Oil on canvas in wood black frame 5 x 7» ANN TRUSTY is an accomplished third
generation artist whose work embodies the natural world and is created through direct observatio...
Peter Gynd is an independent curator and fifth
generation artist whose practice centers around an exploration of landscape and its relationship with the body.
Xavier Hufkens gallery in Brussels now represents Sherrie Levine, the Pictures
Generation artist whose essential photographs, sculptures, and installations meditate on the nature of authorship in a world of images.
Not exact matches
«Leonard Cohen was an unparalleled
artist whose stunning body of original work has been embraced by
generations of fans and
artists alike.»
Artists such as Michelangelo and Leonardo DaVinci inspired
generations with their perfection and style of art and this is no different to Alessandro Nesta
whose legacy in the world of football and his ability to make defending an art form has left its mark on this
generation and the world of football.
Perhaps no American filmmaker has had more of an influence on the subsequent
generation of
artists than Ramis,
whose writing managed to be simultaneously goofball and intelligent, his films impeccably crafted and open to improvisation.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new
generation of
artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others
whose work continually delight and move us in every way possible.
Today, there are more Native filmmakers working than ever before, and the Institute is bringing forward a fourth
generation of Native filmmakers and solidifying a pipeline of
artists whose voices will have an important impact on American and global cinema and culture.
In a similar spirit, Thorn also posted an article celebrating the first
generation of postwar shojo manga
artists, the men and women
whose work profoundly influenced such Magnificent 49ers as Keiko Takemiya and Moto Hagio.
With recent protests by professional football players in mind, the young Chicago - based
artist Samuel Levi Jones has curated this group show, which brings together several
artists from different
generations whose work meditates on the relationship between power structures and persons of color in America.
As mentioned by gallery owner and curator, Elizabeth Denny, including an
artist whose work is cross-generational is important to the exhibition because it reveals diverse
generations tackling similar ideas.
Ironically (from an Owens perspective), the roster of figures Foster discusses — Cindy Sherman, Sherrie Levine, Richard Prince, Gretchen Bender and, working as a team, Jenny Holzer and Peter Nadin — includes two (Sherman and Prince) who are among the most celebrated
artists of their
generation, another who recently enjoyed a retrospective at the Whitney (Levine), and a fourth
whose work has long been ubiquitous in museums and public spaces (Holzer).
Helen Frankenthaler, the lyrically abstract painter
whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired
artists of her
generation, died on Tuesday at her home in Darien, Conn..
In Focus, David Lewis (D35) devotes his stand to Barbara Bloom, a key «Pictures
Generation»
artist whose work interrogates the gendered, economic and political currents of domestic display and furniture, refusing, in the gallerist's words, «easy answers».
Moderated by Ruba Katrib, Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together
artists a
generation or two removed from those featured in Other Primary Structures,
whose work has been influenced by Minimalist tradition.
During the early to mid-1960s Color Field painting was the term for the work of
artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others
whose works were formerly related to second
generation abstract expressionism; and also to younger
artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.
He also promoted and collected the work of a younger
generation of
artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others
whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.
The activities of that era provided a path for the increasingly influential voices and innovative practices of new
generations of contemporary
artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton,
whose recent publications are also among the best of 2017.
It omits Sigmar Polke,
whose pop - culture - based, often tawdry paintings are at least a precedent, and Rosemarie Trockel, another female German
artist of her
generation struggling in a field that was and maybe still is unusually male.
Minimalism emerged in the late 1950s when
artists such as Frank Stella,
whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous
generation.
A substantial component of the exhibition is dedicated to emerging
artists whose work reflects the sensibilities of the
Generation Z exhibition, also opening April 18.
The auction draws its title from one of the highlights of the auction, Richard Prince's monochrome joke painting If I die..., as a tribute to the
artist whose visual vocabulary was transformative for an entire
generation.
Technology, feedback and exile in art and politics in Santiago de Chile Stefanie Hessler looks back at the origins and forward to the legacies of Chile's «lost
generation» of
artists,
whose activities were badly curtailed during Pinochet's rule
One of the most iconic figures that emerged from the post-World War II American art, Frank Stella is a painter and a printmaker
whose influential work is considered to be crucial to the
generations of
artists that moved beyond Abstract Expressionism.
Sandy Kim is one of those photographers
whose importance will become increasingly apparent with time, when the immediate jealously of those not invited to the party fades, and the talents of her
generation — the
artists, writers, musicians that surround her — begin to fully flower.»
At the same time, Stone represented, promoted and actively collected the work of a younger
generation of living
artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others,
whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.
She is widely regarded as one of the most influential
artists of her
generation, one
whose artistic practice, teaching, and writing continue to influence succeeding
generations.
Antonio Saura was a Spanish
artist and writer, one of the major post-war painters in the fifties
whose work has marked several
generations of
artists.
Hershman Leeson sat down with fellow
artist JULIANA HUXTABLE,
whose own shape - shifting work investigates similar issues in the millennial
generation, to discuss the ways in which technology both abets essentialism and creates possibilities for its evasion and subversion.
Focusing on the notion of abstraction in twentieth - century and contemporary Belgian art and the varying sources of influence and inspiration among the
artists of two
generations, Tuymans has selected fifteen
artists whose work either articulates a relationship to abstraction or takes as its cue the definition of abstraction.
Working for over two decades, the
artist precedes a younger
generation including Dan Colen and Nate Lowman
whose work resonates with similar themes.
«Rebecca Warren is one of Britain's most vital contemporary
artists,
whose work invites us to engage with the aesthetic conventions of an earlier
generation of male sculptors through a freshly feminist sensibility,» said Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art, DMA.
Its other prongs include an
artist residency at her home in Sonoma, California, for living
artists in her collection, as well as scholars and curators
whose work extends the canon and relates to the
artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four
Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black
artists to institutions.
(One finds the same apparent slippery slope in critical responses to Frank Stella, another
artist of that silent
generation whose pursuit of his own logic has brought charges of self - betrayal.)
This mini-site will have video interviews with
artists, many of them from the older
generation whose work you will see in today's program.
At several places in the building, the Hamburger Bahnhof currently exhibits an
artist whose work and life can not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an
artist who today is considered one of the most significant of his
generation.
Coming of age during the 1968 student protests, which swept across Yugoslav cities, Iveković belongs to the New Art Practice (NAP), a
generation of
artists whose conceptual practices gravitated toward the use of public space, breaking away from institutional infrastructures.
THE CURRENT
GENERATION of figurative paintings owes a debt to Kerry James Marshall,
whose 2016 multicity retrospective cemented the
artist's often - stated goal, one that is as straightforward as it is enormous: to put blackness into art history.
The work is also a tribute to Brion Gysin, an
artist of the Beat
Generation who lived in Morocco and
whose work was inspired by Arabic calligraphy.
The Los Angeles
artist Charles Gaines,
whose Abstract and Conceptual work is in her collection, said that «Four
Generations» crystallized his longtime thinking about the context of his work as part of a continuum.
The group exhibition Speak, running concurrently at the Serpentine Sackler Gallery, proposes Latham as an «open toolbox» for younger
generations of
artists whose diverse practices share affinities with Latham's ideas and world view, revealing how they continue to resonate today.
Instead, he championed the new
generation of post-abstract Expressionist
artists, such as John Chamberlain, Claes Oldenburg, and Frank Stella,
whose work was moving away from what he viewed as outmoded European aesthetic ideals.
A roundtable discussion with
artists a
generation or two removed from those featured in Other Primary Structures,
whose work — primarily in sculpture — comes out of a Minimalist tradition.
Titled after Irma Blank's seminal series Radical Writings, the exhibition offers seven parentheses across
generations of
artists whose work stand on the border between drawing, knitting and writing.
Mondrian became a member of the group and was something of a spiritual mentor to many of them, along with Hans Hofmann, who never joined, but
whose inspirational teaching spawned a new
generation of like - minded
artists.
A figurehead of a millennial, internet - savvy
generation whose search for gender and identity nonconformism took them online, multimedia
artist, DJ, poet, and member of queer
artist collective House of Ladosha, Huxtable made her name in the downtown Manhattan nightlife scene, co-founding SHOCK VALUE, a weekly club night.
In 1977, he was one of the young
artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media
artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the
Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media
Artists» Space in New York, which launched the so - called «Pictures
Generation», a group of
artists whose work focused on mass media
artists whose work focused on mass media images.
Last year,
artist Christopher Ho attributed this to «The Clinton Crew»
generation, children of the nineties
whose work reflects that easy decade.
Shown alongside these paintings are the next
generation of acclaimed contemporary
artists whose works built on and opposed those formative attitudes, and reflect the cultural and societal influences of their time.
(The issue of second -
generation Ab Ex women,
whose best work is critically considered to have occurred after 1950, is one that many women
artists felt was dismissive of the actual timing of their development and work.)