of artists seeking non-traditional career progressions, these opportunistic frontiersman have pushed out numerous exhibitions in New York, Los Angeles and Miami and continue to host residencies and exhibitions alongside the facilitation and promotion of work by its key members.

In its finest moments, Leap Before You Look exposes the white walls of the gallery as a permeable membrane through which the ideas and creative energies of generations of students can flow alongside some of the finest artists of the last century.

The groundbreaking exhibition introduced him alongside 27 other emerging African American artists as part of a generation of «post-black» artists who sought to transcend the simplistic label of «black artist», while still deeply exploring and re-defining the complex notions of blackness.

Presented alongside Blame's unique commissions, artefacts and sketchbooks, the inclusion of the sculpture highlights the parallels between Blame's creative approach and that of a more recent generation of artists.

Siegel points to Tibor de Nagy Gallery, which opened in 1950 and represented Frankenthaler along with other second - generation New York School artists, as the nexus of a taste that embraced decorative art, campy humor, and exquisite found objects alongside more commercial abstract paintings.

Indeed Dubuffet, who, alongside artists like Alberto Giacometti and Francis Bacon, is often associated with the generation of Europeans who emerged in and around World War II, made work that refused to bend to convention — it's an attitude that also shaped Dubuffet's life.

A leading artist of her generation, Sam Taylor - Wood came to prominence in the mid-1990s as one of the YBAs (Young British Artists), alongside such artists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensationalArtists), alongside such artists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensationalartists as Damien Hirst and Tracey Emin, who were quickly propelled to celebrity status for their provocative and sensational works.

The Pictures Generation artist Louise Lawler is used to showing her work alongside that of other artists — in fact, her photographs typically consist of work by other artists, coolly depicting name - brand icons of art as they are tastefully displayed in collectors» homes, museums, and other out - of - the - studio settings together with furniture, vases, and the other decorative objects of the well - heeled.

Spanning three generations, the show introduces emerging artists Kelly Akashi, Nevine Mahmoud, and Kathleen Ryan, alongside established artists Andrea Zittel and Amanda Ross - Ho, illustrating a shift in mentorship and aesthetic lineage that argues against longstanding — and all - too - gendered — systems of artistic valuation and authority.

The list of artists included in the show include those both from here and abroad, across a range of media and generations: Nep Sidhu and Rajni Perera, both young Toronto artists, will occupy a significant portion alongside prominent Canadian artists like Jeremy Shaw, Tim Whiten and Carl Beam, as well as artists ranging far across the international field: Meschac Gaba from Benin; Kendell Geers and Dineo Seshee Bopape, both from South Africa; American artist Maya Stovall; and Ethiopian - American artist Awol Erizku, among others.