Sentences with phrase «generation artist whose»

Oil on canvas in wood black frame 5 x 7» ANN TRUSTY is an accomplished third generation artist whose work embodies the natural world and is created through direct observatio...
Peter Gynd is an independent curator and fifth generation artist whose practice centers around an exploration of landscape and its relationship with the body.
Xavier Hufkens gallery in Brussels now represents Sherrie Levine, the Pictures Generation artist whose essential photographs, sculptures, and installations meditate on the nature of authorship in a world of images.

Not exact matches

«Leonard Cohen was an unparalleled artist whose stunning body of original work has been embraced by generations of fans and artists alike.»
Artists such as Michelangelo and Leonardo DaVinci inspired generations with their perfection and style of art and this is no different to Alessandro Nesta whose legacy in the world of football and his ability to make defending an art form has left its mark on this generation and the world of football.
Perhaps no American filmmaker has had more of an influence on the subsequent generation of artists than Ramis, whose writing managed to be simultaneously goofball and intelligent, his films impeccably crafted and open to improvisation.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.
Today, there are more Native filmmakers working than ever before, and the Institute is bringing forward a fourth generation of Native filmmakers and solidifying a pipeline of artists whose voices will have an important impact on American and global cinema and culture.
In a similar spirit, Thorn also posted an article celebrating the first generation of postwar shojo manga artists, the men and women whose work profoundly influenced such Magnificent 49ers as Keiko Takemiya and Moto Hagio.
With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.
As mentioned by gallery owner and curator, Elizabeth Denny, including an artist whose work is cross-generational is important to the exhibition because it reveals diverse generations tackling similar ideas.
Ironically (from an Owens perspective), the roster of figures Foster discusses — Cindy Sherman, Sherrie Levine, Richard Prince, Gretchen Bender and, working as a team, Jenny Holzer and Peter Nadin — includes two (Sherman and Prince) who are among the most celebrated artists of their generation, another who recently enjoyed a retrospective at the Whitney (Levine), and a fourth whose work has long been ubiquitous in museums and public spaces (Holzer).
Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..
In Focus, David Lewis (D35) devotes his stand to Barbara Bloom, a key «Pictures Generation» artist whose work interrogates the gendered, economic and political currents of domestic display and furniture, refusing, in the gallerist's words, «easy answers».
Moderated by Ruba Katrib, Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together artists a generation or two removed from those featured in Other Primary Structures, whose work has been influenced by Minimalist tradition.
During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.
He also promoted and collected the work of a younger generation of artists, including Robert Arneson, Jack Whitten, Robert Mallary, David Beck and Richard Hickam, among many others whose aesthetic tendencies suggest intriguing connections to the historical holdings in the collection.
The activities of that era provided a path for the increasingly influential voices and innovative practices of new generations of contemporary artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best of 2017.
It omits Sigmar Polke, whose pop - culture - based, often tawdry paintings are at least a precedent, and Rosemarie Trockel, another female German artist of her generation struggling in a field that was and maybe still is unusually male.
Minimalism emerged in the late 1950s when artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous generation.
A substantial component of the exhibition is dedicated to emerging artists whose work reflects the sensibilities of the Generation Z exhibition, also opening April 18.
The auction draws its title from one of the highlights of the auction, Richard Prince's monochrome joke painting If I die..., as a tribute to the artist whose visual vocabulary was transformative for an entire generation.
Technology, feedback and exile in art and politics in Santiago de Chile Stefanie Hessler looks back at the origins and forward to the legacies of Chile's «lost generation» of artists, whose activities were badly curtailed during Pinochet's rule
One of the most iconic figures that emerged from the post-World War II American art, Frank Stella is a painter and a printmaker whose influential work is considered to be crucial to the generations of artists that moved beyond Abstract Expressionism.
Sandy Kim is one of those photographers whose importance will become increasingly apparent with time, when the immediate jealously of those not invited to the party fades, and the talents of her generation — the artists, writers, musicians that surround her — begin to fully flower.»
At the same time, Stone represented, promoted and actively collected the work of a younger generation of living artists, including Robert S. Neuman, Robert Arneson, Dennis Clive, Jack Whitten, Robert Baribeau, James Grashow, Robert Mallary, and Richard Hickam, among others, whose aesthetic tendencies suggest connections to the historical holdings of his gallery's collection.
She is widely regarded as one of the most influential artists of her generation, one whose artistic practice, teaching, and writing continue to influence succeeding generations.
Antonio Saura was a Spanish artist and writer, one of the major post-war painters in the fifties whose work has marked several generations of artists.
Hershman Leeson sat down with fellow artist JULIANA HUXTABLE, whose own shape - shifting work investigates similar issues in the millennial generation, to discuss the ways in which technology both abets essentialism and creates possibilities for its evasion and subversion.
Focusing on the notion of abstraction in twentieth - century and contemporary Belgian art and the varying sources of influence and inspiration among the artists of two generations, Tuymans has selected fifteen artists whose work either articulates a relationship to abstraction or takes as its cue the definition of abstraction.
Working for over two decades, the artist precedes a younger generation including Dan Colen and Nate Lowman whose work resonates with similar themes.
«Rebecca Warren is one of Britain's most vital contemporary artists, whose work invites us to engage with the aesthetic conventions of an earlier generation of male sculptors through a freshly feminist sensibility,» said Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art, DMA.
Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.
(One finds the same apparent slippery slope in critical responses to Frank Stella, another artist of that silent generation whose pursuit of his own logic has brought charges of self - betrayal.)
This mini-site will have video interviews with artists, many of them from the older generation whose work you will see in today's program.
At several places in the building, the Hamburger Bahnhof currently exhibits an artist whose work and life can not be separated from one another — a painter, an actor, a writer, a musician, a drunkard, a dancer, a traveller, a charmer, an enfant terrible and self - producer — in short, an «exhibitionist» as he called himself and an artist who today is considered one of the most significant of his generation.
Coming of age during the 1968 student protests, which swept across Yugoslav cities, Iveković belongs to the New Art Practice (NAP), a generation of artists whose conceptual practices gravitated toward the use of public space, breaking away from institutional infrastructures.
THE CURRENT GENERATION of figurative paintings owes a debt to Kerry James Marshall, whose 2016 multicity retrospective cemented the artist's often - stated goal, one that is as straightforward as it is enormous: to put blackness into art history.
The work is also a tribute to Brion Gysin, an artist of the Beat Generation who lived in Morocco and whose work was inspired by Arabic calligraphy.
The Los Angeles artist Charles Gaines, whose Abstract and Conceptual work is in her collection, said that «Four Generations» crystallized his longtime thinking about the context of his work as part of a continuum.
The group exhibition Speak, running concurrently at the Serpentine Sackler Gallery, proposes Latham as an «open toolbox» for younger generations of artists whose diverse practices share affinities with Latham's ideas and world view, revealing how they continue to resonate today.
Instead, he championed the new generation of post-abstract Expressionist artists, such as John Chamberlain, Claes Oldenburg, and Frank Stella, whose work was moving away from what he viewed as outmoded European aesthetic ideals.
A roundtable discussion with artists a generation or two removed from those featured in Other Primary Structures, whose work — primarily in sculpture — comes out of a Minimalist tradition.
Titled after Irma Blank's seminal series Radical Writings, the exhibition offers seven parentheses across generations of artists whose work stand on the border between drawing, knitting and writing.
Mondrian became a member of the group and was something of a spiritual mentor to many of them, along with Hans Hofmann, who never joined, but whose inspirational teaching spawned a new generation of like - minded artists.
A figurehead of a millennial, internet - savvy generation whose search for gender and identity nonconformism took them online, multimedia artist, DJ, poet, and member of queer artist collective House of Ladosha, Huxtable made her name in the downtown Manhattan nightlife scene, co-founding SHOCK VALUE, a weekly club night.
In 1977, he was one of the young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists whose work focused on mass media images.
Last year, artist Christopher Ho attributed this to «The Clinton Crew» generation, children of the nineties whose work reflects that easy decade.
Shown alongside these paintings are the next generation of acclaimed contemporary artists whose works built on and opposed those formative attitudes, and reflect the cultural and societal influences of their time.
(The issue of second - generation Ab Ex women, whose best work is critically considered to have occurred after 1950, is one that many women artists felt was dismissive of the actual timing of their development and work.)
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