Sentences with phrase «generation artists at»

After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and was selected as one of Bryan Robertson's New Generation artists at the Whitechapel Gallery in 1964.

Gaining early success, Hoyland exhibited with the influential Situation group in 1960 - 1 and the New Generation artists at Whitechapel Gallery in 1964.

14 Jul 1997 Projects by Six Leading Young Generation Artists at the Irish Museum of Modern Art An exhibition showcasing work by six leading young international artists opens to the public at the Irish Museum of Modern Art on Wednesday 23 July.

After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected as one of Robertson's New Generation artists at the Whitechapel Gallery in 1964.

Not exact matches

Johnson has been teaching for eight years at the Brehm Center at Fuller Theological Seminary, which «empowers and equips a new generation of artists and church leaders... Continue Reading»

A converted church in a corrupt civilization withdraws to its upper rooms, into monasteries and conventicles; it issues forth from these in the aggressive evangelism of apostles, monks and friars, circuit riders and missionaries; it relaxes its rigorism as it discerns signs of repentance and faith; it enters into inevitable alliance with converted emperors and governors, philosophers and artists, merchants and entrepreneurs, and begins to live at peace in the culture they produce under the stimulus of their faith; when faith loses its force, as generation follows generation, discipline is relaxed, repentance grows formal, corruption enters with idolatry, and the church, tied to the culture which it sponsored, suffers corruption with it.

Johnson has been teaching for eight years at the Brehm Center at Fuller Theological Seminary, which «empowers and equips a new generation of artists and church leaders to effectively integrate worship, theology, and the arts.»

Here are a couple of my absolute faves from Etsy artists that should do the trick (and last for at least one more generation too!)

The «Piece of My Heart» artist was famous in the 60s and her music embodied the younger generation's rebellion at the time - rebellion against war and status quo.

A colleague recently commented at an academic conference on revolutionary movements that, «There is no Bob Marley for today's generation of Black African and Caribbean Artists.»

We must celebrate success and not shy away from the fact that it most usually comes at a cost: of investing in the art forms; of investing in artists; investing in the skilling - up of those in backstage areas and administrative roles; and investing in future generations of audiences.

Accepting the award, Jolie said she still feels «wonder at the privilege of being able to work as an artist,» especially because for past generations of women, «the freedom to pursue art and ideas independently, on equal footing, was a bitter dream.

«The Square» This was a peculiar year at the Cannes Film Festival, as a generation of filmmakers who follow in the footsteps of Michael Haneke and his austere brand of social critique managed to outshine the artist who inspired them: Yorgos Lanthimos» «The Killing a Sacred Deer,» Andrey Zvyagintsev's «Loveless» and this sprawling Palme d'Or winner from Swedish director Ruben Ostlund were each fresh provocations, while Haneke's «Happy End» felt like a worn - out greatest - hits record.

You can't move mountains by whispering at them.P!nkShes become one of the most successful music artists of her generation ~ selling more than 50...

Staying at the multi award winning Rawnsley Park Station, «Pedal the Pound» takes you on a journey that helps you understand why generations of geologists, artists, environmentalists and campers have been captivated by the Flinders Ranges.

Ubud is about an hour's drive from the airport and once you reach De Munut Balinese Resort you will be in an oasis of the fascinating Balinese culture at its strongest and the incredible landscapes that surround you and has inspired the painters» and artists communities for generations.

At least 2 years of experience as a tech artist in a current generation console or a PC game project or at leaAt least 2 years of experience as a tech artist in a current generation console or a PC game project or at leaat least

At least 2 years of experience as a Level Artist in a current generation console or a PC game project or at least one shipped title for any of the following platforms: PS4, Xbox One, Wii U, At least 2 years of experience as a Level Artist in a current generation console or a PC game project or at least one shipped title for any of the following platforms: PS4, Xbox One, Wii U, at least one shipped title for any of the following platforms: PS4, Xbox One, Wii U, PC

In working directly with the core creators at Lucafilm Animation, Virtuos artists have once again helped bring the magic of Star Wars to a whole new generation of youth.

A Character Artist at our BioWare Austin studio will influence a new generation of character fidelity by utilizing their exceptional skills and working with the latest engine and tools.

Procedural generation taken at its face value, is simply the use of computing procedures to magnify the input of an artist.»

Perhaps a more effective way to «celebrate [me], [my] work and [my] contributions to not only the art world at large, but also a generation of black artists working in performance,» might be to curate multi-ethnic exhibitions that give American audiences the rare opportunity to measure directly the groundbreaking achievements of African American artists against those of their peers in «the art world at large.

Smolik writes: «In Moscow at the time, a whole generation of young artists, poets, musicians and scholars was revolting against the Western model of linear progress and modernization.

It was a generation that thumbed its nose at the art establishment, from the materials the artists utilized to the parameters they pushed.

Responding to «the generalization of the political» at the 1993 Whitney Biennial, Meyer gathered together an emerging generation of artists engaged in critical practices around institutions, including, but not limited to, museums.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

By this time, Tworkov had become one of the most respected artists of his generation and his presence at art schools around the globe was in high demand.

At the beginning of 2013 Tate Britain commissioned Adam Chodzko to create a new work in response to its Kurt Schwitters retrospective - a link between one generation of artists and another that, by chance, links the legacy of Marlborough to its future.

Lewis was the sole African - American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory.

In his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generation:

At this moment of renewed relevance, Bernard Buffet: Paintings from 1956 to 1999 reintroduces the artist's oeuvre to a new generation of American viewers, charting a history of the artist's development through a tightly focused selection of highlights from Buffet's career.

In his art he tackles social, ecological and economical questions, and at an international level, Rehberger is considered one of the most challenging artists of his generation.

Ironically (from an Owens perspective), the roster of figures Foster discusses — Cindy Sherman, Sherrie Levine, Richard Prince, Gretchen Bender and, working as a team, Jenny Holzer and Peter Nadin — includes two (Sherman and Prince) who are among the most celebrated artists of their generation, another who recently enjoyed a retrospective at the Whitney (Levine), and a fourth whose work has long been ubiquitous in museums and public spaces (Holzer).

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

The exhibition will be on view from November 20th, 2014 through January 10th, 2015 at Steven Kasher Gallery, exploring the connections / dissonances of artists from the Studio School across generations.

At this event, parallels and differences in the artistic practice of these two concept artists — two artists who belong to the same generation, but come from very different cultures and social backgrounds — will be discussed.

1957 She participated in the Artists of the New York School: Second Generation exhibition organized by Meyer Schapiro at the Jewish Museum in New York.

We want to build it to acknowledge the hugely important legacy of our alumni, and to ensure that future generations of artists get the inspiration and support they need to keep London at the centre of the contemporary art world for the next century.»

London Artist, Anthony Caro who was born in 1924 and is considered one of the most influential British sculptors of his generation, will be featured this summer at The Metropolitan Museum of Art.

Kathryn Markel Fine Arts will present two exhibitions, «Joanne Freeman: My Generation» and «Martina Nehrling: Saudade,» second solo shows at the gallery for each artist.

Along with artists like Kelley Walker (a friend with whom he often collaborates), Seth Price and Tauba Auerbach, Mr. Guyton is at the forefront of a generation that has been reconsidering both appropriation and abstract art through the 21st - century lens of technology.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 19at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

As with all too many artists of his generation, there is less public recognition of his important work at the moment.

Moderated by Ruba Katrib, Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together artists a generation or two removed from those featured in Other Primary Structures, whose work has been influenced by Minimalist tradition.

During the 1970s Viola was at the forefront of experimentation with the new medium of video, paving the way for subsequent generations of media artists.

Graphicstudio: Uncommon Practice at USF chronicles several aesthetic and technical conversations among artists of different generations.

Spring Fellow Nicol Mocchi visits «Munch and Expressionism», an exhibition at The Neue Galerie that explores the mutual influence and intense dialogue between Edvard Munch (1863 - 1944) and the generation of German - Austrian artists from the early 20th century.

By «us,» Salle meant one of the artists in «The Pictures Generation, 1974 — 1984,» an exhibition opening this month at the Metropolitan Museum of Art.

It omits Sigmar Polke, whose pop - culture - based, often tawdry paintings are at least a precedent, and Rosemarie Trockel, another female German artist of her generation struggling in a field that was and maybe still is unusually male.

The first U.S. exhibition to focus solely on the new post-Mao generation of Chinese artists offers a look at how China's mega-development has impacted its youth culture and spawned new art trends.